Wieren
搜索"Wieren" ，找到 以下影视作品
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Rebellious,irreverentwunderkindGülserennavigatesloneliness,loveandlossagainstthecurrentofpoliticalturmoilandsocialchange.
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马克·芬内尔
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Throughoutitsreign,theBritishEmpirestolealotofstuff.TodaythoseobjectsarehousedingenteelinstitutionsacrosstheUKandtheworld.Theyusuallycomewithpoliteplaques.Thisisaseriesaboutthenot-so-politehistorybehindthoseobjects.Eachepisode,award-winningjournalist,authorandgenetic-potluck,MarcFennell,picksoneartefactandtakesyouonthewild,evocative,sometimesfunny,oftentragicadventureofhowitgottowhereitistoday.TheseobjectswillultimatelyhelpusseetheCommonwealth—andourselves—today,inadifferentlight.
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罗德·拉申
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脉轮是14岁，过着精疲力竭的生活。他、他的父母和他的许多兄弟姐妹都在柬埔寨的稻田里一起工作。晚饭时，他们围坐在小木屋里的木桌旁，父子之间总是意见分歧。当一个朋友告诉查克拉在工厂赚钱的可能性时，这个男孩决定自己出发。但在途中，他落入了贩运人口的魔掌，被贩卖为奴隶。在他现在必须工作的泰国渔船上，船长的政权既残忍又武断。暴力、酷刑甚至谋杀都是当今社会的当务之急。脉轮意识到他唯一的希望就是摆脱折磨他的人。罗德·拉什金的第一部故事片是一部残酷而现实的描述柬埔寨强迫劳工处境的电影。这位澳大利亚导演的方法远远不够漂亮，无人能幸免。他的扣人心弦的电影是一个对社会不公正的激情见证，同时也是一个关于一个被考验人性的男孩的令人感动和震惊的成年故事。Chakrais14andleadsanexhaustinglife.He,hisparentsandhismanysiblingsallworktogetherinthericefieldsofCambodia.Atdinner,theycrowdaroundthewoodentableintheirsmallhut,andtherearealwaysdifferencesofopinionbetweenfatherandson.WhenafriendtellsChakraaboutthepossibilityofearningmoneyinafactory,theboydecidestosetoffonhisown.Butontheway,hefallsintotheclutchesofhumantraffickersandissoldintoslavelabour.OntheThaifishingboatwherehenowhastowork,thecaptain’sregimeisbothcruelandarbitrary.Violence,tortureandevenmurderaretheorderoftheday.Chakrarealisesthathisonlyhopeistogetridofhistormentors.RoddRathjen’sfirstfeaturefilmisabrutalyetrealisticdepictionofthesituationforCambodianforcedlabourers.ThisAustraliandirector’sapproachisfarfromprettyandsparesno-one.Hisgrippingfilmisapassionatetestimonyagainstsocialinjusticeand,atthesametime,atouchingandshockingcoming-of-agestoryaboutaboywhosehumanityisputtothetest.
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With their different approaches, these versatile comedians complement each other perfectly and bring outside perspectives to the stage.
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Withtheworld'smostrecognizablecityasitsbackdrop,LONDONKILLSwilldramatizetheexperiencesofateamoftopmurderdetectives.Slick,modernandfastmoving,theserieswillbeshotlikeacutting-edgedocumentary.EachepisodeofLONDONKILLSwillfocusonadifferentmurderfollowingthedetectivesastheyuncoverthetruthbehindthekillingbutwillalsohavease...
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保罗·辛普森
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A Medieval Knight resurrects to fulfill his vow and bestow a blood-thirst vengeance upon the kindred spirits of those who betrayed him long ago. In the course of one night, identities will be revealed, destinies met, and a poetic justice of the macabre maniacally served. Here lies a tale of passion, loyalty, deceit, betrayal...and revenge. They were Warriors. They were Crusaders. Under the leadership of the righteous GREGOIRE, this band of brothers in the Holy Order of the Knights Templar selflessly fought back-to-back, defending GOD and the True Cross. Until one dark night of utter betrayal... Glorious was their victory that night, gold their find. The spoils were to be taken to their Grandmaster for use in furthering their Cause. Yet greed had infected one of their number - RENAULT - and under the influence of the demon of lust, he embraced and fiendishly persuaded others to help him carry out his nefarious plan of betrayal. Among those whose hearts he blackened was the already resentful MENAS, envious of his brother MELKON, the man famed as being both the greatest swordsman in all of Europe and the right hand of Gregoire. The following morning Renault's heinous plot went into effect and Gregoire, Melkon and their beloved steward KOKO were ambushed and executed for purposes of greed. But as he lay dying, Gregoire vowed his revenge. Ten lifetimes of excess Renault and his murdering compatriots would enjoy. And then he would return to deliver their souls to Hell for all of eternity. Ten lifetimes of excess... The centuries pass and after 700 years, the allotted time of the evildoers nears culmination. One dark, stormy night, the Crusader, upon his steed, resurrects to execute his pledge of vengeance upon the now kindred spirits of those who victimized him so very long ago. The stage is set for retribution as an eclectic group assembles at a secluded manor home under the guise of a promised fantasy weekend to fulfill personal desires. JAKE, the events coordinator will have his hands full playing host to his young guests; CELINE, the alluring and promiscuous Eastern-European, ASHLEY, the contemptuous yet beautiful socialite, AMY, the innocent and meek girl-next-door, HURCOS, the predatory Middle-Eastern playboy, and JAPONIKO, the uninvited and mysterious Asian minimalist. SHAUNA, the abrasive Irish cook, and her cohort in crime BENOIT, the bone-idle English caretaker, along with the enigmatic PRIEST and the benevolent SHOPKEEPER, round out this unusual and extremely colorful cast of characters. Jake assigns the position of assistant recreational coordinator to Amy, and as she reads from an obscure storybook, the tale of Gregoire and his righteous band of Templar Knights animates, and the story of betrayal is reenacted for the guests. Blood will flow excessively as the cursed and unsuspecting kindred spirits meet their imminent destinies one-by-one during the Crusader's maniacal reprisal.
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Juliaisamother,orrather,oneofmanymothers,sisters,daughters,colleagues,whohavehadtheirlivestornapartbythewidespreadviolenceinacountrywagingawaragainstitswomen.JuliaissearchingforGer,herdaughter.Andinhersearch,shewillweavethroughthestoriesandstrugglesofthedifferentwomenshewillmeet.
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Can the Justice League prevail against an unstoppable intergalactic machine with the power to bend time itself! Until now, the Justice League has triumphed over every foe who has challenged them. This time, they face Brainiac, a super-intelligent invulnerable machine whose mad quest endangers all life in the galaxy. When Brainiac zaps Superman, Wonder Woman and Green Lantern to different places in time, the race is on for Batman and The Flash to re-assemble the Justice League!
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"Aleksei Gherman junior’s film The Last Train premiered in Moscow in mid December during the film festival Stalker, which also awarded it the prize for the best film. However, its first screening had already taken place in the ‘controcorrente’ competition of the Venice Film Festival in September. The film, dealing with theme of war and shot in black and white, remained unnoticed by the press in the context of the Venice Film Festival (preoccupied almost exclusively with Zviagintsev’s The Return), although it was awarded a prize. In Moscow, it made rather a different impression, especially when set in the context of films dealing with human rights issues.Gherman’s film is, in a sense, a response to his father’s war film 20 - Days without War. Maybe this explains the oddity of a young, clearly talented director venturing on his debut film into the trodden territories of the war film, a theme that dominated Russian cinema in general, but had also been dealt with by his father. For Gherman Junior, however, war knows neither winners nor losers: instead of exploring the history of WWII, Gherman looks at the fate of two men who have failed to make the right choice (or a choice) at the right time. Therefore, they are now the victims of circumstances, of politics, of regimes – which they have or have not elected. Gherman’s concern is with people in particular circumstances, which are not their choice, and how they cope with these unwanted situations.
