Irvin、Berwick
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跟着生母的逝世跟继母的到来,Amrita Jayshankar变得孤介。父亲被叫到黉舍,原告诉她须要心思征询,但父亲谢绝信任,并且捐钱给黉舍。Amrita结识了3个男性跟一个女性,分离叫做Zuben!Dushant Sahu!Karan Chaudhary跟Tanya Sharma,他们在一同酗酒吸毒。厥后不当心杀了一对伉俪,事件得到了掌握,一个腐烂警员索要250万来帮他们摆脱,因为弄不到这笔钱,5人决议伪装绑架,向Amrita的父亲讹诈现金,洗刷本人的相干,于是Amrita“掉落”,其父亲报警,义务被调配给了曾被停职的警员Arvind Mathur,媒体也关涉此中…
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加布里埃尔·伯恩
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米拉·索维诺
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欧嘉·苏图洛娃
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亚历山大·拜尔
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亚历山大·阿卜杜洛夫
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弗拉基米尔·伊利因
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朱利亚·鲁特伯格
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米哈伊尔·叶夫列莫夫
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MikhailTrukhin
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叶甫根尼·希迪金
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Mikhail
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Trukhin
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瓦连京·佳夫特
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1941年第二次世界大战肆虐时期,德国纳粹入侵苏联。在经历长达4个月的攻坚战无果后,希特勒决定用饥饿和围困的方式夺取列宁格勒。纳粹围城三年,尸横遍野的列宁格勒成为一座死亡之城。英国女记者凯特·戴维斯(米拉·索维诺MiraSorvino饰)在前线采访时,与她的爱人美国记者菲利普·帕克(加布里埃尔·伯恩GabrielByrne饰)失散,被困列宁格勒。孤立无援的凯特幸得列宁格勒义勇军女警妮娜(欧嘉·苏图洛娃OlgaSutulova饰)的帮助与庇护。两人坚守在冰天雪地的战火之中,与饱受饥饿折磨的苏联军民一起,为生存而战。
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"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
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Danny, a respected cop, is setup after an investigation goes wrong. While laying low in his new jail cell, Danny is forced to get in册ved in the inmates underground cage fighting circuit. With the help of Irving, a former mixed martial arts champion, Danny devises a scheme to bring justice and innocence to his family's name, if he can get out of the cage alive.
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「欢送光顾贝拉的奇幻花圃」是一则可憎的古代童话,剧情环绕妄想成为童书作家的强制症女孩!与特性怪僻的园艺巨匠在伦敦相遇,为了发明一座奇幻花圃而开展出一段动听的友谊。片子由拍摄告白与拍照著名的英国导演赛门艾布执导,让英式花圃特有的五彩缤纷与浪漫在大银幕上怒放。 「欢送光顾贝拉的奇幻花圃」由气质出众的英国女星杰西卡·布朗·芬德利(Jessica Brown Findlay)扮演天生成涯循序渐进!却有一堆眉角的怪女孩,英国金奖影帝汤姆威金森(Tom Wilkinson)则扮演特性机车的园艺巨匠。本片还找来了「新世纪福尔摩斯」(Sherlock)的大反派安德鲁史考特(Andrew Scott),扮演片中的暖男厨师,以及「战马」的型男杰瑞米尔文(Jeremy Irvine)表演一位可憎的理工宅,集结多少位英国气力派演员同台竞飙演技,杰出可期。
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丽莎·布吕尔曼
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TheGirlBeforetellsthestoryofJane(GuguMbatha-Raw),whogetsthechancetomoveintoabeautiful,ultra-minimalisthousedesignedbyanenigmaticarchitect(DavidOyelowo).There’sjustonecatch:occupantshavetoabidebyhislistofexactingrules.Janestartstofeelthehousechangingherinunexpectedways,butwhenshemakestheshockingdiscoverythatherpredecessorEmmadiedinthehouse,she’sforcedtoconfrontunnervingsimilarities.Asthetwowomen’stimelinesinterweave,Janebeginstoquestionifherfatewillbethesameasthegirlbefore…
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在海湾战役中的山姆(Cuyle Carvin 饰)战役挂花,他得到了一只眼睛,亲近逝世亡。布兰登,他的好友人,是一个迷信家,他在研讨一种机密的血清,他始终在研讨生机能够挽救他的性命。但是反感化是未知的,山姆回家后,他的父亲也逝世了。山姆将怎样面临本人的生涯!
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约翰尼·诺克斯维
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Bad Grandpa .5 gives you a whole new perspective on the world of Irving Zisman with bonus scenes and pranks also featuring Spike Jonze as Gloria and Catherine Keener as Irvings wife Ellie, plus a look at the evolution of Johnny Knoxvilles naughty alter-ego, the makeup effects,