Case、朱利安·沃克斯
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Sensitive wallflower Cara exists in her humdrum life until the appearance of charismatic Jay unlocks powerful desires within her. When Jay's beautiful French lover arrives, Cara's journey to self-discovery takes a dark and unexpected turn, with tragic consequences. Written by Official
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Anex-hackerisforcedtobreakintohigh-levelbankinginstitutions,anothermanmusttrytopenetratetheboobytrappedbuildingtogettheyoungmanoffthehotseat.
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李晨烨
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《脸盲少女的未知爱情》讲述的是少女鹿回是一个天生的重度脸盲症患者，习惯与人保持距离。德诚大学国际交流生朗承舟返校第一天就解救了被质疑抄袭的鹿回，没想到却被鹿回“三遇帅哥而不认”，不由得陷入深深的自我怀疑。朗承舟发誓要让鹿回拜倒在他的魅力之下，却被鹿回的坦率真诚、乐观善良打动，在接近鹿回的过程中先行沦陷。火力全开的朗承舟对鹿回展开了猛烈的追求攻势www.liuse.cc/l/s153622/在发现鹿回脸盲的秘密后更是化身男友力爆棚的骑士守护鹿回，并想尽办法让脸盲的鹿回记住自己。不知不觉中，他已经成为鹿回眼中特别的人。仿佛是命运的暗中指引，早有渊源的两人坠入爱河，一段百般波折但早已命中注定的恋爱大戏就此上演。
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TheMasterCleansecentersonaheartbrokenmanwhoattendsaspiritualretreat,onlytodiscoverthatthecoursereleasesmorethaneverydaytoxinsandtraumaticexperiences.
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沃尔克·施隆多夫
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Die BRD in den 70er Jahren. über die heitere Anarchie kommt Rita Vogt zum Terrorismus, verführt durch ihren Gerechtigkeitssinn und durch die Liebe zu Andi. Als sie das Scheitern der Bewegung erkennt, taucht sie in der DDR unter. Mit Hilfe der Staatsicherheit, personifiziert in Erwin Hull, beginnt für sie dort unter anderem Namen eine neue Existenz. Rita führt sozusagen das normale Leben der Arbeiterklasse. Sie will ankommen, w?hrend ihre junge Kollegin Tatjana weg will, in den Westen. Zwischen beiden beginnt eine Freundschaft, der eine Fahndungsmeldung im Westfernsehen ein abruptes Ende setzt. Wieder muss Rita untertauchen. Mit einem neuen Namen in einer neuen Stadt scheint sie mehr Glück zu haben. Rita lernt im Urlaub den Studenten Jochen kennen. Er will sie mit nach Moskau nehmen. Doch dann wird Rita von ihrer Vergangenheit eingeholt, es ist das Jahr 1989 - die Mauer f?llt, die DDR h?rt auf zu bestehen...
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翁贝托·伦齐
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Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
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索尔·巴斯
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号称是美国七十年代最非著名的一部科幻电影杰作，导演索尔·巴斯是设计师，还曾两次获过奥斯卡奖，但不知为何这部经典的心理科幻片至今都没出DVD。 Desert ants suddenly form a collective intelligence and begin to wage war on the desert inhabitants. It is up to two scientists and a stray girl they rescue from the ants to destroy them. But the ants have other ideas. Phase IV is an incredible full length feature film by Saul Bass who is most acclaimed as a graphic designer who's work can be seen as the opening credits from The Seven Year Itch, Vertigo, West Side Story to Alien, Broadcast News and Casino. Phase IV is a much overlooked film that is very much in the style of The Andromeda Strain. What it perhaps lacks in story, it gains in the photography of the millions of ants. 索尔·巴斯，美国动画片绘制家、美工师、导演，1920年5月8日生于纽约市，少年时曾经在布鲁克林学院学习绘画，毕业后从事过十年自由职业设计师的职业，1946年在洛杉矶创立索尔·巴斯合作公司。他在为一些影片进行美术设计时，猜出心裁地为片头片尾的演职人员表配上生动活泼的动画人物，这些动画人物的形态动作巧妙地提示了影片的主题，反映了影片的基调，从而使单调乏味的演职人员表和谐地成为了影片不可或缺的一部分，这种大胆的创新丰富了电影的表现形式，广受观众们的喜爱，其后为不少国家的影片所沿用。索尔·巴斯设计片头片尾的影片以《卡门·琼斯》(1955)、《红衣主教》(1963)等片最为著名。此外，他还监制和导演了很多电视广告片、动画片片和纪录片，如《敏锐的眼光》(1963)、《第四相》(1974)等。
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本片由两部电影组成，分别为昆汀·塔伦蒂诺（Quentin Tarantino）所拍的《死亡证据》，以及罗伯特·罗德里格兹（Robert Rodriguez）所拍的《恐怖星球》。 《死亡证据》讲述了一个变态杀手麦克（库尔特·拉塞尔 Kurt Russell 饰）用他的爱车谋杀四个美女的故事。他出没于公路边的酒吧，寻找猎物取得信任，然后在公路上通过车祸的方式残忍的杀害她们，同时自己也身负重伤，这就是他满足自己嗜血欲望的方式。这一次，他又盯上了四个目标，但这一次，他的直觉失灵了，这个恶贯满盈的杀人魔王终于遇到了他生命中最后的克星。 在《恐怖星球》里，小镇被嗜血的丧失包围，一种奇怪的病毒迅速传染开来。切瑞（罗丝·麦高恩 Rose McGowan 饰）是一个脱衣舞女郎，她遭到丧失的袭击失去了右腿。男友在她的残肢上装上了一挺机关枪，为了生存，也为了保护所爱的人，切瑞必须成为英雄。
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FOX台著名电视剧《BeverlyHills90210》，该剧及其续作《MelrosePlace》在美国与《Friends》(老友记)齐名。该剧从1990年到2000年共播出10季。这是一部讲述朋友之间关系的剧情类作品，故事的背景是落杉叽的富人区——贝弗利山，这些生长与富裕家庭的孩子们在高中相遇，相识，逐渐成为朋友，随着他们的慢慢长大，朋友们之间的关系开始发生变化，有些相互产生恋情，有些产生怨恨，直至他们升入大学，进入社会。本剧花费了10年时间，随着演员们的成长刻画了一群朋友们的成长。美国洛杉矶的比华利山(BeverlyHill)的邮政编码90210，这个编码可能是全美国最著名的，几乎人尽皆知。还因为比华利山是美国富豪和名人的聚居地，每当要标榜富贵人家的消费，富豪式的购物和居住地时，都会在电影、电视银幕上出现比华利山。
