Lafère
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Juliaisamother,orrather,oneofmanymothers,sisters,daughters,colleagues,whohavehadtheirlivestornapartbythewidespreadviolenceinacountrywagingawaragainstitswomen.JuliaissearchingforGer,herdaughter.Andinhersearch,shewillweavethroughthestoriesandstrugglesofthedifferentwomenshewillmeet.
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Can the Justice League prevail against an unstoppable intergalactic machine with the power to bend time itself! Until now, the Justice League has triumphed over every foe who has challenged them. This time, they face Brainiac, a super-intelligent invulnerable machine whose mad quest endangers all life in the galaxy. When Brainiac zaps Superman, Wonder Woman and Green Lantern to different places in time, the race is on for Batman and The Flash to re-assemble the Justice League!
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"Aleksei Gherman junior’s film The Last Train premiered in Moscow in mid December during the film festival Stalker, which also awarded it the prize for the best film. However, its first screening had already taken place in the ‘controcorrente’ competition of the Venice Film Festival in September. The film, dealing with theme of war and shot in black and white, remained unnoticed by the press in the context of the Venice Film Festival (preoccupied almost exclusively with Zviagintsev’s The Return), although it was awarded a prize. In Moscow, it made rather a different impression, especially when set in the context of films dealing with human rights issues.Gherman’s film is, in a sense, a response to his father’s war film 20 - Days without War. Maybe this explains the oddity of a young, clearly talented director venturing on his debut film into the trodden territories of the war film, a theme that dominated Russian cinema in general, but had also been dealt with by his father. For Gherman Junior, however, war knows neither winners nor losers: instead of exploring the history of WWII, Gherman looks at the fate of two men who have failed to make the right choice (or a choice) at the right time. Therefore, they are now the victims of circumstances, of politics, of regimes – which they have or have not elected. Gherman’s concern is with people in particular circumstances, which are not their choice, and how they cope with these unwanted situations.
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PeterMannionisnowsecretaryofstatefortheDepartmentofSocialAffairsandCitizenship.SpindoctorStewartPearson,onPMsorders,instructshimtolaunchaneducationinitiative,totheannoyanceofjuniorministerFergusandtheembitteredGlenn.GlennissupportedbyTerri,whoisfedupandwantsredundancy.PetersbriefistolaunchanAppsinitiativeinalocalschoolbutthepressconferenceshowshimtobewhollyoutoftouchwiththesubject.UltimatelyhemustreconcilewithFergusatafurtherpresscalltogainstreetcred-andjustaboutdoesit.
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NaCentraldeHomicídioseProteoàPessoa(CHPP),umgrupoespecialdepoliciaistrabalhanainvestigaodosmaisdiferentestiposdeassassinatos.DesenvolvidopelaexperienteeambiciosaDraPatricia,essetimenomedeconsequênciasparachegaratéofinaldeumcaso.AlémdodelegadoDrRobertoeoagenteinvestigadorGlauber,PatriciatemcomoprincipalarmaotalentodohackerHeitorGrillo,queaqualquerhoravesteseuavataronlineparadestruirpessoasqueusamainternetparaomal.ComoGamebros,Heitornavegapeladeepwebparachegaraosmaisdiferentesperfisdepsicopatasesociopatasqueachamqueconseguemestarsegurosnoambientevirtual.
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塞缪尔·泰斯
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Follows ten year-old Johnny who stands out in different aspects way beyond his age. Things change when his new teacher sees his potential, believes in him and wants to open a new world to him.
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Jeremy
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After surviving a worldwide pandemic, two men with different agendas, two women from a survival colony, and young girl and a molikan.com man each form alliances as they cross post-apocalyptic landscapes.
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比尔·安德森
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Forensicpathologistsfacepersonalandprofessionalchallengesinamoody,tensethrillerthatmovesfromthecrimescenetothelab.AmandaBurtonmakesadramaticreturntoSilentWitnessasshereprisesherroleofSamRyanforthe25thanniversary.AmandafirstappearedintheleadroleofpathologistSamRyanin1996,starringin54episodesbeforeleavingin2004,whenhercharacterreturnedhometoNorthernIrelandtobewithherfamily.AmandaBurtonsays:“IamsoexcitedtobereturningtoSilentWitnessandsteppingbackintoSamRyan’sshoes-withadifference!AudiencescanlookforwardtoplentyoftwistsandturnsastheydiscoverwhatSam’sbeendoingsinceleavingtheLyell.”AmandajoinsfellowcastmembersEmiliaFox(NikkiAlexander),DavidCaves(JackHodgson)andGenesisLynea(SimoneTyler)forsixbrandnewepisodeswhichwillmarkthe25thAnniversaryofthehugelypopularprimetimeBBCOnedrama.EmiliaFoxsays:“ItissuchadelightandthrilltobeworkingwithAmanda.TohaveSamRyanbackagainattheheartoftheshowisthegreatestwayofalltocelebratethe25thanniversaryofSilentWitness.”
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马克·詹金
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康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式，但如今富有的伦敦游客纷纷下山，取代了当地人，当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫，因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅，现在看来，最后一场战斗是和新主人在海边的停车位上展开。然而，情况很快就失控了，而不仅仅是因为车轮夹钳。Bait是一种黑白，手工制作，16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而，最重要的是，在影像中不同层次的电影历史参考文献之下，当前许多政治关联正在等待被发现。Thepicture-postcardidylloftheCornwallfishingvillageismisleading.Whilefishingusedtobeawayofsupportingoneself,wealthyLondontouristshavenowdescendedandaredisplacingthelocals,whoselivelihoodisthusthreatened.TherelationshipbetweenbrothersStevenandMartinisalsostrained.Martinisafishermanwithoutaboat,sinceStevenstartedusingitforfarmorelucrativetoursforalltheday-trippers.They’vesoldthefamilycottageandnowitseemsthatthefinalbattletobefoughtisthatwiththenewownersovertheparkingspacenexttothesea.Yetthesituationsoongetsoutofhand,andnotjustbecauseofthewheelclamp.Baitisablack-and-whitefilmshotonhand-processed16mm.Numerousclose-upsoffish,nets,lobsters,wellingtonboots,knotsandcatchbasketsbringtomindthetheoryofamontageofattractions.Thedepictionofthedifferentsocialstrata–onecouldspeakofclassrelations–isalsoreminiscentofthetraditionofsocialrealisminBritishcinema.Aboveall,however,awholelotofcurrentpoliticalrelevanceiswaitingtobediscoveredbeneaththedifferentlayersoffilmhistoricalreferencescontainedintheimages.
