Muse
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Harvie is a smart but a bit too lively boy with one ambition, to finish the last level of his computer game. Once in the Gamers Hall of Fame, his absent-minded father, would finally be proud of him. But finishing the game turns out to be only the start of a real adventure that takes Harvie, his dog Jerry, and his friend Monica deep into the forgotten realms of the city's old puppet museum.
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Afterhisparentsmysteriouslydisappearedeightyearsago,youngEricDalarasembarksonasearchforthetruthandentersafrighteningworld.HeandhissisterUmagrewupwiththeirmaternalgrandparents.Ericdecidestoleavehishomelandtoreturntotheplaceofhischildhood,CaboQwert,wherehewantstolookforanswersattheTierraIncógnitahorroramusementpark,s...
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史蒂芬·C·米勒
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已经一系列变乱让霍斯曼一家阅历了伟大的变化。在母亲逝世后,作为宗子的尼尔(约翰尼·韦斯顿 Jonny Weston 饰)因精力疑问与家人临时告别。两年之后,父亲泰瑞(皮特·霍登 Peter Holden 饰)迎娶新妻安吉拉(穆赛塔·万德 Musetta Vander 饰)。借此机遇,尼尔得以回抵家中,并与昼夜怀念的弟弟保列(盖特林·格里菲斯 Gattlin Griffith 饰)重聚。长久的快活并未连续多久,昔日的恶梦很快仰头。尼尔深信现在他的床下藏有恐惧魔鬼,而这所有好像也与母亲之逝世些许相干。他照旧神神叨叨的样子令父亲又忧愁又愤慨,孤单无助的他只有依附与本情面感最深的弟弟。 栖身暗中深处,时辰威逼着兄弟俩的恶魔,行将带来愈加难以忘记的恶梦……
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恩佐·巴博尼
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The movie concerns about Trinity(Terence Hill=Mario Girotti)a roguish and cocky gunman with fast weapon who works as bounty hunter.His brother Bambino(Bud Spencer)is sheriff in a village but is also an undercover thief which attempts execute a heist. The'll face off against a rich owner(Farley Granger) and a Mexican marauders who try evict to a Mormons group. They help to the pacific settles and the confrontation will be inevitable but is developed by means of successive fights without blood,neither gore or cruel murders.The violence isn't crude but slight and predominates the comedy and parody. The storyline is embarrassment and ridiculous but has its agreeable moments here and there.It's a spaghetti western with humor and narrates the usual issues:invincible antiheroes,spectacular showdown ,violent taking on but united to slapstick and simple humor.It's an entertained Italian western with adequate runtime where there are irony,tongue in check,shoot outs,numerous struggles and is quite funny and amused. Terence Hill is sympathetic,hilarious and likable; Bud Spencer is rough, two fisted,bouncing ,grumpy man but with good heart,their characters are similar to Stan Laurel and Oliver Hardy.The film is a spoof of famous films as ¨the magnificent seven¨ and ¨blazed saddles ¨but covered with spaghetti.The picture obtained a sequel with the same protagonists and director¨Trinity is still my name¨.Besides originated a series of awful imitations and copies. Rating:nice and bemused.
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Belgiandirector/screenwriterBertScholiersjumpsallovertheplaceinhisimaginativefeaturedebut.OnemomentweareinanAntwerppub,thenextwearewalkingacrossanexpanseofsnow,theninacosmicblackholeorchasingaflyingpineapple.ThisishowbestfriendsCharlieandHannah’sdrink-fuellednightpansoutafterswallowingamagicalsweetthatchangestheworldsurrealistically–alsoforeveryonearoundthem.Thelaconictwenty-somethingsrespondtotheseeventswithamusedamazement(whethertheywindupinapre-warbrothelorareblowntosmithereensbyanatombomb),allthewhilesaunteringalonganddiscussingthereallyimportantstuff:dealingwithexesandrelationships.LikeatrippingWoodyAllenorNoahBaumbach,Scholiersplayswithform,usinginventivevisualhumour,colourandblack-and-white,switchingaspectratiosandreferringtosilentmoviesandItaliangiallohorror.
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Inhernewdocumentary,OekeHoogendijk(TheNewRijksmuseum)delvesintotheworldoftheoldmasters.MyRembrandt,inherownwords,hasbecomean'epicartthriller',inwhichthefilmmakergivesafascinatinginsightintowhatmakestheworkoftheDutchmastersospecialandwhyhisarttouchespeoplesodeeply.
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查尔斯·弗伦德
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Captain Ambrose comes from a long line of distinguished sailors...but is all too susceptible to seasickness. After the war, he buys himself a nautical command on shore; a decrepit amusement pier at the British resort town Sandcastle-on-Sea, whose prim town council has outlawed arcade games as a form of gambling! Running the pier like a naval vessel, the captain's determination to make it a modern, going concern meets steady opposition. But with an unexpected new ally, he pursues a remarkable scheme to liberate his ship from land authorities...
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丽莎·戈尼克
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GabrielleiswritinganillustratedguidebookonsexcalledHowToDoIt.AtabooksigningshemeetsSaul,anestablishedmalewriterwhoisstraight.ShebothlovesandhateshisworkwhichhasseepedintohersecularJewishlifefromchildhood.ThemoreGabrielletellshimaboutherbookthemorehewantstoknowaboutherlife;therelationshipwithheryoungergirlfriendOliviaandherdeterminationtostopusingmypenisinsex.Asherbooktakesform,isSauljealousordesirous?TheirfriendshipistestedasisGabriellesrelationshipwithOlivia.Thefilmmusesonhowwewrite,howwedraw.Andthenatureofstoryandwhatitmakesusdo.
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迈克尔·柯蒂兹
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Doctor X (1932) is a First National/Warner Bros. horror and mystery film. Based on the play originally titled The Terror (New York, February 9, 1931) by Howard W. Comstock and Allen C. Miller,[1] it was directed by Michael Curtiz and stars Lee Tracy, Fay Wray, and Lionel Atwill. The film was produced before the Motion Picture Production Code was enforced. Themes such as murder, rape, cannibalism and prostitution are interwoven into the story. The film was one of the last films made, along with Warners' Mystery of the Wax Museum (1933), in the two-color Technicolor process. Black and white prints were shipped to small towns and to foreign markets, while color prints were reserved for major cities. PS. The Return of Doctor X (1939) link