Gaëlle
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比尔·杜克
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Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
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ChrisKeyser执笔﹑MarcWebb执导的Netflix新剧集定命为《新社会TheSociety》,这部剧被形容为《迷失Lost》与《苍蝇王LordoftheFlies》的混合体,讲述一群少年自一次短途旅行后,回到城镇时发现其他人都失踪了,而且主角们还变得无法离开此地。KathrynNewton饰演的女主角Allie,其余演员包括RachelKeller﹑GideonAdlon﹑JacquesColimon﹑OliviaDeJonge﹑AlexFitzalan﹑KristineFroseth﹑Jose
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1997年首播的「吸血鬼猎人巴菲」是1990年月前期的经典剧集之一。报告拥有特异功效的美女Buffy,同来自天堂的种种吸血鬼及灵异恶魔战役,实现禀赋任务的故事。剧集在传统的捉鬼片中,参加了芳华跟恋情的元素。扮演Buffy的Sarah Michelle Gellar是个美女,持续数年把持全美少年票选最佳电视女配角。别的,精彩的绝技局面!错综复杂的情节跟目炫瞭乱的捉鬼局面惹人入胜。 每个时期都有一个天选之子,径自反抗吸血鬼!恶魔跟暗中气力,她就是吸血鬼猎人Buffy Summers,世上独一能猎杀吸血鬼的女孩。她掉掉落好友人Willow跟Xander以及她的守望者Giles的赞助,猎杀吸血鬼的同时,尽力在家庭!友情跟恋情中找到均衡。
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盖尔·勒纳
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CheaperbytheDozen,areimaginingofthehitcomedyfrom“Blackish”producerKenyaBarris,willdebutonDisneyPlusin2022.Thestorycentersonablendedfamilyof12,navigatingahectichomelifeandtheirfamilybusiness.GabrielleUnionissettostar.
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Eminent Boston Psychiatrist, Frasier Crane, last seen gracing the bars of Cheers has left his life there to start afresh in Seattle. He now has a spot as a popular radio Psychiatrist, giving him the chance to spread words of wit and wisdom to the masses. He shares his apartment with his retired cop father, Martin, and his father's physical care assistant, Daphne Moon. Add in brother Niles, Eddie the dog, some bizarre situations and plenty of humour and you've got all the ingredients for an excellent show and worthy successor to Cheers.
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NichelleNicholsdauntingtasktolaunchanationalblitzforNASA,recruiting8,000ofthenationsbestandbrightest,includingthetrailblazingastronautswhobecamethefirstAfricanAmerican,AsianandLatinomenandwomentoflyinspace.
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斯蒂芬·弗雷斯
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夏洛特(凯茜·贝茨 Kathy Bates 饰)跟米雪儿(米歇尔·菲弗 Michelle Pfeiffer 饰)是多年迈友!闺蜜,她们已经是裙下臣甚众的外交花,现在光阴老去,只能在华屋美食间消磨时间回想旧事。夏洛特的儿子谢利(鲁伯特·弗兰德 Rupert Friend 饰)十九岁了,她很为儿子陷溺酒色担心,因而把他交给米雪儿管束。固然一个徐娘半老,一个风华正茂,但两人弗成防止地相爱了,米雪儿成了谢利的导师跟恋人,他密切地叫她“诺诺”,米雪儿为本人多年没领会过的灼热忱绪而畏惧,因这究竟是一段忌讳的关联。谢利弗成防止要走入婚姻,娶了同龄的巨室女孩,但跟米雪儿的关联却没方法容易了断…… 影片依据法国作家科莱特的同名小说改编。
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你有不想过你怙恃的性生涯?直到出柜跟仳离,莫莉跟艾丽也不晓得他们的怙恃新的性行动。茉莉(31岁,八年级先生)跟男子约会了一辈子,当她第一次爱上一个女人时,她本人也很惊奇。当她兴起勇气向住在郊区的怙恃公然本人的双性恋身份时,他们怜悯地否认了本人的身份——他们是一群游浪子,还举行了性派对。与此同时,33岁的创意总监艾丽(Elle)在得悉本人的怙恃仳离,而她的母亲(同时也是她的老板)与一个年青得能够当她欧巴的男子有染后,觉得非常震动。为了防止家庭决裂带来的疼痛,艾丽以以眼还眼的方法对她的母亲直接了抨击。当莫莉被摈弃的时间,她不宁愿地听取了她性成熟的怙恃的约会提议,愚笨地踏上了双性恋的约会天下,同时引诱着她粉碎的心。像生涯一样……
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RADIOGRAMissetin1971Bulgaria,undertheCommunistregime:whenanywesterninfluence,especiallymusic,isanationalthreat.AtimewhenradiostationslikeBBC,DeutscheWelleandRadioFreeEuropearemuffledandprohibitedandwhenallreligiousorganisationsarerestrainedandanysuchexpressionisbanned.Basedonatruestory,itfollowsafather,whowalksforalmost100kmtotownsohecanbuyanewradioforhisrock’nrollobsessedson.Thefilmisaboutmusic,freedomandidentity
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帕蒂·布莱斯纳奇
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一群医学院练习大夫某晚在病院四周酒吧玩乐时愚弄拥有窃视癖的病院干净工肯尼斯(安德鲁-李•波茨 Andrew-Lee Potts 饰),并戏虐他为“疯狗”。被逼喝酒适量的肯尼斯癫痫发生昏迷,成为动物人,就要被停止医治实行安泰逝世。倍感忸怩的练习大夫凯萨琳(阿莉尔•凯贝尔 Arielle Kebbel 饰)违背章程给肯尼斯打针了某种还在试验阶段的混杂药物,试图让肯尼斯尽早清醒,却没想到药物竟促进了肯尼斯魂魄出窍,附体到别人身上开端残暴的复仇行为。比及凯萨琳觉察出疑问地点,却为时已晚,肯尼斯的魂魄早已离开掌控,无论是生疏人仍是友人,乃至包含本人,凯萨琳还能信任谁!