Galetti
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翁贝托·伦齐
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UmbertoLenziisundoubtedlythekingofItaliancrimemovies,butunfortunately;SyndicateSadistsisnotthebestexamplesofhisworkinthisgenre.Lenzi’scrimeflickstendtobeacutabovetherestbecausehemakesfilmsbasedonstorieswithapoint,andtheydon’tlackdirection;butthisfilmfeelsabittoowaywardtofullyfitwiththerestofhisstuff.ThefilmtakesobviousinfluencefromSergioLeone’slandmarkwestern’AFistfulofDollars’(whichinturn,tookinfluencefromAkiraKurosawa’slandmarksamuraiflickYojimbo),inthatitfeaturestwowarringfamiliesandastrongcharacteratthecentre.ThecrimethatLenzifocusesoniskidnapping,andwecentreonacharactercalled’Rambo’.Ramboisdraggedintothewarbetweenthetwofamiliesafterhisbrotheriskilledbecauseofit.Rambouseshisbrainsandbrawntopitthetwofamiliesagainstoneanother,inthehopeofgainingrevengeforhisbrother’sdeath,rescuingayoungboythatthey’vekidnapped,andultimatelylettingthetwosidesdestroyoneanother.Thefilm’sbiggestassetisundoubtedlyTomasMilian.MilianwasputtogreatusebyLenziinalmostallofhiscrimethrillers.TherangeofcharactershehasplayedforLenziisimmense,andthisoneiseasilyoneofthecoolest.ThecharacteriscalledRambo,whichimmediatelysprangtomindthepopularSylvesterStallonecharacter-butforonce,theItaliansactuallyhaven’tstolenthisnameasSyndicateSadistswasreleasedfirst!Asusual,thefilmiswickedlyentertaining,aswegettowatchMiliangethimselfinvolvedintheusualarrayofcarchases,shootoutsandbrawls.Lenzihasgothimridingamotorbikethistimeround,andeveryscenefeaturingitandMilianisarealstandout!However,thefilmoftenfeelslikeitdoesn’treallyhaveanywheretogo,andthismeansthattherunningtimeisstretchedoutmorethanitshouldbe.ComparedtothecrimefilmsofotherItaliandirectors,SyndicateSadistsismorethanaboveaverage;butinrelationtoLenzicrimeflickssuchasAlmostHumanandTheCynic,TheRatandTheFist-itdoesn’tstandtallasoneofLenzi’sbest.Still,ifyou’relookingforninetyminutesoftestosteronefuelledmayhem-SyndicateSadistswillsuffice!
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It’s a rare feeling when we open a book and find ourselves lost in its pages; finding pieces of ourselves in the story and letting ourselves be enveloped in the emotions that arise. This effect is what the works of Elena Ferrante are most known for. Listed among Time magazine’s 100 - most influential people in the world, Elena Ferrante is a contemporary icon, whose identity is closely linked to her novels and nothing more. Despite her massive international success, Elena Ferrante is an author whose true identity remains unknown. Via excerpt readings and interviews with critics, directors, booksellers, editors and authors such as Jonathan Franzen and Elizabeth Strout, Ferrante Fever explores Ferrante’s deeply intimate writing and looks into her choice to remain anonymous, which sparked an unprecedented cultural debate. Filmed between Italy and the United States, Ferrante Fever doesn’t necessarily go in search of the identity of the "faceless writer,” instead, it hopes to discover the secret of her success. How was she able to create stories that would conquer readers over the course of 12 - years? In-depth interviews provide answers, but so do the writer's own words, and the places and protagonists in her novels.
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Onatrektofindtheworldsraresttree,Dylanandhisfriendsdescendintoharshravinesandcanyons.Asthewildernessclosesinonthemtheycomefacetofacewithhardtruthsaboutfriendship,unrequitedlove,andtheconsequencesoflettinggoofthepast.
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Naples.AtalmostfiftyyearsoldSandroistheleaderoftheApache,agroupofultraswithwhomhehasspenthiswholelifeatthestadium:alifeofviolence,clashes,passions,andunshakablevalues.NowthataDaspopreventshimfromapproachingthecurve,thosevaluesarestartingtofalter.Sandrofeelsforthefirsttimetheneedforanormallife,arelationship,maybeevenafamily.AlsomeetingTerry,whoisbeautifulandseemstonotfearanything.AngeloissixteenandconsiderstheApachehisfamily.Sandroishisguide,thepersonwhotooktheplaceofhisbrotherSasa,whodiedyearsearlierduringtheclashesofatrip.ULTRASisthestoryoftheirfriendship,ofafaithandalovemarkedbythelastfewweeksofafootballchampionship,andtheinevitablemeetingofbothwiththeirowndestiny.IntheNaplesofFrancescoLettieri(Liberato,Calcutta,EmisKilla,Thegiornalistiandmanyothers)Ultrastellsanalmostfraternalfriendshipbetweenthetwoprotagonistswith,inthebackground,ahypotheticalfootballchampionship.UltrasisthefirstfilmbyFrancescoLettieri,itwillbereleasedinselectedcinemasonMarch9,10and11andwillbeavailableonNetflixfromMarch20.
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萨姆·佩金帕
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一场意外让达克（史蒂夫·麦奎因 Steve McQueen 饰）即将面临漫长而又痛苦的牢狱之灾，为了让丈夫免于受难，达克的妻子卡罗尔（艾丽·麦古奥 Ali MacGraw 饰）不惜牺牲色相，贿赂监狱的上层官员。果不其然，达克获得了特别假释，与此同时，警长拜伦（本·约翰逊 Ben Johnson 饰）告诉达克，作为交换，他必须帮他一个“小忙”——抢劫一间银行！ 迫于拜伦的淫威，达克只能就范，然而，他并不知道的事，拜伦的内心里早已经判了自己死刑，他根本就没有想让达克或者离开犯罪现场。和达克一起行动的是一位名叫鲁迪（艾尔·勒提埃里 Al Lettieri 饰）的男子，他的想法同拜伦不谋而合。在这样腹背受敌的危险状况之下，达克能否顺利完成任务呢？
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翁贝托·伦齐
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Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
