Landscape
搜索"Landscape" ，找到 以下影视作品
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SixdadsgatherinruralOklahomaforaweekendfishingtrip.Asthemencasttheirrodsintotheriver,sharetheircatchoverdinner,andswapstoriesbesidethebonfire,welearnwhathasbroughtthemtothisscenicidyll:thelovefortheirtransandLGBTQchildren,theirfearsfortheirchildren’ssafety,andtheurgencytofightforthegroundonwhichtheyallstand.TheDadsisaquietmeditationonfatherhood,brotherhoodandmanhoodamidthechangingAmericanlandscape.
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丽贝卡·亨特
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丽贝卡·亨特
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First-timefeaturefilmmakerRebeca“Beba”Hunttundertakesanunflinchingexplorationofherownidentityintheremarkablecoming-of-agedocumentary/cinematicmemoirBEBA.ReflectingonherchildhoodandadolescenceinNewYorkCityasthedaughterofaDominicanfatherandVenezuelanmother,Hunttinvestigatesthehistorical,societal,andgenerationaltraumashe’sinheritedandpondershowthoseancientwoundshaveshapedher,whilesimultaneouslyconsideringtheuniversaltruthsthatconnectusallashumans.ThroughoutBEBA,Hunttsearchesforawaytoforgeherowncreativepathamidalandscapeofintenseracialandpoliticalunrest.Poetic,powerfulandprofound,BEBAisacourageous,deeplyhumanself-portraitofanAfro-Latinaartisthungryforknowledgeandyearningforconnection.
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尼古拉斯·佩雷达
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AcclaimedMexican-CanadianauteurNicolásPeredareturnstotheFestivalwithMinotaur,apendanttohis2009featureJuntos.ShotintheMexicoCityapartmentofPereda'ssignatureactorGabinoRodríguez,Minotaurisanincandescentchamberpiecethatobservesthreethirtysomethings(Rodríguez,LuisaPardoandFranciscoBarreiro)astheysleep,dream,read,andreceivevisitors(includingthehousekeeperwhotakescareofthem)intheircommunalspace.Alovelyandlethargicspelliscastasanambiguous,Marienbad-likelovetriangleemergesamongthetrio,conveyedthroughliterature(booksfunctionastelepathictransmittersanddefinersofrelationships),choreography,andtheacutephysicalpresenceofthethreeleads.ExtendingPereda'srecurringinterestsinclass,socialstructureandfamilyrelationsinMexicansocietyinitswraithlikefantasyofaleisureclassthatisquiteliterallysustainedinitsnarcolepticexistencebytheministrationsofthedomestichelp,MinotaurevokesthefilmsofTsaiMing-lianginitsdistendednaturalism,ritualisticsolitude,andcreationofacloisteredworldsuffusedwithlonging.ThesurrealauraofMinotaurseepsbeyondtheconfinesofthetrio'sapartmentintoastrange"nightwithoutdistance"inLoisPatiño'shallucinatoryportraitofbordersmugglingintheGerêsMountainsbetweenPortugalandGalicia.Castingrealtownsfolk,someofwhomweresmugglersintheiryouth,PatiñoplacestheirstifflyStraubianpresenceswithincross-processed,multilayeredtableauxofrocks,river,andtrees—anever-indeterminateplacethathasimbibedandbornewitnesstoinnumerable,desperateactsofsurvival.Conjuringaninstantinthememoryofalandscapefilledwithghosts,Nightwithoutdistanceextractsspellbindingfantasyfromthereal.
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50年代-60年代初波兰电影学院派的经典作品之一，堪称与同时代意大利导演安东尼奥尼的《奇遇》相比，改编自Józef Hen在社会主义波兰时期被禁的小说。 In 1960 his second film NIKT NIE WOLA NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time.
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In a cold and remote landscape, two strangers struggle to repair their broken pasts. A young man is on parole after serving time for attempting to murder the man who killed his girlfriend in a hit and run. A woman is released from a psychiatric facility far from her homeland. These two damaged strangers cross paths in the mountains in winter and fall into a complex intimate relationship, putting to the test their capacity to trust and heal.
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Fivechildrenagedbetween11and17whohavebeenrejectedbysocietyleavetowninsearchoftheirown"Kingdom".Theycrossamountainrange,roadsandrurallandscapes,andarebothvictimsandguiltypartiesontheirjourney.Theystealandlaunchattacksbutarealsorobbedandtorturedinturn…
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His days are grey and pathetic without any highlights to lift his spirits. Drudging away in Munich's last greenhouse, he is forced to produce roses for the wealthy using his mechanical hand. Yet in these days, this is still possible, because he has 999.999.999 - roses on hand. One day, she comes through the door and all he could ever want from that very moment was her. A brief moment was all it was as she had to return to work leaving him determined to abandon everything he was and had to fight for her heart... But all seemed to be in vain. Nothing mattered anymore. Not even the 999.999.999 - roses that were in his hand. Set in the distant future of Munich, graphic designer and filmmaker, Gerald Grunow moved his animation world. The houses, the landscapes and the people inhabiting this foreign land seem in their own way, surreal and not of this world. And yet, a classically romantic story in this imaginative backdrop of love and suffering is told, completely devoid of any dialog. This is ...
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Thisseriesofspectacularaerialjourneysrevealtheworld’smostremarkablenationsasthey’veneverbeenseenbefore.FromtheAcropolisinGreecetotheconstructionoftheworld’slongestbridgeinTurkey,andFinland’sgianticebreakingships.Thisallaccessaerialdocumentarylaysbarethetraditions,innovationsandbreakthroughsthatcontinuetoshapethesemodernnationstoday.EuropeFromAbove:TurkeyThisspectacularaerialjourneyacrossTurkey,revealshotairballoonsoverCappadocia,arecordbreakingbridgeandEurope’slastnomads.EuropeFromAbove:FinlandAspectacularaerialjourneyacrossFinland,revealsmegaicebreakingships,Europe’slastindigenouspeopleandtheweirdestsaunaintheworld.AerialdroneserviceinFinlandforNationalGeographicdocumentaryEuropethewondersfromaboveSeason2withDJIInspire2droneandDJIX7camera.AerialshotsweretakeninKilpisjarvi,IvaloandKemi.EuropeFromAbove:FranceAspectacularaerialjourneyacrossFrancerevealsaculturalpowerhousesetinavastlandscapeofcontrastsandsurprises.EuropeFromAbove:SwedenThisseriesofspectacularaerialjourneysrevealtheworld’smostremarkablenationsasthey’veneverbeenseenbefore.FromtheAcropolisinGreecetotheconstructionoftheworld’slongestbridgeinTurkey,andFinland’sgianticebreakingships.Thisallaccessaerialdocumentarylaysbarethetraditions,innovationsandbreakthroughsthatcontinuetoshapethesemodernnationstoday.SeriesProducer:MarkBridgeProducer&Directors:SelinaTSO,AndyBailey,TerryBlackExecutiveProducer:CarloMassarellaProductionExecutive:JasonHendriksenProductionManager:RenataPavelkaProduction:WindfallFilmsArgononGroupEuropeFromAbove:HungaryAspectacularaerialjourneyoverHungary,fromthecolourfulrooftopsofBudapest,toareal-lifeghosttownandEurope’sbiggesticerink.EuropeFromAbove:GreeceAspectacularaerialjourneyoverGreece,revealsancientmonuments,clifftopmonasteries,daringoceanclear-upsandrecordbreakingengineering.
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巴瑞·莱文森
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Tin Men is one of my favorite movies of all time. The thing that always strikes me whenever I watch this movie is that while the characters of Richard Dreyfuss and Danny DeVito are seemingly feuding non-stop throughout the movie, in reality they are actually kindred spirits. It's like they see themselves in the other but don't really like what they see. Barbara Hershey is great as the haggard housewife who looks for something more fulfilling in her life. All the supporting cast is excellent. I love the diner dialog which is reminiscent of Barry Levinson's previous film "Diner." The background scenes of Baltimore landscape add to the realistic atmosphere of the movie. Overall, I think this movie is vastly underrated. I'd love to see a sequel with Dreyfuss and DeVito as partners in a VW dealership.
