Martin·Cummins
搜索"Martin·Cummins" ，找到 以下影视作品
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梅勒妮·梅隆
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米歇尔（梅甘·洁特·马丁MeaghanJetteMartin饰）出生在一个并不富裕的家庭之中，因为父亲工作的缘故，米歇尔幼时常常搬家，因此身边并没有非常交心的朋友，个性敏感而又内向的她常常会因为自己的经历和出身感到自卑。这一次，米歇尔转入了北岸高中就读，在那里认识了校园女王曼蒂（玛雅拉·沃什MaiaraWalsh饰）和经常受到曼蒂霸凌的女孩艾比（詹妮弗·斯通JenniferStone饰）。受艾比父亲所托，米歇尔决定和艾比成为朋友，两人的出双入对很快就激怒了曼蒂，米歇尔的这一举动无异于当众忤逆曼蒂。于是，曼蒂将米歇尔也划入了敌人名单之中，开始对她进行猛烈的“攻击”。
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大家都晓得头戴面具惩奸除恶的“小丑”,但很少有人晓得一个名叫马克斯（Sven Martinek 饰）的男子,更不人晓得,宣扬高调的“小丑”跟遐迩闻名的马克斯实在是统一自我。女友克劳迪娅（Diana Frank 饰）的惨逝世让马克斯跟黑帮分子接下了不解之仇,也促使他踏上了布满血腥跟伤害的复仇之路。 一晃眼数年从前,现在的马克斯名义上只是一介小小保安,但末路怒的火焰却从未在他的心坎里停滞过熄灭。马克斯不惹上黑帮,黑帮却主动找上了门,他们绑架了马克斯的妹妹莉亚（伊娃·哈伯曼 Eva Habermann 饰）,还计划了一系列恐惧运动。上一次,因为不测跟忽视,马克斯痛掉所爱,这一次,他是否力挽狂澜呢！
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卡洛斯·莫瑞诺
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MartinGonzalezisalowerclassboywhodiscoverstheworldofdrugtraffickinginthewaytoupwardmobilityfundamentallytowintheloveofSophia,agoodgirl,aprioriunattainable,whichishislovesincechildhood.Hisboldness,unconsciousnessandyouthleadhimtobecomeactiveandvitalpartofthedangerousCartelNortedelValle,acriminalorganizationthatdefinesitselfasabloodthirstyandpowerfuldevicethatovercametheCaliCartelincunningmilitarypowerofcorruptionandeconomicstrength.Severalyearsofdrugandappropriate(bad)friendshelpedMartintomoveupthesyndicate,andfinallygettingtheattentionofSofiaandwinherlove.
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马提·卡伦
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改编自英国小说家马丁艾米斯(Martin Amis)1989年作品「伦敦疆场」。安柏赫德主演。以英国伦敦为配景,报告一个拥有预知将来才能的美人,她与3个差其余男子周旋,但是她已预知,此中一自我将会行刺她……
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尼古拉斯·洛佩兹
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来自智利圣地亚哥的格里格（伊莱·罗斯 Eli Roth 饰）跟好哥们保罗（Nicolás Martínez 饰）!阿列尔（Ariel Levy 饰）,在声色犬马!斑驳陆离的夜总会结识了来自异国异域的俏丽女人：匈牙利女孩莫妮卡（安德里娅•奥斯瓦特 Andrea Osvárt 饰）!莫妮卡略显反叛的妹妹凯莉（Lorenza Izzo 饰）跟俄罗斯金发少女阿芮娜（Natasha Yarovenko 饰）。他们将女孩带回故乡,纵情享用吃喝玩乐的时间。合法鲜明男女到达吃苦的极点之时,大地忽然激烈发抖,屋宇坍毁,光影纷乱,激烈的大地动让全部人堕入凌乱之中。布满逝世亡气味的警报响起,随之而来的海啸将为习气了快活慵勤生涯的人们带来史无前例的玄色影象……©豆瓣
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卡洛·万齐纳
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马克（雷欧·波瓦RaoulBova饰）在一家大型化妆品公司里担任营销经理的职务，经济的不景气让马克的事业摇摇欲坠。一天，身在米兰总部的大老板向马克发出了邀请，本以为此行会惨遭辞退的他却意外的获得了升职，可实际上这一切都是一个阴谋，升职后的马克不仅要面对上一任留下来的烂摊子，还要顶住更大的压力。在米兰，马克邂逅了莎拉（凯利·蕾莉KellyReilly饰）、吉利亚（巴博拉·伯布洛瓦BarboraBobulova饰）、弗兰西斯卡（莎拉·菲尔伯鲍姆SarahFelberbaum饰）和盖波利亚（玛蒂娜·斯黛拉MartinaStella饰），每一个女人的出现都让单身已久的马克想入非非，但似乎每个女人都和马克不是那么对味。
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故事发生在罗马尼亚，薇薇安（艾格尼丝·布鲁根AgnesBruckner饰）是一个颇有姿色的女人，在她平静的生活背后，藏着一个不可告人的秘密和一段充满了鲜血和哀号的悲惨历史。艾顿（休·丹西HughDancy饰）长久以来致力于研究“狼人”这一奇妙的种群，尽管在历史中，这一种群早已经灭绝，但艾顿相信，曾经如此庞大和繁盛的种群不可能在如此段的时间里就彻底的销声匿迹。根据史料，艾顿来到了一所废弃的教堂寻找狼人的踪迹，在这里，他没有找到狼人，却遇见了薇薇安。薇薇安的神秘和美丽让艾顿坠入了情网，在艾顿的火热攻势下，薇薇安心中的坚冰逐渐化解。然而，薇薇安目前所面临的状况却不容乐观，一方面，她要极力隐瞒自己的狼人身份，同时，为了延续狼族的血脉，她即将成为同类加布里埃尔（奥利维·马丁内兹OlivierMartinez饰）的妻子。在惴惴不安的情绪中，月...
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洪恩美
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Martina starts a relationship with Filip, a young man who spends most of his time playing video games. After Martina convinces Filip to steal her father's money to go to the Party Beach, everything turns into a bloody nightmare.
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"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
