Kaku
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彼得·库班（Peter Kuban）是一名匈牙利 流离失所者，也是二战 纳粹 集中营的幸存者。他在的里雅斯特（电影上映时是意大利和南斯拉夫之间的一座城市）偷偷乘坐一艘开往纽约的轮船。然而，他被船上官员发现并被美国当局拘留。当船抵达纽约市时，他声称自己有资格进入，根据那些在战争期间帮助盟军士兵的人的例外，但他所知道的关于他向敌人隐藏的伞兵的全部信息是，他的名字叫汤姆，他扮演纽约时代广场爵士乐队中的单簧管。由贝利督察领导的移民当局表示，如果没有更好的文件，他必须乘坐同一艘船 返回共产主义匈牙利，该船将于第二天早上出发。库班从船上跳到下面的码头逃脱，但摔断了一些肋骨，然后开始在时代广场夜总会寻找汤姆。彼得的照片和他因跳船而被通缉的标题贴满了该市小报的整个头版。他在一家餐馆遇到了一位名叫玛吉的失业工厂工人。当她从架子上偷一件外套时，她被发现并逃跑了。彼得跟踪她并帮助她躲避警察。他们去了她的公寓，在那里她尽力照顾他的伤势并了解他的故事。当她的女房东欣克利夫人威胁要因拖欠房租而驱逐她时，彼得把他所有的钱都给了玛吉。女房东的爱欺负人的儿子艾迪闯入，试图对玛吉为所欲为。彼得从躲藏处冲出来，开始与他打斗，但遭到殴打。玛吉用椅子把埃迪打倒，然后带着彼得逃走了。欣克利夫妇通知警方，声称彼得就是袭击者。随后，他因严重袭击而被当局追捕，被描述为危险且可能携带武器。与此同时，汤姆在一张废弃的报纸上发现了彼得的照片。他想去移民部门，但他那咄咄逼人、一心求婚的女友南希劝他去参加一个重要的试镜。汤姆给乐队领队杰克·蒂加登留下了深刻的印象，但他突然离开去试图帮助彼得。这对逃跑的夫妇试图躲进地铁，但被认出了。警察抓住了玛吉，但彼得却逃脱了。在接受当局询问时，她遇到了汤姆。听完彼得的故事后，贝利督察相信了彼得的故事，但前提是他们能够在早上 7 点船出发之前联系到他。此后，根据法律，彼得将因跳船而犯重罪，被驱逐出境，并且永远没有资格进入美国。三人开车四处寻找他。彼得受了重伤，滑进一辆空的出租车并倒下了。当滑稽舞者塔尼娅下班后投入其中时，她从报纸照片中认出了他。她带他去她的公寓休息和吃饭。当他问为什么时，她解释说她的真名是贝拉·扎科伊拉 (Bella Zakoyla)，而且她是一个“ Hunky”人。”。她的移民母亲表示同意，但她的小犯罪兄弟担心警察介入，说彼得的困境是联合国的责任。他们大声的争吵把他从隔壁房间的睡梦中吵醒。他溜走了，留下一张道歉的纸条。塔尼娅给她带来这么多麻烦。彼得按照弗雷迪的说法，在清晨前往联合国大楼。他在路上被认出，警察直接追踪他。玛吉、汤姆、贝利和两名军官在联合国大厅里追捕彼得。由于找不到任何人可以帮助他，他在一间空荡荡的会议室里发表了一段独白，会议室里标有联合国成员国代表的位置。他呼吁人们认识到世界的和平与自由需要每个人的和平与自由。在更加绝望的逃跑之后，彼得惊慌失措，走向屋顶，爬上护墙跳了下去。玛吉和汤姆找到了他，在最后一刻，汤姆的声音让彼得向后倒在屋顶上。所有人都向彼得保证他现在是安全的。
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奥斯卡·米绍
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Abandoned by her fiancé, an educated negro woman with a shocking past dedicates herself to helping a near bankrupt school for impoverished negro youths. Within Our Gates was created in response to The Birth of a Nation which depicted southern whites in need of the Ku Klux Klan to protect them from blood thirsty blacks. Micheaux shows the reality of Dixie racism in 1920, where a black man could be lynched for being in the wrong place at the wrong time.
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PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences. We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film. PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,
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DomtellsthestoryofPedro,ahandsomeboyfromRiodeJaneiro’smiddleclasswhoisintroducedtococaineinhisteenyears,puttinghimonthepathtobecomingtheleaderofacriminalgangthatdominatedthetabloidsinRiointheearly2000s:PedroDom.Shiftingbetweenaction,adventureanddrama,DomalsofollowsPedro’sfatherVictorDantas,whoasateenager,makesadiscoveryatthebottomofthesea,reportsittotheauthoritiesandendsupjoiningthepoliceintelligenceservice.Theseriesshowsthejourneyoffatherandsonlivingoppositelives,oftenmirroringandcomplementingeachother,whilebothconfrontsituationswhichblurthelinesbetweenrightandwrong.StarringalongsideGabrielLeoneandFlavioTolezaniareFilipeBragança,RaquelVillar,IsabellaSantoni,RamonFrancisco,DigãoRibeiro,FabioLago,JuliaKonradandAndréMattos,amongothers.DomisdirectedbyVicenteKubruslyandBrenoSilveira,whoalsoleadsthewritingteam,whichincludesFabioMendes,HigiaIkeda,CarolinaNevesandMarceloVindicatto.TheseriesisproducedbyRenataBrandãoeRamonaBakkerfromConspiração.AntonioPintocomposedtheoriginalsoundtrack.
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马克·驰瓦汗
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这部宫廷肥皂剧是E!频道历史上首个有剧本节目，剧情非常符合E!频道的特点（E!频道以报道娱乐新闻和八卦资讯、追踪名人绯闻轶事、解读情感关系而著称）。《王室》十分类似已经被取消的NBC剧集《列王纪》（Kings），故事发生在虚构的现代英国（虚构的英国王室家族），是寓言故事和警世故事的结合体，主要描述人们被权力、富贵和欲望腐蚀后所作出的疯狂行为。据称故事框架类似于莎士比亚戏剧《哈姆雷特》。不知道英国王室对该剧感激还是憎恨该剧把他们一个个描绘成阴险、无耻、下流、淫荡的形象……正如剧中人所说，「金钱、性爱、毒品和权力」是王室成员唯一关心的东西。剧中人Helena王后（ElizabethHurley）一针见血地指出了这个王室家族存在的问题：「我女儿的阴部出现在四大花边杂志的封面上，我儿子在和一个下人约会，我丈夫肩上压着（世界危机引发的）千斤重担。」这些事情全都发生在同一周内！@m.yakutv.cc
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Awealthyrais(aheadoflocaladministrationinTadzhikistan)buildshistoiletrightnexttothehouseofateacherinthevillage.Thearomasofthetoiletdisturbthelifeoftheteacher’sfamily;itisveryupsettingforthem.ButtheraisisalsoanewTadzhik(newmoney)andignoresthecomplaints.Moreover,everytimehevisitsthetoilet,heshamelesslystaresattheteacher’syoungwifeoverthefence.However,thepoweroftheraisissogreatthatnobodydarestoopposehim.Theteacherbuyscheaplyahomerightinfrontoftherais’shousefromanoldmananddecidestobuildapublictoiletthere.Itseemsthattheeraoffairytalesandlegendshasvanishedanditisnotpossibletomakefilm-parables.However,JamshedUsmonovcreatesfilm-parables.Ineveryoneofhisfilmsthereisacharactertellingalegendthatturnsthemeaningofthefilmallaround.InFlightoftheBeeitisataleaboutabee,whichsavedthelifeofanarmy:Onceuponatimeitwasacustomtokilloldpeoplewhoreachedacertainage.ButoneofthesoldiersofAlexandertheGreatdidn’thavethehearttokillhisfather.Hehidhiminhistravelingtrunkandcarrieditonhisbackduringmarches.Thearmycametoadesertandthewarriorsstartedtodiefromthirst.Nobodyknewhowtofindwater.Thefathersaidtohisson:Catchabee,tieawhitethreadtoitslegandfollowit.Itwilltakeyoutowater.Theyfoundwaterandthearmywassaved.Afterthatoldpeopleweresparedbecauseeverybodyrecognizedthemasasourceofwisdom.Thevillageteachertellsthisstorytohisstudentsatthebeginningofthefilm.ItisinterestingtonotehowinthefilmFlightoftheBeedifferentmentalitiesintermingledandco-existed.TheteacheristypicaloftheSovietintelligentsia:hewritesbooksthatnobodypublishes;helooksforjusticefromthegovernmentthathasneverbeenfairtohim.ThesurroundingsofthevillagearestillSoviet:theraishasLenin’sportraitinhisoffice;youngpeopleareidleanddrunkastheyalwayswereduringtheSovietera.Thenewcapitalists,thenewTadzhiksinthevillage,donotweardesignerjacketsanddonottalkoncellphones.Thenewmoneyispresentedinthecharacteroftherais.Ithasalmostafeudalquality;itisthepowerofalocallord.JamshedUsmonovhasauniquetalenttobalancethefunnyandserious,thesimpleandcomplicated.He,likenobodyelse,sensesthisborder,whereasimplestoryturnsintoaparableandfilmcharactersstandoutasarchetypesofdifferentperiodssettogetherinthegapoftimes.(kinokultura/GULNARAABIKEEVA)
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十次拜佛积德抵不外一次作歹行孽。 新锐计划师纳（James Maggie）筹划与其女友布恩（Siraphan Wattanajinda）自驾车到清迈玩耍,一日恰好离开纳的故乡,两人决议前往造访已两年未见的纳的母亲。纳的母亲尼达雅（Penpak Sirikul）是一名忠诚的释教徒,她镌谕纳与布恩在游览途中前往9座差其余寺庙参拜积德,但纳基本没放在心上。动死后纳偶遇童年玩伴（Paradorn Sirakovit）,此时的他已是一名行走僧侣,纳于是邀他一起上路。旅途中的三人发明,好像有人追随而来。当他们认识到追随而来的并非活人之时,所有都为时已晚。那被安葬已久的恐惧过往,正在清醒,要他们血债血偿…
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毛里齐奥·扎卡罗
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Successful businessman Thomas (about 55), who has chosen to live in Rome, has dedicated his whole life to his work. When his kind and understanding wife Elisa dies, however, his life takes a turn for the worse. His daughter Beatrice, who has broken off her studies and is now living in a mission in India, is more eager than ever to stay there now that her mother has died. Thomas, who always pictured a sensible life for his daughter, decides to go there himself and fetch her back. The chaotic conditions in India and the misery in the streets is all too much for him, yakubd.cc however, as are the charitable nuns who receive him at the mission. When Beatrice realizes why he has come, father and daughter have a fierce argument. Sister Beth, who supports Beatrice's decision, is a thorn in Thomas's side. Defeated, he leaves the fray # only to find he's missed his flight home. He has to wait a few days more for the next one, and during this time he changes his plans. Dressed in Indian clothing, he ...
