Rashad

ThesixthseasonofWithoutaTracebeganairinginUnitedStatesonSeptember27,2007.TwelveepisodeshadbeencompletedbeforetheWGAStrike.Afurthersixepisodeswereproducedaftertheendofthestrike,makingthistheshortestseasonofWithoutaTraceat18episodes.Thisseasonincludedacross-overwithCSI:CrimeSceneInvestigationinvolvingJackandGilGrissom...

ThisBritishespionagethrillercentersonateamofMI-5counter-terroristspiescollectivelyknownas’Spooks’becau搜索引擎优化ftheshadowynatureoftheirexistence.Technicallyspeaking,Spooksdon’tevenexist-theyhavenonames,identities,orknownlocations.Yetthesesecretagentsareallthatstandbetweenthenationandtheterroristswhotrytounderminenationalsecurity.MatthewMacfaydenheadsthecastasTomQuinn,amanstrugglingtodealwithhisdoublelife.

Theactorswerenevertoldinadvancewhatwasinstorefortheircharacters.Eachnewepisodewasjustasmuchasurpriseforthemasitwasfortheviewers.故事的背景设定在公元2257年，人类已经突破光速，开始大规模星际旅行及在太阳系附近殖民，与多个外星文明接触并有贸易联系。一天，一艘地球联邦的星际驱逐舰在探索未知星际空间的时候遇到一艘不明星船，因为误判对方意图而先敌开火。对方叫明巴利外星族（Minbari），比人类早进化发展几千年，其技术人类无法望其项背。不巧的是地球星船孤注一掷先敌开火的时候把灰色議會議長杜哈的给干掉了（那位老兄其实知道按大设计蓝图，明巴利必须与地球人联合并融合，这次到这里也不是闲逛，而是准备与地球人第一次亲密接触）。于是明巴利对地球开战，摧枯拉朽所向披糜，在对地球本土最后一击的过程中，明巴利却突然停止进攻并宣布投降。总之，停战后地球出资在中立空间建设“巴比伦空间站"，致力星际交流、谈判及和平合作。前面四座都被摧毁或莫名其妙消失，于是有了巴比伦5号。巴5军头Sheridan和明巴利大使笛嵐（Delenn）带领众喽罗，联合火星殖民地抵抗力量反对地球联邦通过谋杀政变而上台的独裁总统，联合各外星文明反击神秘黑暗种类——影族（Shadows），向佛隆人（Vorlon）说不，最终走上独立自主自力更生的发展文明道路。

JillMurphy的《TheWorstWitch》系列曾是罗琳的《HarryPotter》系列出版前最畅销的儿童奇幻小说之一，1986年改编为电影，1998年改编为电视剧，播出了四季，深受喜爱。2016年CBBC台决定重启这部剧，把故事背景搬到21世纪。故事讲述天真活泼的平凡女孩MildredHubble进入女巫学院，学习各种魔法课程，努力成为优秀的女巫。这里的院长Cackle女士和蔼可亲，副院长Hardbroom女士严厉得吓人。Mildred在学院结识了两位好朋友MaudSpellbody和EnidNightshade，也遇到了自己的宿敌——巫师家庭出身的EthelHallow。2016年5月，CBBC台公布了选角结果，MildredHubble由BellaRamsey饰演。第一季将于2016年夏季拍摄，2017年初播出。...

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.

警察兼律师NedRavine（阿曼德·阿山特ArmandAssante饰）自以为很了解女人，最近却被一个萍水相逢的女人LolaCain（肖恩·杨SeanYoung饰）缠上了，而他的女秘书Laura（雪琳·芬SherilynFenn饰）则因为丈夫的变态而神经兮兮。Ned深爱着他的妻子Lana，而Lana却背着他和修车工Frankie偷情，两人为了赢取Ned的巨额保险金，决定铤而走险，将Ned骗上火车将其杀死。同时，Ned的大仇人MaxShady也因为刑满出狱，准备找他报仇。Lana的计划进行得十分顺利，Max也计划在火车上向Ned报仇。然而在火车上，Lana却把枪瞄准了穿着和Ned一样西装的Max......本片恶搞了《双重赔偿》和《本能》等多部影片，笑料百出。

这对夫妻已经结婚十年，有两个孩子。一天，妻子弗朗西斯（莎拉·杰茜卡·帕克SarahJessicaParker饰）醍醐灌顶般地开始重新审视自己的人生和紧张的婚姻关系，却发现想要一刀两断、重新开始，可没想象得那么容易。这是一场很长很长的离婚的故事，它跟随着弗朗西斯和罗伯特（托马斯·哈登·丘奇ThomasHadenChurch饰），讲述了离婚中收拾残局的种种——不仅仅是两个人之间的事儿，还牵扯到孩子、朋友，有公共场合的尴尬碰面，还有私下婚姻咨询的重重困难。

Theoriginalcrime-solvingmeijubar.netseriesPrivateEyesisa10-episodeproceduraldramathatfollowsex-prohockeyplayerMattShade(JasonPriestley)whoirrevocablychangeshislifewhenhedecidestoteamupwithfierceP.I.AngieEverett(CindySampson)toformanunlikelyinvestigativepowerhouse.Throughtheirnewpartnership,Shadeisforcedtoexaminewhohehasbecomeandwhohewantstobe.OngoingepisodesfindShadeandAngieinvestigatinghigh-stakescrimesintheworldsofhorseracing,finedining,Toronto’svibranthip-hopscene,scandalousliterature,magicclubs,andmore.

故事产生在两伊战役时期,业已立室生子的Shideh（Narges Rashidi饰）盼望回到大黉舍园实现学业,但是汗青疑问使她的学业之梦彻底幻灭。她的老公Iraj（Bobby Naderi饰）是一名奇迹有成的大夫,Iraj未多少前接到征兵告诉,这让原来心境烦乱的Shideh更加烦躁不安。令人不快的辩论当时,一家三口凄凄死别。他们的小女儿Dorsa（Avin Manshadi 饰）夜晚无奈坦然入睡,Dorsa从小搭档那边据说了巨灵的恐惧故事,这让她心有惴惴,时辰担忧恐惧来临。　　烽火里家门口越来越近,逝世亡时辰威逼着这对孤独的母女,而超天然的景象也接踵在摇摇欲坠的家中产生……

“Self,weseeyou”|Officialteaser|CommuanOriginal.Thestoryofarelationshipthatisconnectedbythereflectionofamirror.Whentheidentityof"Tang"disappearedandwasreplacedbytheshadowof"Neo".Co-directedbyTuAsadaLikhitboonma,thecreatorsof“TriatTheSeries”.andNatsorSorawitMuangkaew,thewriteroftheSuphanhongAward-winningscreenplayfrom"Let'sgotogether"ProducedbyMaDiaoChukiatSakveerakul.Starringnewcomers,ZenBuraphaTrakulchuenwiratandTaitonTheeradejRungrueng.