Dern

HBO的这部暴力,描述牢狱生涯的剧集是一部令人上瘾,激素窜升的番笕剧。第一季的8集给全部剧集设定了基调：大批演员塑造的雕栏表里真切的人物抽象,4,5个故事以倏地而令人梗塞的速率开展,并伴有末路怒而怪僻的旁述跟戏剧性增加的逝世亡率。由杀人犯（Homicide）的制片人TomFontana创作,这部剧集很快博得了“最暴力的电视节目”的名称。本片像是简略的化学反响：在一个范围的密封的容器内融会种种爆炸性的元素并使劲动摇Oswald劳教所（被监犯亲热的称为OZ）的黄砖路延长到“Emerald城”-用混凝土跟玻璃制作的干净的狱所,由牢狱改革提倡者TimMcManus羁系。第一季先容了两位最惹人注视标监犯：状师Beecher,从一个脆弱的羊羔酿成一个无畏的吸毒的山猫：另有穆斯林踊跃分子KareemSaid,一个凶悍的非暴力首脑,其牢狱改革活动终极以季末热潮的暴乱停止。第一季的演员另有：ErnieHudson-狱长,RitaMoreno-戒毒修女,EdieFalco-女巡查主座。

TheeighthseasonoftheBritishspyseries"MI-5 - "whichfollowssecretagentsastheyfoilevilplotsaroundtheglobe,beginswiththefalloutfromHarry’skidnappingbytheRussians.Amysteriousorganizationknownonlyas"Nightingale"istheongoingfocusoftheeightepisodes.AndLucas’relationshipwithCIAagentSarahCaulfied(GenevieveO’Reilly),reignitesconcernsoverhisloyalty.Thisseasonalsoseestheexitofoneofthefeworiginalcastmembers,MalcolmWynn-Jones.

FilminghasstartedonBBCTwo’scriticallyacclaimeddramaTheLastKingdom,fromCarnivalFilms.Thesecondseries,adaptedbyBAFTA-nominatedandRTSaward-winningwriterStephenButchardfromBernardCornwell’sbestsellingseriesofnovels,istoreturntoBBCTwonextyear,withNetflixjoiningasaco-productionpartner.Theemotionallycomplexandcompellinglandscapeofrevenge,rivalry,hostility,corruption,love,sex,loyaltyandfriendship,formsthebackdroptoagrippingadventurebasedonCornwell’snovels,TheLordsOfTheNorthandSwordSong–partofthehugelypopularbestsellingfranchiseTheLastKingdom.Setintheyear878 - thesecondseriesreturnsasfearlessandinstinctivewarriorUhtredcontinueshisfightforhisnativelandofNorthumbria.Uhtred,havinggivenhisswordtoKingAlfred,despitehisupbringingbytheinvadingpaganDanes,embarksonhisvoyagenorthtoreclaimhisownfate:toavengeEarlRagnar’sdeathandrecapturehisancestrallandsofBebbanburg.Alfred’sconvictiontocreateaunitedEnglandisstrongerthanever,andhesetshissightsonthewildlandsofthenorth,whichhavefallenintochaosandrebellion.ItisadangeroustimeforSaxonandDanealike,butAlfredchampionsanewking-aChristianDane-tounitethetribes.However,thiskinghasbeenenslaved,andUhtredbecomesembroiledinarescuemission,whichbringshimfacetofacewithanenemyofold.

里约热内卢的中央车站，朵拉（费尔南达-蒙特内格罗FernandaMontenegro饰）在这里帮人写信。但她会把看不顺眼的信统统撕掉不寄，甚至公开读信里的内容取乐。朵拉生活拮据，年纪不小却还未嫁，或许在她内心，人与人之间的真情根本就不值得信赖。小男孩约书亚（文尼西斯狄奥利维拉ViníciusdeOliveira饰）的出现令她开始了一段重新认识人生的旅程——约书亚很想见到远方素未谋面的父亲，不断写信给他。男孩母亲意外的车祸让朵拉决定陪伴约书亚前往东北部寻找父亲。在约书亚眼中，即使父亲很陌生，却总是骄傲地谈起父亲。而朵拉，也同样有着一段和父亲的痛苦往事。在约书亚寻父的过程中，朵拉因为往事而冰冻的内心慢慢回暖。

FilminghasstartedonBBCTwo’scriticallyacclaimeddramaTheLastKingdom,fromCarnivalFilms.Thesecondseries,adaptedbyBAFTA-nominatedandRTSaward-winningwriterStephenButchardfromBernardCornwell’sbestsellingseriesofnovels,istoreturntoBBCTwonextyear,withNetflixjoiningasaco-productionpartner.Theemotionallycomplexandcompellinglandscapeof...

With this new series Andrew Graham-Dixon returns to Europe taking us on a journey into the captivating watery world of the Low Countries and its art. This small myriad of regions we now know as Holland and Belgium produced some of the most celebrated names in art: Van Eyck, Bosch, Rembrandt, Rubens, Vermeer, Van Gogh, Mondrian and Magritte. As he travels by canal boat and of course by bicycle Andrew reveals just how important the Low Countries were in key moments in the development of western culture - the birth of oil painting in the late medieval ages, the triumph of the Dutch golden age, and the onset of polarizing modern art movements surrealism and abstraction. This is not the story of one nation, but of fluid, ever-shifting boundaries and the search for identity in an area that has always been politically contested. EPISODE ONE: The first episode will be about how the art of Renaissance Flanders e册ved from the craft of precious tapestries within the Duchy of Burgundy into a leading painting school in its own right. Starting his journey at the magnificent altarpiece of Ghent Cathedral created by the Van Eyck brothers Andrew explains their ground breaking innovation in oil painting and marvels how the colours they obtained can still remain so vibrant today. Andrew will describe how in the early Renaissance the most urgent preoccupation was not the advancement of learning, humanist or otherwise, but the Last Judgment. People believed they were living in the end of days; a subject popular with preachers and artists and intensely realized in swarming microscopic detail by Hieronymus Bosch. EPISODE TWO: In the second episode Andrew explores how the seemingly peaceful countries of Holland and Belgium – famous for their tulips and windmills, mussels and chips - were in fact forged in a crucible of conflict and division. He will examine how a period of economic boom driven for the first time by a burgeoning and secular middle class led to the Dutch Golden Age of the 17th Century. Andrew travels to Delft and Amsterdam to demonstrate the striking contrast between two of its greatest proponents, Rembrandt and Vermeer (one famed for his breathtakingly realistic domestic street scenes, the other for explosive rapid brushstrokes and raw colours, best exemplified in his contentious magnum opus – The Nightwatch.) Radically different in style, both men were united by the realization that they must become innovators in business as well as masters of their craft. Yet boom also meant bust - and in a story with very modern echoes they ultimately shared the same fate, financial destitution. EPISODE THREE: Following a brief period of decline, the third episode will look at how the entrepreneurial and industrious region of the Low Countries rose again to become a cultural leader in the modern age; how despite its small and apparent insignificance when stood up against the powerhouses of Europe it produced important forward thinking artists like Van Gogh, Mondrian, Magritte and Delvaux who changed the face of art forever. In this episode Andrew’s exhilarating journey takes us to a remote beach in North West Holland which inspired Mondrian’s transition to his now renowned abstract grid paintings.

　　The new series on Renaissance painting, written and presented by Matthew Collings, begins with an artistic investigation into one of the most radiant and beautiful images in all of art history, The Madonna of the Meadow, painted in 1505 - by Raphael.　　Renaissance art has become part of the 21st-century heritage industry but when Raphael was alive, it was a startling new form of visual expression, and Raphael's vibrant 'realism' was striking and fresh. It became the model for western art for the next 400 - years, right up until the birth of Modernism.　　As much as it was a cultural 'rebirth', the Renaissance was also a re册ution in ideas about reality. Matthew Collings sets out to remind us of how radical Renaissance paintings were when they were made, as well as opening our eyes to what is still truly great about them. In this programme he deconstructs The Madonna of the Meadow with the help of the very latest high-resolution digital technology, which allows him to explore the inner secrets of Raphael's painterly effects with a clarity and at a level of detail never before seen on television.　　As Matthew says, it is a journey 'to the other side of an illusion', revealing how Raphael created the alluring images that were so appealing to his wealthy Renaissance clients - including the Pope - and which entranced artists for centuries after his death. Matthew explains the secret to Raphael's vibrant colour harmonies, which the artist grasped intuitively, long before the advent of colour 'theory'; and Raphael also knew how to exploit colour effects to create the impression of extraordinary depth in his paintings.

老头子Woody（布鲁斯·邓恩 Bruce Dern 饰）收到一份广告，上面说他中了一百万大奖，对此他深信不疑，更决定从蒙大拿的比灵斯市步行到内布拉斯加的林肯市去领奖。他的妻子和两个儿子多次劝阻未果，最终小儿子David（威尔·福特 Will Forte 饰）决定开车载着他到林肯去领奖。去林肯的路上他们经过了Woody的老家，便决定去拜访那些久未谋面的亲戚们。Woody一家在那里短暂停留的几天里，整个小镇的人都知道Woody中了大奖，Woody顿时成了镇上的红人，接踵而来的是他的那些老债主们。David也渐渐了解了Woody那些不为人知的过去，对自己的父亲有了新的了解......©豆瓣

乔（Nina Petronzio饰）小大年事便拥有精彩的绘画禀赋,她勤恳地加入培训班,结识了挚友菲利克斯（Christopher Forrest饰）。在乔的心目中,文森特•梵高是她顶礼敬拜的人物,她的画风有着激烈的梵高着风。贩子温科勒（Vernon Dobtcheff饰）买下了乔一副农村油画,令乔始料不迭的是,温科勒竟回身以梵高童年作品的假话把画拍卖出去。乔跟菲利克斯决议捅破这个假话,揭露温科勒的欺骗手腕。但是,画毕竟被拍卖到何人手中,又怎样寻觅到这名卖主,告知他本相,让乔倍感难题。症结时辰,仍是梵高给了她生机跟气力,她以特有的童真跟不懈的毅力,不测有了一次跟梵高近间隔触摸的机遇,疑问居然水到渠成……©豆瓣

影片被设置在英格兰蔷薇战争末期，讲述英国都铎王朝时期的故事。兰开斯特王室宿敌约克王室理查德三世，在波斯沃平原之役中去世，他的侄子理查德四世接任，统治多年。理查德四世膝下两子，大儿子威尔士王子哈利（罗伯特·伊斯特RobertEast饰）本是众望所归的王位继承人，而他却是一个疯子。小儿子埃德蒙王子（罗温·艾金森RowanAtkinson饰）笨拙愚蠢又骄傲自大，被王室以及整个家族所不耻。然而就是这个自称“黑爵士一世”的埃德蒙王子，却试图从他的父王和哥哥手中夺取王位。在两个随从珀西（蒂姆·麦克纳尼TimMcInnerny饰），一个唯一尊重他的愚蠢贵族和鲍德里克（托尼·罗宾逊TonyRobinson饰），一个爱耍小聪明的农民的帮助下，开始了他们看似伟大的夺权计划。