Tun

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真人快打传奇蝎子的复仇
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Plotunknown.Reportedlyananimatedprojectbasedmolikan.comonthelong-runningMortalKombatvideogamefranchise.
最后通牒:酷儿的爱第一季
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InTheUltimatum:QueerLove,fivenewcouples,madeupofwomenandnon-binarypeople,areatacrossroadsintheirrelationship.Onepartnerisreadyformarriage,theothermayhavedoubts.Anultimatumisissued.Andinjustovereightweeks,eachcouplewilleithergetmarried,orgetout,aftertheyeachchoosenewpotentialpartnersinalife-changingopportunitytogetaglimpseoftwodifferentfutures.TheUltimatum:QueerLovelaunchesMay24,onlyonNetflix.
致命来电
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Abusyworkingmotherhiresanursetocareforherwealthyfatherwhohasearlyonsetdementia.Soonabizarredeceptioncreepsintoplaywhentheseductivenursemakesaplayforthefamilyfortune.
养虎为患安特尔博士的故事
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ItunpacksthetruthaboutDocAntle,privatezoooperator.Witnessescomeforwardtosharetheirstoriesofabuseandintimidationthatsethimatthetopofthefoodchain.
2020年柏林新年音乐会
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Silvesterkonzert mit Kirill Petrenko und Diana Damrau 2020Zum ersten Mal leitet der neue Chefdirigent Kirill Petrenko das Silvesterkonzert der Berliner Philharmoniker – das zugleich eine neue schwung册le Facette in Petrenkos Repertoire enthüllt. Standen bei seinen bisherigen philharmonischen Konzerten deutsche und russische Komponisten im Zentrum, so geht es an diesem Abend musikalisch in die USA: mit T?nzen aus Bernsteins West Side Story und Gershwins Amerikaner in Paris. In Musical-Songs von Stephen Sondheim, Kurt Weill und anderen erleben wir zudem die Star-Sopranistin Diana Damrau.Berliner PhilharmonikerKirill Petrenko DirigentDiana Damrau SopranGeorge GershwinOuvertüre zum Musical Girl CrazyRichard Rodgers?If I loved you? aus CarouselDiana Damrau SopranLeonard Bernstein?I feel pretty? aus West Side StoryDiana Damrau SopranLeonard BernsteinSymphonische T?nze aus West Side StoryKurt WeillFoolish Heart aus One Touch of VenusDiana Damrau SopranKurt WeillLady in the Dark, Symphonic Nocturne (Suite, Bearbeitung von Robert Russell Bennett)Stephen SondheimSend in the clowns aus A little Night MusicDiana Damrau SopranHarold ArlenOver the Rainbow aus The Wizard of OzDiana Damrau SopranGeorge GershwinEin Amerikaner in Paris
哀神
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Whengo-godancerLucíanicksafortuneindesignerdrugsfromhermafiaemployers,themobsters’doggedpursuitforceshertoseeksanctuarywithherestrangedsisterRocíoandnieceAlbain“TheVenus,”adecrepitapartmentcomplexontheoutskirtsofMadrid.Asterrible,rotten,no-goodluckwouldhaveit,LucíasoonfindsherselfsoleguardiantolittleAlbaafterRocíosuddenlyfliestheconcretecoop,unabletohandlethesupernaturalstressoflivinginamonoliththatisapparentlyalsohosttoamalignantevil—onethatinvadesitstenants’wakingnightmares.TakingafewcuesfromH.P.Lovecraft’s“TheDreamsintheWitchHouse,”"Venus"pilesonthebloodandbombshellslikeadoublebillof"Demons2"and"TheSentinel".源自:https://poff.ee/en/film/venus/
残酷
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Constantlyonthehuntandsufferingfromhallucinationsthatdrivehisviolentnature,anunnamedmaniscapturingwomenandsavagelybeatingthemtodeath.Meanwhile,awomanisluringmenintoaviolentend,bywayofherknife.Drivenbythesameforcetomaketheoppositesexsuffer,thekillers’fatesintertwine.Thetwomustfaceoffinabattletothedeath,inwhichtheyareforcedtorevealthehorribletruthbehindtheiraddictiontomurder.“Brutal”takesaninterestingapproachtoitsvisuals,drawingheavyinfluencefromWestern“Grindhouse”films,usingafiltertomakethefootageappeargrainy,damaged,andwithlightandcolorfluctuations.Unfortunately,thevisualstylingendsupfeelingmisguided,asotherthanapplyingthefilteritdoesnotimitateanyotheraspectsofthe“Grindhouse”genre.Despitetryingtodirtyupthefilm,itisapparentitwasshotondigital.Thecinematographyisalsoastepabovemost“Grindhouse”productions,withTakashiHiroseprovinghehastalentbehindthecamera.Exteriorshotstothosetakingplaceinsmallspacesareallcompetentlyframed,lit,andtransitionwell.Thedecisiontoaddaneffectontopoftheworkhurtsthefilm’simageryandevengivesasenseofdesperationtotrytocaptureacertaintypeofnostalgiawiththeaudience,insteadofrelyingonitsownstrengths.Itisunfortunatewhenonecreativechoicecanhurtaproductionsomuch.Thestoryof“Brutal”issimplebuteffective,itdoesattemptsomesortofsocialcommentaryabouttheviolentnatureofmenandwomen,butitdoesnotofferenoughdepthintothesubjecttojustifytheamountofviolenceondisplay.Thefilmdoesendonastrongnotewithaninterestingtwist,witharevealthatisboundtogrosssomeout,whilegivingothersachuckle.Inspiteofitssimplenature,thosewhoenjoyfilmsthatmakethemsomewhatuncomfortableandenjoythechallengeofgettingthroughsomeultra-violence,“Brutal”posesafunandentertainingchallengeinthatregard.
心灵之地第一季
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HeartlandIsACanadianTelevisionDramaSeries,WhichDebutedOnCBCTelevisionOnOctober14,2007.TheSeriesIsLooselyBasedOnTheHeartlandBooksByLaurenBrooke.OnMarch7,2008CBCAnnouncedTheShowWillReturnForASecondSeason.OnJanuary20,2009,ItWasAnnouncedOnTheHeartlandBlogOnTheShowsOfficialWebsiteThatTheShowHasBeenRenewedForAThirdSeason.SetAgainstTheStunningVistasOfTheAlbertaRockyMountains,HeartlandIsASprawlingFamilyDramaThatFollowsSistersAmyAndLouFlemingAndTheirGrandfather,Jack,ThroughTheHighsAndLowsOfLifeOnAHorseRanch.AmyContinuesToKeepHerMother’sDreamAliveByHealingAbusedAndNeglectedHorses.
我爱她
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Thisstoryisaboutamusician,Natalie,whomovestoabigcityandtriesherluckatbecomingfamous.Andhereshefindsnotonlyagreatopportunityforhercareer,butalsoanewlovewithanothergirl,Anna.Theytwoareverydifferent:onepoor,theotheroneisrich,oneofthemwritesmusicandsings,theotheronecannothearorspeak…Theyareunitedbyloveforeachother,buttheirownfearsstandinthewayoftheirhappiness.Theybothgothroughdoubtsandpain.Whentheyfinallyfindcourageintheirhearts,itseemslikeitstoolate…Butdoestruelovehavetimelimits?HISTORYTheproposedfilmisbasedonshortfilmILOVEHER(2013).Thefilmparticipatedinsuchfilmfestivalsas:Frameline39,SanFranciscoInternationalLGBTQFilmFestival,MIXCOPENHAGEN,FestivalInternationalEntr2Marches(Cannesfilmfestival),BostonLGBTFilmFestival,TheBarcelonaInternationalLGTIBFilmFestival.//ThefilmalsoparticipatedinfilmfestivalsheldinMadrid,Paris,Seattle,Boston,London,Hamburg.Inwholethefilmparticipatedin28filmfestivalsof12countries(France,USA,Canada,Switzerland,Germany,Serbia,LatinAmerica,Turkey)and3continents(Europe,America,Asia).
我可爱的宾杜
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Fed up with the lack of critical appreciation despite being a successful writer, Abhimanyu Roy (Ayushmann Khurrana) returns to his roots in Kolkata to write more meaningful literature and decides on an old-fashioned love story - which was now, 3 - years in the making. This writer's block is called Bindu (Parineeti Chopra). How do you contain this unpredictable, crazy, restless, larger than life, live wire in the pages of a book? As Abhi says ''You know when a song comes on and you just have to dance? Bindu was that song. That silly infectious joyful tune you couldn't get out of your head - even if you wanted to." So where should he begin? Where should he end? But when Abhi stumbles across an old audio cassette of their favorite playlist, it sends Abhi down memory lane - and as he waltzes in and out of his past and present through the songs in the mixed tape, he finally faces reality and reconnects with his roots, with his family and his novel starts writing itself. Of course, life in ...
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