Ramona
搜索"Ramona" ，找到 以下影视作品
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巴里·詹金斯
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奇伦（艾什顿·桑德斯 Ashton Sanders 饰）的母亲宝拉（娜奥米·哈里斯 Naomie Harris 饰）吸毒成瘾基本无意照料孩子,奇伦从小在孤单中长大,由于过于瘦小的身体而时常受到四周人的欺负跟作弄。一次偶尔中,奇伦结识了毒贩胡安（马赫沙拉·阿里 Maher shala Ali 饰）,今后,胡安跟其女友特蕾莎（加奈儿·梦奈 Janelle Monae 饰）的住处成为了奇伦的第二个家。 凯文（贾雷尔·杰罗姆 Jharrel Jerome 饰）是奇伦独一的友人,跟着时光的推移,两人之间的情感垂垂超出了友情。但是,为了隐蔽本人的性取向,凯文不得不在错误的鼓动下对奇伦大打脱手,之后,两人再也不见过面。一晃眼多年从前,奇伦溘然接到了凯文打来的德律风,两人终于决议正视各自心中真正的情感。
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斯特凡诺·洛维奇
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维多利亚·普契尼
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AgroupofcharactersisimplicatedinthebrutalmurderofAngelica,a17yogirlin册vedintosomethingbiggerthanher:theprosecutorElenaGuerra,whodiscoverstobeindissolublyclosetothevictim;RuggeroBaronerampantlawyerwhoconsidersthistrialthechanceofalifetime;LindaMonaco,theonlydefendant,whoinsistsclaimingherinnocence.Theyallwalkonarazor’sedgesearchingforthetruth,waitingforaverdict,whichwillestablish,inawayoranother,anewcoursefortheirlives
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Lazar
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Ederlezi Rising is an exciting science fiction romance set in near future about the pioneering space mission to Alpha Centauri undertaken by the multinational Ederlezi Corporation. Ederlezi recruits MIlutin a Slav cosmonaut trained in the newly reformed futuristic Soviet Union and accompanies him with Nimani, a female android programmed to fulfill whatever he desires.
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EderleziRisingisanexcitingsciencefictionromancesetinnearfutureaboutthepioneeringspacemissiontoAlphaCentauriundertakenbythemultinationalEderleziCorporation.EderlezirecruitsMIlutinaSlavcosmonauttrainedinthenewlyreformedfuturisticSovietUnionandaccompanieshimwithNimani,afemaleandroidprogrammedtofulfillwhateverhedesires.
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本剧依据英国同名剧集改编,很好地直接了「美外洋乡化」。这部剧集深入提醒了美国中下阶级一般家庭的生涯近况,种种百般「少儿不宜」的元素都有－－吸烟!酗酒!吸毒!滥交……与Showtime其余剧集「独身毒妈」!「假如另有来日」!「双面法医」等定位雷同。在这部剧集里,掉掉落艾美奖的William H. Macy表演有六个孩子的独身父亲Frank。他收入不高,终日酗酒,基本无论后代们的逝世活,不到20岁的大女儿Fiona（Emmy Rossum）不得不承当起照料五个弟妹以及养家生活的义务。读高三的Philip（Jeremy Allen White表演）外号「Lip」,固然四处无中生有,但进修还算勤奋。班上出了名的小荡妇Karen（Laura Slade Wiggins表演）老是在课后找Philip「独自领导」,并以口交作为「报答」。他们俩干那档子事的时间,Karen的母亲Sheila（Joan Cusack表演）就在厨房里烤甜饼,然而却假装不晓得。读高二的Ian（Cameron Monaghan）是个同性恋,课余时光在外地一家杂货店里打工。Ian跟老板Kesh坚持着机密的性关联。Kesh是个有家室的男子,膝下有两个孩子。只管Kesh是个穆斯林,但他的老婆倒是个白人,仍是个忠诚的基督教徒。只有10岁的Debbie（Emma Kenney表演）是家中「最畸形」的孩子,只不外……她有小偷小摸的缺点。与此同时,她8岁的弟弟Carl（Ethan Cutkosky表演）迫害植物成瘾,偷人家的自行车,并且还从教堂的捐献盘里偷钱,美其名曰是「补助家用」。没人留神的时间,整瓶整瓶喝啤酒是他最大的兴趣。最小的孩子Liam刚学会走路,是个彩色混血儿。他不是Frank的亲生儿子,而是Frank的老婆与Frank在戒酒会里的包管人「乱搞」生上去的孩子。Frank跟Fiona请不起保姆,只好百口人轮番照看Liam。等轮到Debbie的时间,她把Liam带到黉舍里当「展览品」。
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DomtellsthestoryofPedro,ahandsomeboyfromRiodeJaneiro’smiddleclasswhoisintroducedtococaineinhisteenyears,puttinghimonthepathtobecomingtheleaderofacriminalgangthatdominatedthetabloidsinRiointheearly2000s:PedroDom.Shiftingbetweenaction,adventureanddrama,DomalsofollowsPedro’sfatherVictorDantas,whoasateenager,makesadiscoveryatthebottomofthesea,reportsittotheauthoritiesandendsupjoiningthepoliceintelligenceservice.Theseriesshowsthejourneyoffatherandsonlivingoppositelives,oftenmirroringandcomplementingeachother,whilebothconfrontsituationswhichblurthelinesbetweenrightandwrong.StarringalongsideGabrielLeoneandFlavioTolezaniareFilipeBragança,RaquelVillar,IsabellaSantoni,RamonFrancisco,DigãoRibeiro,FabioLago,JuliaKonradandAndréMattos,amongothers.DomisdirectedbyVicenteKubruslyandBrenoSilveira,whoalsoleadsthewritingteam,whichincludesFabioMendes,HigiaIkeda,CarolinaNevesandMarceloVindicatto.TheseriesisproducedbyRenataBrandãoeRamonaBakkerfromConspiração.AntonioPintocomposedtheoriginalsoundtrack.
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Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
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Mixtetakesplaceinanall-malehighschoolwhengirlsareallowedinforthefirsttime.Setin1960sFrance,theserieslooksattherelationshipsandhormonalfireworksofthetime.Itwillcovertopicssuchaslove,emancipation,sexualityandself-acceptance
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SuperstaracapellagroupPentatonixisstrugglingtofindinspirationfortheirannualholidayalbum,andtheclockisticking.Tomakemattersworse,theirwell-intentionedbutmisguidedmanagermistakenlylockstheminamagicmailroom.ButwiththehelpofsomeDisneymagic,we'resoononawhirlwindtouraroundtheworld,discoveringholidaytraditionsandinspirationfromPentatonixfansallaroundtheglobe:fromTokyotoGrenada,GhanatoMexicoandIceland.Thefun-filledjourneyleadsthegrouptorealizethatwhereverwefindourselves,theholidaysoffertheperfectopportunitytodiscoverhowmuchwehaveincommonandthatitreallyisasmallworldafterall.
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LeonardodaVinci笔下画作《SalvatorMundi》自2017年以$4.5亿美元成交后，一举为世人所熟知，更被称为男版《MonaLisa》，殊不知这幅画最初是在NewOrleans一家乏人问津的拍卖行寻得，当时更仅以$1,100美元售出，在经过寻常的廉价工法修复时才真正令隐藏的精湛画技被重新注意，随后价值水涨船高，尽管至今仍有不少人质疑它出自LeonardodaVinci之手的真实性。而纪录片《TheLostLeonardo》便是以《SalvatorMundi》为题，深入探讨其神秘起源与阴暗面，同时除了艺术本身，更带到了伴随艺术的权力金钱斗争，背后牵扯的正式金字塔顶层的人与全球最具权势的艺术机构。
