Topu

An unrivalled musical and visual treat that showcases unique arrangements of Disney's most popular songs and gives insight into the life of world-renowned pianist Lang Lang. Through performance and documentary segments, the film opens an intimate window into his extraordinary musical journey as he speaks to his love for Disney dating back to his childhood in China. Joined by Lo...

2000年,早已荣登动画殿堂的迪斯尼经典作品「理想曲」以全新的面孔重现众人眼前,重要曲目为：1）贝多芬：第五号交响曲（Symphony No.5）（运气）!2）雷斯庇基：罗马之松（Pines of Rome）!3）格什温：蓝色狂想曲（Rhapsody in Blue）!4）肖斯塔科维奇：第二号钢琴协奏曲——快版（Piano Concerto No. 2,Allegro,Opus 102）!5）圣桑：植物狂欢节（Carnival of the Animals）!6）杜卡：「邪术师的学徒」（The Sorcerer's Apprentice）!7）艾尔加：气势压人直接曲（Pomp & Circumstance）!8）斯特拉文斯基：火鸟组曲（Firebird Suite）。除「邪术师的学徒」直接取自旧版外,其余曲目均为全新收录。本片初次采取IMAX技巧制造,荣获2000年动画大奖安妮奖动画脚色出色个天然诣奖（Eric Goldberg）!殊效出色个天然诣奖（Ted Kierscey）跟最佳剧情计划奖（Susan Golderg）。©豆瓣

2000年,早已荣登动画殿堂的迪斯尼经典作品「理想曲」以全新的面孔重现众人眼前,重要曲目为：1）贝多芬：第五号交响曲（Symphony No.5）（运气）!2）雷斯庇基：罗马之松（Pines of Rome）!3）格什温：蓝色狂想曲（Rhapsody in Blue）!4）肖斯塔科维奇：第二号钢琴协奏曲——快版（Piano Concerto No. 2,Allegro,Opus 102）!5）圣桑：植物狂欢节（Carnival of the Animals）!6）杜卡：「邪术师的学徒」（The Sorcerer's Apprentice）!7）艾尔加：气势压人直接曲（Pomp & Circumstance）!8）斯特拉文斯基：火鸟组曲（Firebird Suite）。除「邪术师的学徒」直接取自旧版外,其余曲目均为全新收录。　　本片初次采取IMAX技巧制造,荣获2000年动画大奖安妮奖动画脚色出色个天然诣奖（Eric Goldberg）!殊效出色个天然诣奖（Ted Kierscey）跟最佳剧情计划奖（Susan Golderg）

AspinoffofthepopularroosterteethshowRWBY.ThisshowissmallclipsofthecastofRWBYintheirsparetime.

"60DayIn"offersanunprecedentedlookatlifebehindbarsatIndiana’sClarkCountyJailasseveninnocent册unteersaresenttoliveamongitsgeneralpopulationfor60dayswithoutfellowinmatesorstaffknowingtheirsecret.

FilminghasstartedonBBCTwo’scriticallyacclaimeddramaTheLastKingdom,fromCarnivalFilms.Thesecondseries,adaptedbyBAFTA-nominatedandRTSaward-winningwriterStephenButchardfromBernardCornwell’sbestsellingseriesofnovels,istoreturntoBBCTwonextyear,withNetflixjoiningasaco-productionpartner.Theemotionallycomplexandcompellinglandscapeofrevenge,rivalry,hostility,corruption,love,sex,loyaltyandfriendship,formsthebackdroptoagrippingadventurebasedonCornwell’snovels,TheLordsOfTheNorthandSwordSong–partofthehugelypopularbestsellingfranchiseTheLastKingdom.Setintheyear878 - thesecondseriesreturnsasfearlessandinstinctivewarriorUhtredcontinueshisfightforhisnativelandofNorthumbria.Uhtred,havinggivenhisswordtoKingAlfred,despitehisupbringingbytheinvadingpaganDanes,embarksonhisvoyagenorthtoreclaimhisownfate:toavengeEarlRagnar’sdeathandrecapturehisancestrallandsofBebbanburg.Alfred’sconvictiontocreateaunitedEnglandisstrongerthanever,andhesetshissightsonthewildlandsofthenorth,whichhavefallenintochaosandrebellion.ItisadangeroustimeforSaxonandDanealike,butAlfredchampionsanewking-aChristianDane-tounitethetribes.However,thiskinghasbeenenslaved,andUhtredbecomesembroiledinarescuemission,whichbringshimfacetofacewithanenemyofold.

With this new series Andrew Graham-Dixon returns to Europe taking us on a journey into the captivating watery world of the Low Countries and its art. This small myriad of regions we now know as Holland and Belgium produced some of the most celebrated names in art: Van Eyck, Bosch, Rembrandt, Rubens, Vermeer, Van Gogh, Mondrian and Magritte. As he travels by canal boat and of course by bicycle Andrew reveals just how important the Low Countries were in key moments in the development of western culture - the birth of oil painting in the late medieval ages, the triumph of the Dutch golden age, and the onset of polarizing modern art movements surrealism and abstraction. This is not the story of one nation, but of fluid, ever-shifting boundaries and the search for identity in an area that has always been politically contested. EPISODE ONE: The first episode will be about how the art of Renaissance Flanders e册ved from the craft of precious tapestries within the Duchy of Burgundy into a leading painting school in its own right. Starting his journey at the magnificent altarpiece of Ghent Cathedral created by the Van Eyck brothers Andrew explains their ground breaking innovation in oil painting and marvels how the colours they obtained can still remain so vibrant today. Andrew will describe how in the early Renaissance the most urgent preoccupation was not the advancement of learning, humanist or otherwise, but the Last Judgment. People believed they were living in the end of days; a subject popular with preachers and artists and intensely realized in swarming microscopic detail by Hieronymus Bosch. EPISODE TWO: In the second episode Andrew explores how the seemingly peaceful countries of Holland and Belgium – famous for their tulips and windmills, mussels and chips - were in fact forged in a crucible of conflict and division. He will examine how a period of economic boom driven for the first time by a burgeoning and secular middle class led to the Dutch Golden Age of the 17th Century. Andrew travels to Delft and Amsterdam to demonstrate the striking contrast between two of its greatest proponents, Rembrandt and Vermeer (one famed for his breathtakingly realistic domestic street scenes, the other for explosive rapid brushstrokes and raw colours, best exemplified in his contentious magnum opus – The Nightwatch.) Radically different in style, both men were united by the realization that they must become innovators in business as well as masters of their craft. Yet boom also meant bust - and in a story with very modern echoes they ultimately shared the same fate, financial destitution. EPISODE THREE: Following a brief period of decline, the third episode will look at how the entrepreneurial and industrious region of the Low Countries rose again to become a cultural leader in the modern age; how despite its small and apparent insignificance when stood up against the powerhouses of Europe it produced important forward thinking artists like Van Gogh, Mondrian, Magritte and Delvaux who changed the face of art forever. In this episode Andrew’s exhilarating journey takes us to a remote beach in North West Holland which inspired Mondrian’s transition to his now renowned abstract grid paintings.

FromLosAngelestoAmsterdamtoBerlinandback,PassingStrangetakesmusicaltheateronawholenewtrip.Fromsinger-songwriterandperformanceartistStewcomesPassingStrange,adaringnewmusicalthattakesyouonajourneyacrossboundariesofplace,identityandtheatricalconvention.Stew,apopularperformeratJoesPub,wascommissionedbyThePublicTheaterofNewYorktodevelopthisheartfeltandhilariousstoryofayoungbohemianwhochartsacoursefor“thereal”throughsex,drugsandrockandroll.Loadedwithsoulfullyricsandoverflowingwithpassion,theshowtakesusfromblack,middle-classAmericatoAmsterdam,Berlinandbeyondonajourneytowardspersonalandartisticauthenticity.

AnastronautnamedGaryandhisplanet-destroyingsidekickcalledMooncakeembarkonserializedjourneysthroughspaceinordertounlockthemysteryofwheretheuniverseactuallyendsandifitactuallydoesexist.TheshowstartedasashortpilotonaYouTubechannelownedbyOlanRogerswhobecamepopularforhisstorytelling.

Filming has begun for Us, BBC One’s four-part drama adapted by David Nicholls from his hugely popular novel of the same name. Tom Hollander (Baptiste, The Night Manager) will be joined by Saskia Reeves (Luther, Shetland), Sofie Gråbøl (The Killing, Fortitude), Tom Taylor (Doctor Foster, The Dark Tower), Iain De Caestecker (Agents of S.H.I.E.L.D, The Fades) and Thaddea Graham (Curfew, The Letter for the King), with casting by Sarah Crowe. It is produced by Drama Republic and Bandstand Productions. Douglas Petersen (Tom Hollander) is blindsided when his wife Connie (Saskia Reeves) tells him that she’s not sure she wants to be married to him anymore. Agreeing to still go on their planned family grand tour of Europe, Douglas vows to win back the love of his wife and repair his troubled relationship with their son Albie (Tom Taylor). Reflecting David Nicholls' signature mix of humour and heartbreak, Us brings the Petersens' poignant and often hilarious story to life, taking viewers with them on their once-in-a-lifetime journey through some of the most beautiful cities in the world. David Nicholls says: “It’s a huge thrill to see the novel come to life, and with such a wonderful cast and production team. We want to make something funny, touching and beautiful, to really explore marriage and family life, all against this incredible backdrop.” Tom Hollander and Hannah Pescod say: “We are delighted to be working with Drama Republic and the great David Nicholls in bringing his beautiful novel to BBC One. The trials of the Petersens will strike a chord with many - a family tale for our times.” Piers Wenger, Controller of BBC Drama, says: “We feel so honoured to be bringing David’s beautiful novel to BBC One and to have the brilliant Tom Hollander and Saskia Reeves playing the leading roles. We are thrilled to work with David and Drama Republic once again and also with Bandstand Productions on their debut drama for the BBC.” Greg Brenman and Roanna Benn, Executive Producers for Drama Republic, say: “David Nicholls is a unique and rare talent who miraculously manages to intertwine profound emotion with full-on humour. This glorious adaptation has attracted an exceptional cast in Tom Hollander, Saskia Reeves and Sofie Gråbøl. We couldn’t be more excited to begin filming.” Us is executive produced by Greg Brenman and Roanna Benn for Drama Republic, Tom Hollander and Hannah Pescod for Bandstand Productions, Jo McClellan for BBC One and David Nicholls. It is directed by Lisa Siwe (Temple, Modus) and distributed internationally by BBC Studios. Filming will take place in London, Amsterdam, Venice, Barcelona and Paris.