Kapon
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HAN Jay
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Same-sex couple Eunsoo and Yewon are living together happily. One day, a terrible traffic accident occurs and Eunsoo is seriously injured and her sister Eunhae dies. Eunsoo is disabled and Eunhae’s daughter Soomin became an orphan. Now Eunsoo and Yewon are in a position to take charge of Soomin. Take Me Home is a film that questions the meaning of a family. Right after the accident, Yewon says, “Are we not family? How can one abandon a family member because of what happened?” Eunsoo responds, “Family? Who acknowledges us as a family?” The three women live together as Yewon wished and they hope to be one family. They seem to be living like a happy (similar) family as they spend daily routines and visit the beach. But, like Eunsoo’s hopeless respond, the norms of the world prevent them from becoming one family. The true virtue of this film is in the ending. Instead of a happy or sad ending, this film, like DO Jonghwan’s poem ‘Ivy’, persistently chooses the road of happiness slowly without rushing even if it takes a detour.
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Abitofcolorforonce,allthebettertoseetheredflagswith,nottomentiontheobviousaerialfilefootageofWarsaw.ThestoryconcernsJozefMalesa,themasonorbricklayerofthetitle.Hewasoncethedarlingoftheparty,thesonoftwooldpartyactivists,aworkerofheroicreputation,hisowncommitmenttoTheMovementunquestioned.Hewaschosentobedestinedforgreatthings,speciallyeducatedandpushedforwardtopositionsofresponsibilityintheParty.Eventuallyhedecides,becau搜索引擎优化ftheethicalpressureswhichhefeelsfromtheobstructionismofthebureaucracyfromabove,heaskstoreturntobeasimplebricklayer.HeisdisturbedwiththewaythePartydealswithpeople,especiallytheirlackofdirectcontact.Hethinksworkersknowbetterthantheleadershipmanytimesbutthat’snotthewaypowerflows.Heisuncomfortablewiththecompromisestohisidealism.HeremainscommittedtosocialjusticeandjoinshisfriendsfortheMayDayrallywherehiscomfortandconfidenceinhisplaceinsocietycausehimtodefertonoman,certainlynoratfacedmeninovercoatswithredarmbands.Hisgreatpleasureinlifemoreoverislayingbrick.Hefindstheworksatisfyingandfulfillingwhichiswhyhewassuchanobviouslysuperiorworkerinthefirstplace.
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Porunpuadodebesoscuentalahistoriadeunachica,Sol,quetienequerehacersuvidaydecidehacerloemprendiendounahistoriadeamor.Poneunanuncioparabuscaralchicoideal,secitany,desdeelprimermomento,seenamoran,iniciandounintensoromancemarcadoporlasganasdevivirdeellaylasmentirasdeél.Puedenunpuadodebesoscambiarlavidadealguienparasiempre
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西村聪
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Theprotagonist,Masaru,hasjustinheritedabigfortuneafterthedeathofhisfather.However,peoplearetryingtogettheirhandsonitbyanymeansnecessary,evenifitmeanskillinghim.NarumihelpsMasarufrombeingkidnappedafterfightingstrangefigures.Hefindsoutthatthey’renothumans,butwoodenpuppetswithamazingstrength.Afterahardfight,Narumiisforcedtoadmitthathe’snoopponentforthem;andjustwhenhestartstothinkthatMasaruwillbecaptured,Shirogane,Masaru’swatcherarrivesfromFrancewithaweapon,thepuppetArlequin.HerebeginsthestoryofKarakuriCircus.
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有如秘境一般的荒郊野外，逡巡着一个有些落寞的中年垂钓者。他的生活一团混乱，老婆早先离家出走，女儿也患病在身。已过而立之年，却一事无成，俨然一个人生的完败者。他在岸边支起数根钓鱼竿，静静地等待鱼儿的上钩，然后恶狠狠地将它们切成块。太阳西垂，男人似乎没有返家的打算，依然故我地带在这片无人所在。突然，似有鱼儿咬钩，他奋力扯线，拼得精疲力竭，结果发现扯上来的竟是一具女尸（李贞贤饰）。男人惊恐万分，想要摆脱反被鱼线将他和女尸紧紧缠绕。不久女尸活转过来，惊魂未定的男人又不得不经历一次无常轮回的生离死别……本片采用IPone4拍摄，并荣获2011年柏林国际电影节最佳短片奖。
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梅兹·塔拉
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普朗（波莉雀娅·彭娜妮可 Preechaya Pongthananikorn 饰）是一名英语老师，她的一名学生想和男友吉姆（Sunny Suwanmethanon 饰）分手，于是用英文录了一段分手宣言，拜托普朗播放给吉姆听。哪想到伤心欲绝的吉姆竟然将过错怪罪到了普朗的头上，他觉得正是因为普朗教了女友英语，女友才会弃他而去。 时隔不久，吉姆再度找到了普朗，这一次，他竟然请求普朗教他英语，因为他想要出国挽回女友，于是，两人成为了师生。在相处的过程中，普朗发现了吉姆的善良和坚强，对他渐渐产生了好感，吉姆亦然，与此同时，一位名叫普雷克（Popetorn Soonthornyanakij 饰）的富有商人亦在热烈的追求着普朗。夹在两个男人中间，普朗会做出怎样的选择？
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笨手笨脚的停车场服务员Nong (Choosak Iamsuk 饰)和Teng (Pongsak Pongsuwan 饰) 被他们的黑帮老大(Phairoj Jaising 饰)派去将一个暗藏钻石的神像送给另一个黑帮老大Hia Sii (Andy Khemphimook 饰)。他俩本以为这只是一次简单的任务，于是在路上偷个小懒，不成想他们却被以Namtarn 队长(Jirada Yohara饰)为首的美艳女警给盯上了。一次简单的任务转瞬间变成了大祸临头……
