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以清洁房屋为生的单身母亲罗丝（艾美•亚当斯Amy Adams 饰）高中时曾是风光一时的校啦啦队员。当年男友迈克（史蒂夫•赞恩 Steve Zahn 饰）终于另娶他人，罗丝却与身为警察的迈克依然保持情人关系。罗丝八岁的儿子奥斯卡（杰森•斯佩瓦克 Jason Spevack 饰）因捣乱被学校开除，罗丝决定送儿子入私立学校学习。迈克告知罗丝犯罪现场清洁有利可图，于是罗丝与失业的妹妹诺拉（艾米丽•布朗特 Emily Blunt 饰）组成“阳光清洗公司”，专门清洁犯罪、事故现场，而做小生意的父亲乔（阿兰•阿金 Alan Arkin 饰）暂时照顾奥斯卡。可公司起步没多久，却因诺拉的失误造成了无可挽回的损失，姐妹二人也因此不欢而散……　　本片被提名2008年圣丹斯电影节评委会大奖。

BillyCampbell和KarineVanasse将主演CTV的一小时剧集《Cardinal》（暂定名）这部谋杀谜案剧根据GilesBlunt所著的JohnCardinal谜案系列小说第一部《FortyWordsForSorrow》改编，讲述了Campbell饰演的智慧、沉着、固执的侦探JohnCardinal，他来自阿冈昆湾的北部城市，身上背负着多年的多年的冤屈。Vanasse饰演Cardinal的搭档LiseDelorme，她是一个精明坚强、富有想象力和天生调查侦探才能的女人。本剧将在CTV的2016-2017时间段播出，最早将会在2016年2月开始制作拍摄。

故事发生在19世纪的英国，贝姬（奥利维亚·库克OliviaCooke饰）出生在贫寒的家庭之中，长大后，她和同样出生平凡的夏普先生结为了夫妻，尽管前途渺茫，但在贝姬的内心里，她从未放弃过进入上流社会的幻想。一次偶然中，贝姬进入了考利爵士（马丁·克鲁勒斯MartinClunes饰）家中，在那里，天资聪慧的她不仅得到了孩子们的喜爱，还获得了严苛的玛蒂尔达姑妈（弗朗西斯·德·拉·图瓦FrancesdelaTour饰）的赏识，这让贝姬看到了一丝希望。之后，贝姬遇见了久违的好友艾米利亚（克劳迪亚·杰西ClaudiaJessie饰），并和考利家的继承人罗顿（汤姆·巴特曼TomBateman饰）之间产生了感情。战争爆发了，罗顿和艾米利亚的丈夫乔治（查理·罗CharlieRowe饰）共同走上了战场，留下艾米利亚和贝姬，在乱世之...

在美国与墨西哥的界限有一块灰色地带,那边是毒贩跟杀手们的天堂,他们在此买卖火并,完整视执法为无物。凯特（艾米莉·布朗特 Emily Blunt 饰）是联邦考察局的捕快,内心怀揣着惩奸除恶的公理幻想,她离开此地,参加了联邦当局特种军队,成为了马特（乔什·布洛林 Josh Brolin 饰）的手下。亚历桑德罗（本尼西奥·德尔·托罗 Benicio Del Toro 饰）是已经卧底在毒枭身边的后任间谍,马特找到了他,生机教训丰硕的他可以成为行为小组的策略参谋,但是亲历过天堂的亚历桑德罗完整不按常理出牌,他的所作所为时常安慰着凯特软弱而又敏感的神经。跟着考察的深刻,逝世亡的气味覆盖着行为组内的每一自我,一次又一次与逝世神擦肩而过,凯特的三不雅开端产生摇动。©豆瓣

该剧根据真实故事讲述了几个角色的生活，讲述了决定志愿成为小丑的相爱和心碎的人的故事。第二季将聚焦在校生和大学生的爱情。Theshowfollowsthelivesofseveralcharacters,basedontruestories,oflovingandbroken-heartedpeoplewhodecidetovolunteerasclowns.Season2willfocusontheloveofschoolstudentsanduniversitystudents.

Itsasmallunknowntownwherethegovernmentsticksitssmartestandbrightestcitizens.在第二次世界大战期间，人们亲临了在广岛和长歧上空的蘑菇云之后，科学与应用科学的碰撞带来的灾难性对于我们世界的持续安全性来说，是显而易见的。美国几乎在核竞争中失败。世界不会再冒险召唤一次死亡的蘑菇云。在阿尔伯特·爱因斯坦和一些值得信任的顾问的帮助下，亨利·S·杜鲁门总统授权在偏远的大西洋西北进行一个住宅区发展计划。这是一个保护并且照料美国最有价值的脑力资源的地方。在那儿，我们国家最伟大的思想家，超级天才们致力于创造科学成就的新纪元，而他们的生活和工作会得到非常好的支持氛围。最好的建筑师和规划师们被委任为这些天才们设计一个受欢迎的地方定居。这个地方能为他们的孩子提供最好的教育，最好的医疗服务，最好的生活福利设施以及生活质量。这个社区的建设堪与美国最优美的田园风光小镇相媲美。只是它们之间有个重要的区别：这个小镇不会出现在任何地图上。至少无一不是被五角大楼划分于“只有眼睛”之类。就这样尤利卡小镇诞生了。但是对于所有熟知小镇的人来说。小镇拥有一切，但没有秩序。老派而健忘的教授因为某种原因而存在于小镇上；在过去五十年间，大多数科技上的突飞猛进都是尤利卡镇的精英研究者们取得的。然而不幸的是，科学的探索总是出乎人们的意料。经年的试验走了歪路，产生了怪异的副产品。从单相思到职业妒忌，从瘾君子到沮丧，尤利卡小镇人的问题源于每天生活中的大量挑战。由于小镇上人们无双的天赋，混乱的心理状态和短缺的资源，这些小镇的忧虑逐渐成为了一个大问题。在人性弱点和超级科学碰撞的十字路口，小镇开始……

出身标准富有阶级家庭的墨西哥青年胡里奥（GaelGarcíaBernal饰）与德诺（DiegoLuna饰）是一对儿死党，他们各自精力旺盛的女友结伴出国旅行，丢下两人为消磨漫长的无聊暑假犯愁。在德诺家举办的一次总统也亲临现场的宴会上，两人结识了德诺表哥的西班牙妻子露莎，并向她兜售通往传说中号称“天堂之门”的海滩之旅。一别多日，露莎惊闻丈夫出轨伤心欲绝，遂致电德诺要求参加海滩之旅。三人马上出发，于路露莎同两位大男孩无话不谈，并先后与德诺、胡里奥发生了关系，这让德诺与胡里奥的友情产生了裂痕，他们发现女友曾经同对方偷情后愤怒不已，但还是一同到达了天堂之门。这个夏天过后，一些关于青春的记忆永远留在了那片海滩上……本片获2002年洛杉矶电影节最佳外语片等几十项褒奖。

贝托（迭戈·鲁纳DiegoLuna饰）和塔托（盖尔·加西亚·贝纳尔GaelGarcíaBernal饰）是情同手足的亲兄弟，彼此之间感情十分要好。虽然兄弟两人并没有太过于精明的头脑，甚至常常傻里傻气的，但他们拥有着世界上最珍贵的纯洁心灵以及对于足球运动的天赋和热爱，兄弟两人最大的愿望就是能够攒钱给母亲盖一栋房子。一次偶然中，球探发现了贝托和塔托在足球上的天赋，于是招募了两人加入了专业的球队。很快，贝托和塔托便在运动界混出了头脸，一时之间，名声和财富纷至沓来，兄弟两人平凡的命运迎来了巨大的转变。可与此同时，兄弟两人之间的关系却开始动摇出现了裂痕。

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.

共跟体系崩塌,星河帝国的暗影覆盖着宇宙文化每一个角落。为了增强对对抗权势的弹压,塔金主义直接催生了一种足以捣毁星球的超等兵器——逝世星的出生,而物理迷信家盖伦·厄索（麦斯·米科尔森 Mads Mikkelsen 饰）恰是逝世星的重要计划者。厄索的女儿琴（菲丽希缇·琼斯 Felicity Jones 饰）在童年时期与怙恃阅历了生离逝世别,之后她被对抗构造首脑索•格雷拉（福里斯特·惠特克 Forest Whitaker 饰）所抚育长大。成年后琴罪恶累累,成为帝国的囚徒,终极却被对抗构造救出。从格雷拉那边她得悉逝世星的存在,并见证了一个都会的灰飞烟灭。但是义师联盟毅然不信逝世星的存在,万般无法琴跟飞翔员卡西安·安多（迭戈·鲁纳 Diego Luna 饰）等人孤身前去珍藏着逝世星计划图的星球,攸关全宇宙运气的战役拉开了尾声……故事依据1977年「星球大战：重生机」片头的一段笔墨改编。©豆瓣