Dern
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FromthecreatorsofHulu’s“FyreFraud,”LuLaRichisatrue-condocuseriesaboutLuLaRoe,thewomen’sinternetapparelcompanythatwentfromfast-growingretailphenomenontoallegedviralmulti-levelmarketingscam.ThefourpartseriesstreamsSeptember10th,onlyonAmazonPrimeVideo.
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Rakkawasbornwiththeabilitytocommunicatewiththespiritsofthedead.Thisabilitytortureshim,astheyoftenappeartohelpsettletheirgrudgesorsolvetheirproblems.Rakkaoftenhelpspoliceuncovermurdersuspectsandwherevictimsareburied.Rakka’sabilitymakeshimostracizedatschool.RakkadecidestomovetoBogortolivewithhisuncle,Ajat,whoalsohasthesameability.Rakkameetsabeautifulghostwhocan’trememberhername.RakkabeginstobondwiththisghostnamedDinibecausesheistheonlypersonwhocanunderstandRakka.Diniforgetsherpastandhasnopurpose.Feelingpityforthissituation,RakkaintendstohelpDinirememberherpast.Meanwhile,athisnewschool,terrorappearsfromamysteriousghostfigurewhoisseenwearingabloodymask.SomeofRakka’sfriendsdisappeared.Rakkausesherabilitiestofindoutthereasonbehindthisghostterror.
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扎布·布雷特曼
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费德烈（贝尔纳·康潘 Bernard Campan 饰）带着老婆弗德莉奇（蕾雅·德吕盖 Lea Drucker 饰）跟可憎的儿子住在法国德龙省电一个小镇,生涯幸福圆满。一个炎天的薄暮,他们约请新街坊——计划师雨果（夏尔·贝尔林 Charles Berling 饰）来家里加入烤肉晚宴,席间,雨果异常慷慨地提到本人是个同性恋,绝不避忌他人的眼光。雨果的坦诚赢得费德烈的好感,他开端天天约雨果去晨跑,以男子的方法开阔来往,然而费德烈心中不免不时荡起荡漾,好像雨果的到来为他的生涯翻开另一扇门,让他看到了一个未知的本人……
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沃尔克·施隆多夫
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Die BRD in den 70er Jahren. über die heitere Anarchie kommt Rita Vogt zum Terrorismus, verführt durch ihren Gerechtigkeitssinn und durch die Liebe zu Andi. Als sie das Scheitern der Bewegung erkennt, taucht sie in der DDR unter. Mit Hilfe der Staatsicherheit, personifiziert in Erwin Hull, beginnt für sie dort unter anderem Namen eine neue Existenz. Rita führt sozusagen das normale Leben der Arbeiterklasse. Sie will ankommen, w?hrend ihre junge Kollegin Tatjana weg will, in den Westen. Zwischen beiden beginnt eine Freundschaft, der eine Fahndungsmeldung im Westfernsehen ein abruptes Ende setzt. Wieder muss Rita untertauchen. Mit einem neuen Namen in einer neuen Stadt scheint sie mehr Glück zu haben. Rita lernt im Urlaub den Studenten Jochen kennen. Er will sie mit nach Moskau nehmen. Doch dann wird Rita von ihrer Vergangenheit eingeholt, es ist das Jahr 1989 - die Mauer f?llt, die DDR h?rt auf zu bestehen...
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翁贝托·伦齐
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Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
