Algar
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Discoverthemagicthatconnectsus.Disney’sLaunchpaddebutswithsixoriginalshortfilmsfromuniqueperspectivesMay28onDisney+.Theshortfilmsandfilmmakersinthisfirstseasonoftheseriesare:“AMERICANEID,”WrittenandDirectedbyAqsaAltaf.ProducersareLeslieOwenandSteakHouse;ExecutiveProducersareJulieAnnCrommett,MahinIbrahim,AlyssaNavarro,ChrisCaraballo,JasonAlvidrez,AdamNusinow,MaryColeman,NicoleGrindleandVanessaMorrison.Ameena,aMuslimPakistaniimmigrant,wakesuponEidtofindoutthatshehastogotoschool.Homesickandheartbroken,shegoesonamissiontomakeEidapublic-schoolholiday,andintheprocess,reconnectswithheroldersister,andembraceshernewhome,whilehernewhomeembracesher.“DINNERISSERVED,”DirectedbyHaoZheng,WrittenbyG.Wilson&HaoZheng.ProducersareShincyLuandSteakHouse;ExecutiveProducersareJulieAnnCrommett,MahinIbrahim,AlyssaNavarro,ChrisCaraballo,JasonAlvidrez,AdamNusinow,JessicaVirtueandRachelYeung.AChinesestudentataneliteU.S.boardingschoolrealizesexcellenceisnotenoughwhenhetriesoutforaleadershippositionnointernationalstudenthaseverappliedfor.“GROWINGFANGS,”WrittenandDirectedbyAnnMariePace.ProducersareGenevieveFaye,MelodySandovalandSteakHouse;ExecutiveProducersareJulieAnnCrommett,MahinIbrahim,AlyssaNavarro,ChrisCaraballo,JasonAlvidrez,AdamNusinow,OsnatShurerandHalimaHudson.ValGarcia,aMexican-Americanteenwhoishalfhuman/halfvampire,hashadtokeepheridentityasecretfrombothworlds.Butwhenherhumanbestfriendshowsupathermonster-infestedschool,shehastoconfronthertruth,heridentity,andherself.“THELASTOFTHECHUPACABRAS,”WrittenandDirectedbyJessicaMendezSiqueiros.ProducersareNicoleCrespoandSteakHouse;ExecutiveProducersareJulieAnnCrommett,MahinIbrahim,AlyssaNavarro,ChrisCaraballo,JasonAlvidrezandAdamNusinow.Inaworldwhereculturehasnearlyceasedtoexist,oneloneMexican-Americanstrugglingtocarryonhertraditionsunknowinglysummonsadarkandancientcreaturetoprotecther.“LET’SBETIGERS,”WrittenandDirectedbyStefanieAbelHorowitz.ProducersareSydneyFleischmannandSteakHouse;ExecutiveProducersareJulieAnnCrommett,MahinIbrahim,AlyssaNavarro,ChrisCaraballo,JasonAlvidrez,AdamNusinowandGrantCurtis.Avalon’snotreadytoprocessthelossofhermother,butwhenshe’sputinchargeofa4-year-oldforonenight,shefindsmorecomfortthansheevercouldhaveexpected.“THELITTLEPRINCE(SS),”WrittenandDirectedbyMoxiePeng.ProducersareCarverDiserensandSteakHouse;ExecutiveProducersareJulieAnnCrommett,MahinIbrahim,AlyssaNavarro,ChrisCaraballo,JasonAlvidrez,AdamNusinow,SarahShepardandKarenChau.WhenGabriel,a7-year-oldChinesekidwholovesballet,becomesfriendswithRob,anotherChinesekidfromschool,Rob’sdadgetssuspiciousaboutGabriel’sfemininebehavioranddecidestointervene.
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这部由EmiliadiGirolamo负责编剧的剧集讲述1992年的真实犯罪事件-RachelNickell强奸谋杀案。当时警方认为ColinStagg是真凶但却证据不足，而无奈之下年轻探长决定与国内一名犯罪侧写师合作，并进行一次十分大胆的卧底行动。NiamhAlgar饰演卧底警员LizzieJames，她被指派接近嫌疑犯ColinStagg并引诱对方。另外，现实是ColinStagg并非真凶，凶手真身是RobertNapper，而08年时英国内政部得向ColinStagg赔偿706000英镑。
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威廉·A·塞特尔
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John Kent (Randolph Scott), a former star football player at Harvard, goes to Paris with his friend Huck Haines (Fred Astaire) and the latter's dance band, the Wabash Indianians. Alexander Voyda (Luis Alberni) has booked the band, but refuses to let them play when he finds the musicians are not the Indians he expected, but merely from Indiana (Huck Haines and his Indianians Band). John turns to the only person he knows in Paris for help, his Aunt Minnie (Helen Westley), who owns the fashionable Roberta gown shop. While there, he meets her chief assistant (and secretly the head designer), Stephanie (Irene Dunne). John is quickly smitten with her. Meanwhile, Huck unexpectedly stumbles upon someone he knows very well. Countess Scharwenka, a temperamental customer at Roberta's, turns out to be his hometown sweetheart Lizzie Gatz (Ginger Rogers). She gets Huck's band an engagement at the nightclub where she is a featured entertainer. Two things trouble John. One is Ladislaw (Victor Varconi), the handsome Russian deposed prince and doorman who seems too interested in Stephanie. The other is the memory of Sophie (Claire Dodd), the snobbish, conceited girlfriend he left behind after a quarrel over his lack of sophistication and polish. When Aunt Minnie dies unexpectedly without leaving a will, John inherits the shop. Knowing nothing about women's fashion and that his aunt intended for Stephanie to inherit the business, he persuades Stephanie to remain as his partner. Correspondents flock to hear what a football player has to say about feminine fashions. Huck gives the answers, making a lot of weird statements about the innovations John is planning to introduce. Sophie arrives in Paris, attracted by John's good fortune. She enters the shop, looking for a dress, but is dissatisfied with everything Stephanie shows her. Huck persuades her to choose a gown that John had ordered discarded as too vulgar. When John sees her in it, they quarrel for the final time. John reproaches Stephanie for selling Sophie the gown. Terribly hurt, Stephanie quits the shop. With Roberta's putting on a fashion show in a week, Huck takes over the design work, with predictably bad results. When Stephanie sees his awful creations, she is persuaded to return to save Roberta's reputation. The show is a triumph, helped by the entertaining of Huck, Countess Scharwenka, and the band. (A pre-stardom Lucille Ball, with platinum blond hair, appears uncredited in her first RKO film[4] as a model wearing an elaborate feather cape, after the vocal by Dunne, in the fashion show.[5]) The closing sensation is a gown modeled by Stephanie herself. At the show, John overhears that she and Ladislaw are leaving Paris and mistakenly assumes that they have married. Later, he congratulates her for becoming a princess. When she informs him that Ladislaw is merely her cousin and that the title has been hers since birth, the lovers are reunited. Huck and Lizzie, who decide to get married, do a final tap dance sequel.
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Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
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J·布莱克森
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刚刚出现在《王牌特工：源起》的Gemma Arterton确认加盟由《我很在乎》导演Jonathan Blakeson在Disney 英国区确认开发的剧集《罪魁祸首》（Culprots），将和早前公开的其它演员一起参与到本周开始的拍摄中。 ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?这个项目被描述为一个劫盗类的剧集，是Disney 早前确认进军英国原创内容领域公布的首批项目；剧集以一个如今已分道扬镳的抢劫团队展开，当中的成员发现它们被一个神秘的杀 手当作目标，会接连将它们解决掉。 ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?参与剧集的还包括：《世代》“Sam” Nathan Stewart-Jarrett、《失落的秘符》“Peter”Eddie Izzard、《致命女人》“Taylor”Kirby Howell-Baptiste和《异星灾变》“Sue”Niamh Algar。
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RADIOGRAMissetin1971Bulgaria,undertheCommunistregime:whenanywesterninfluence,especiallymusic,isanationalthreat.AtimewhenradiostationslikeBBC,DeutscheWelleandRadioFreeEuropearemuffledandprohibitedandwhenallreligiousorganisationsarerestrainedandanysuchexpressionisbanned.Basedonatruestory,itfollowsafather,whowalksforalmost100kmtotownsohecanbuyanewradioforhisrock’nrollobsessedson.Thefilmisaboutmusic,freedomandidentity
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荣耀与尊重是在意大利Canale5上播放的一部电视剧。讲述的是几个不同意大利家族为荣耀和尊重作斗争的故事。该剧由四季组成，每季六集：第一季在2006年播出，第二季在2009年以及第三季在2012年播出。第四季，起初定于年初播出，后定于2015年9月1日播出。Mediaset（意大利最大的电视网之一，canale5也归其所有）重新宣布将会有第五季。第一季由SalvatoreSamperi执导，第二季由同一个Samperi（死于播出前）和LuigiParisi执导，第三、四由后者和AlessioInturi执导。这部电视剧也是ManuelaArcuri和GabrielGarko这对成功荧幕情侣的垫脚石
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罗布·西登格兰茨
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洛杉矶最炙手可热的辩护律师隆重回归，《林肯律师》第二季登场！米奇·海勒（曼努埃尔·加西亚-鲁尔福ManuelGarcia-Rulfo饰），他是离经叛道的理想主义者，以自己的林肯房车后座为执业基地，跑遍辽阔的洛杉矶，承接各种大小案件，伸张属于自己的正义。该剧改编自知名作家迈克尔·康纳利的畅销书系《林肯律师》，第2季以系列第四部小说《第五个证人》为本。第二季第1部7月6日上线，第2部8月3日上线。
