Kaliswa
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汤姆·方塔纳
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HBO的这部暴力,描述牢狱生涯的剧集是一部令人上瘾,激素窜升的番笕剧。第一季的8集给全部剧集设定了基调：大批演员塑造的雕栏表里真切的人物抽象,4,5个故事以倏地而令人梗塞的速率开展,并伴有末路怒而怪僻的旁述跟戏剧性增加的逝世亡率。由杀人犯（Homicide）的制片人TomFontana创作,这部剧集很快博得了“最暴力的电视节目”的名称。本片像是简略的化学反响：在一个范围的密封的容器内融会种种爆炸性的元素并使劲动摇Oswald劳教所（被监犯亲热的称为OZ）的黄砖路延长到“Emerald城”-用混凝土跟玻璃制作的干净的狱所,由牢狱改革提倡者TimMcManus羁系。第一季先容了两位最惹人注视标监犯：状师Beecher,从一个脆弱的羊羔酿成一个无畏的吸毒的山猫：另有穆斯林踊跃分子KareemSaid,一个凶悍的非暴力首脑,其牢狱改革活动终极以季末热潮的暴乱停止。第一季的演员另有：ErnieHudson-狱长,RitaMoreno-戒毒修女,EdieFalco-女巡查主座。
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年迈的法兰基（克林特·伊斯特伍德 Clint Eastwood 饰）是一个有名的拳击教练，他的徒弟在拳击场上战绩辉煌。但因为太过于投身与拳击事业，忽略了家人的感受，法兰基与女儿的关系长期冰封，他亦因此陷入了长期的自我封闭和压抑。一天，一个对拳击有强烈兴趣的女子麦琪（希拉里·斯万克 Hilary Swank 饰）走进训练馆，请求法兰基受为门徒。坚毅的决心软化了法兰基，他终于决定把麦琪培养成出色的女拳击手。尽管路很艰辛，但是二人在训练和比赛中默契的相处磨合，令法兰基内心得到了亲情的抚慰，而麦琪也登上了拳击场。勇气和梦想让他们放下了往日的痛苦，心中有了新的力量。本片荣获第77届奥斯卡最佳影片、最佳导演、最佳女主角、最佳男配角4项大奖。©豆瓣
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With this new series Andrew Graham-Dixon returns to Europe taking us on a journey into the captivating watery world of the Low Countries and its art. This small myriad of regions we now know as Holland and Belgium produced some of the most celebrated names in art: Van Eyck, Bosch, Rembrandt, Rubens, Vermeer, Van Gogh, Mondrian and Magritte. As he travels by canal boat and of course by bicycle Andrew reveals just how important the Low Countries were in key moments in the development of western culture - the birth of oil painting in the late medieval ages, the triumph of the Dutch golden age, and the onset of polarizing modern art movements surrealism and abstraction. This is not the story of one nation, but of fluid, ever-shifting boundaries and the search for identity in an area that has always been politically contested. EPISODE ONE: The first episode will be about how the art of Renaissance Flanders e册ved from the craft of precious tapestries within the Duchy of Burgundy into a leading painting school in its own right. Starting his journey at the magnificent altarpiece of Ghent Cathedral created by the Van Eyck brothers Andrew explains their ground breaking innovation in oil painting and marvels how the colours they obtained can still remain so vibrant today. Andrew will describe how in the early Renaissance the most urgent preoccupation was not the advancement of learning, humanist or otherwise, but the Last Judgment. People believed they were living in the end of days; a subject popular with preachers and artists and intensely realized in swarming microscopic detail by Hieronymus Bosch. EPISODE TWO: In the second episode Andrew explores how the seemingly peaceful countries of Holland and Belgium – famous for their tulips and windmills, mussels and chips - were in fact forged in a crucible of conflict and division. He will examine how a period of economic boom driven for the first time by a burgeoning and secular middle class led to the Dutch Golden Age of the 17th Century. Andrew travels to Delft and Amsterdam to demonstrate the striking contrast between two of its greatest proponents, Rembrandt and Vermeer (one famed for his breathtakingly realistic domestic street scenes, the other for explosive rapid brushstrokes and raw colours, best exemplified in his contentious magnum opus – The Nightwatch.) Radically different in style, both men were united by the realization that they must become innovators in business as well as masters of their craft. Yet boom also meant bust - and in a story with very modern echoes they ultimately shared the same fate, financial destitution. EPISODE THREE: Following a brief period of decline, the third episode will look at how the entrepreneurial and industrious region of the Low Countries rose again to become a cultural leader in the modern age; how despite its small and apparent insignificance when stood up against the powerhouses of Europe it produced important forward thinking artists like Van Gogh, Mondrian, Magritte and Delvaux who changed the face of art forever. In this episode Andrew’s exhilarating journey takes us to a remote beach in North West Holland which inspired Mondrian’s transition to his now renowned abstract grid paintings.
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斯蒂夫·康拉德
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Johnmustmakeachoiceatthetrainplatform-befreefromhisobligationsandadversariesbylettingAgathetakethemoneyorpursueher,atgreatrisktohimself,inanefforttoprotecthisbrother,father,andcountry.Meanwhile,hisfatherpresentsaperilouswayoutofitall:findandassassinateCantarWalleyinParis.
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JustasBuffywasintendedtocaptureameijubar.netsenseofthesuburbanoppressionexperiencedbymanyteens,Angeldepictedthefeelingsofloneliness,dangerandcallousnessoftenattributedtotheurbanLosAngelesmegalopolis.Thedivisionsbetweentheorderedworldofthedayandthechaoticworldofthenighthavebeentrademarkthemesofnoirandbydepictingaprotagonistwholiterallyhasnodaytimelife,theserieswasabletoexplorethesesamethemesinmoredramaticmetaphoricalways.
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女主人公LeslieKnope（AmyPoehler）是印第安纳州Pawnee地区「公园与公共娱乐部门」的中层官员。为了美化自己的家园，Leslie选择了一个看似简单的计划：帮助护士AnnPerkins（RashidaJones）将一处废地（深坑）变为一个社区公园。Leslie的同事TomHaverford（AzizAnsari）是个为了私利而一心向上爬的家伙，他经常给Leslie「帮倒忙」。Leslie的上司RonSwanson（NickOfferman）虽然位居高官，却是个顽固的无政府主义者，他的言行观点给Leslie带来很大阻力。城市规划师MarkBrendanawicz（PaulSchneider）则坚定地站在Leslie这一边，但15年的公共服务生涯，也搞坏了他的脾气和对未来的看法。Leslie希望借助自己的成功来影响大学实习生April（AubreyPlaza）及April这一代人。她有个一直没有对人提及的「终极目标」－－她决心成为美国历史上第一位女总统。
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第三季一开场,Earl适应铁窗生涯遇到困难,尤其当他与狱中霸王起冲突时.监狱外也是麻烦不断,Randy无法适应没有Earl的生活,Joy开始照顾这个孩子气的男人.监狱长(CraigT.Nelson)求助于Earl结束狱中不断升级的群殴,同时Randy依然无法适应没有Earl的生活,努力想与他的狱中兄弟重聚。这是GregGarcia笔下所创造的人物。《MyNameisEarl》是Garcia和MarcBuckland一起写的故事，由20世纪福克斯电视台拍摄。Earl’slifehasbeenfullofpoorchoicesandmistakes,butafterwinningasmalllotteryjackpothehasanepiphanyandvowstochangehisways.Upondiscoveringthatheistheholderofawinningticket,Earlishitbyacarandtheticketblowsoutofhislimphandasheliesunconsciousinthestreet.Whilerecoveringinthehospitalandwatchingtelevision,Earlhasakarmicepiphany,thankstoCarsonDaly,whoattributeshissuccesstodoinggoodforothers.AlightbulbgoesoffinEarl’sdimheadandhesetsouttorighteverywronghehasdonestartingwithagradeschoolgeek.
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JustasBuffywasintendedtomeijubar.netcaptureasenseofthesuburbanoppressionexperiencedbymanyteens,Angeldepictedthefeelingsofloneliness,dangerandcallousnessoftenattributedtotheurbanLosAngelesmegalopolis.Thedivisionsbetweentheorderedworldofthedayandthechaoticworldofthenighthavebeentrademarkthemesofnoirandbydepictingaprotagonistwholiterallyhasnodaytimelife,theserieswasabletoexplorethesesamethemesinmoredramaticmetaphoricalways.
