Forman
搜索"Forman" ，找到 以下影视作品
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SpikeLee
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FromLosAngelestoAmsterdamtoBerlinandback,PassingStrangetakesmusicaltheateronawholenewtrip.Fromsinger-songwriterandperformanceartistStewcomesPassingStrange,adaringnewmusicalthattakesyouonajourneyacrossboundariesofplace,identityandtheatricalconvention.Stew,apopularperformeratJoesPub,wascommissionedbyThePublicTheaterofNewYorktodevelopthisheartfeltandhilariousstoryofayoungbohemianwhochartsacoursefor“thereal”throughsex,drugsandrockandroll.Loadedwithsoulfullyricsandoverflowingwithpassion,theshowtakesusfromblack,middle-classAmericatoAmsterdam,Berlinandbeyondonajourneytowardspersonalandartisticauthenticity.
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雅什·乔普拉
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每自我在某个处所总有一个属于你的人存在。“我心狂野”就是让这种信心实现的故事。它报告的是拉忽尔,一个不信任恋情的人的故事。拉忽尔不太懂得人们是怎样可以在一同相处终生,莫非真的有人是属于他的吗！这又是对于坡佳,一个信任必定有人是属于她的,并且她必定能赶上那自我的女孩的故事。这仍是对于妮莎,一个以为恋情就是友情,终有一天她的妄想会实现的故事。这部片子另有精彩的音乐献给那些有妄想而布满热忱的人们。他们的妄想能实现吗！他们能找到他们的真爱吗！影片将让咱们信任每自我在某个处所总有一个属于你的人存在。Dil to pagal hai is a fantastic film. Its my all time favorite.I love to watch Yash Chopra films and among them its the best one. Since the year it released i.e 1997 - no other film has touched me like this.My extreme love for DTPH is because of following reasons.. ->Its tag line touches me i.e someone somewhere...is made for you. ->Its story line and Yash Chopra's perfection as a director. ->Its superb music by Uttam Singh and above all LATA MANGESHKAR's melodious duets with Udit Narayan.I love its songs; and in them, Lataji's voice (even more than old songs of Lataji) ->Uttam singh's background instruments rock me whenever i listen to the numbers. ->Shahrukh Khan's first performance in which he didnot deliver dialogs in the way like he earlier used to.He was very serious and his acting was quite,calm and mature.For the same reason he got several awards for this film. ->Madhuri's performance was great and so was of Karisma.Both got awards and Karisma also got her first National Award. ->I love its screenplay specially in the shots having an acting stage within the film.(See its climax to confirm what i said.) MUST SEE IT AFTER READING MY COMMENTS IF YOU ARE NOT SATISFIED WITH ME. I AM SURE YOU WILL ALSO BECOME A DTPH FAN LIKE ME.
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Marion
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Barbeau
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皮奥·马麦
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弗朗索瓦·西维尔
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Hofesh
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Shechter
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德尼·波达利德斯
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穆里尔·罗宾
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索海拉·雅各布
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Mehdi
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Baki
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艾莉西亚·乔达诺
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Robinson
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Cassarino
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戴米恩·查潘
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Marion
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Gautier
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de
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Charnacé
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Marilou
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Aussilloux
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玛蒂尔德·瓦尔尼耶
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Florence
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Clerc
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Louis
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Lancien
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Agathe
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Berman
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齐达内·苏阿内
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Fanny
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Sage
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Kevin
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Garnichat
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Jade
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Elise,averypromisingclassicaldancer,isinjuredduringaperformanceat26yearsold.Althoughshe'stoldshewillnolongerbeabletodance,shewilltrytofindanewdirectionincontemporarydance.
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西德尼·兰菲尔德
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Sir Charles Baskerville dies at the entrance of his manor, and Doctor Mortimer says he died of natural causes. However, when telling Sherlock Holmes of the case, he feels Sir Charles' death was a result of a centuries old curse that runs in the Baskerville family, which Dr. Mortimer feels will strike at Sir Charles nephew, Sir Henry, who is arriving to claim the Baskerville estate. Holmes sends Dr. Watson in his place, along with Dr. Mortimer and Sir Henry, to the manor and for Watson to keep an eye out for any suspicious actions. Immediately after arriving, Watson notices the queer occurrences at the estate and surrounding moors, and sends Holmes reports of what is going on concerning the life of Sir Henry. Will Holmes arrive in time to unravel the mystery, and who is responsible for Sir Charles' death and the attempted murder of Sir Henry? Is it Dr. Mortimer, neighbor Stapleton, butler Barryman, harmless old Frankland, a mysterious wild man, or is there a curse on the Baskerville family? Very good opening entry in the Rathbone-Bruce Holmes series (even though this film lacks qualities of any ongoing entries.) The film could have been a bit more darker and foreboding (the film does have a movie studio set feel) and have an ending with a little more confrontation to it, but it does provide for much fun. The romantic scenes with Greene and Barrie have little spark, but there are very good red herring performances by the cast, which is a plus for this movie. Rating, 8.
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森井勇佑
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Amikoisn’tlikeotherchildren.Herendlessenergyandcuriouseccentricitiesmakeheranoutcastatschoolandgetherintroubleathome.Whenapainfulfamilylossdisruptsherseeminglyidyllicseasidelife,hersenseofisolationintensifies,yetitdoesn’tstopAmikofrominvitingpeopleintoherworld.MoriiYusuke’sdirectorialdebutisaconfidentandcompassionatestoryaboutachild’simagination.Thefilmbalancessorrowwithjoyandharshlessonswithnaivedelight–muchlikegrowingup.Crucially,Amikoneverforgetswhoisatthecentreofthestory.Thewryhumouranddetailedcompositionsofsmall-townJapan,aswellasthefilm’shopefultenor,arereminiscentofOgigamiNaokoorHirokazuKore-eda’sworks.ThegentleandlanguorousatmosphereisenrichedbyascorefromupcomingfolkstarIchikoAoba.KanaOsawadeliversanexquisite,force-of-natureperformanceasyoungAmiko.Effortlesslynatural,hercommandingpresenceandvitalitycarrygreatweightwhilstensuringthefilmneverfallsintodespair.Amiko’sunbeatenspiritinthefaceoftiredadultsanduncooperativeclassmatesletsusgothroughthepain,aswellasexperienceflashesofmischievouswhimsy,alongsideaspiritingmusicalsequencethatwillensureyou’llneverlistentoacongadrumthesameway.源自：https://iffr.com/en/iffr/2023/films/amiko
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艾米·博格
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The documentary follows the main stages of Janis Joplin’s life, from her performance at Monterey Pop in 1967 - to Woodstock in 1969 - and Festival Express in 1970 - including interviews with relatives, friends and rock stars of her time. The soundtrack features Janis Joplin’s hits, among which Cry Baby, Mercedes Benz and Piece of My Heart. Amy Berg shows the woman behind the myth, other than the rock&roll icon, unveils a gentle, innocent yet strong woman. Well known as rock icon, the personal story of Janis Joplin is very complex. Janis serves as a narrator, telling us her life through the letters she wrote to her friends, relatives and lovers, leading us in a journey that starts from her childhood.
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内详
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AtthetimeofthePolishsocialregime,asecurityofficerispromotedtoworkataprisonyard.Introducingconcurrentlywiththenarrator;hespeaksofhimself,histhoughts,hispointofview.Hetellsthatheisnotafraidofbanditsorgangs;onthecontraryhegetsakickoutarmedconflicts.Togetastartinhisnewduty,heshopsforawatchdog;andhebuysanuntrainedattackdogashiscompanion.Thenhespeaksoftheadjudicationsthatthedeathsentenceforfugitivesislackinginfluence.Fromhispointofview,thejudicatorytribunalmustexecutethefugitivesinpublic.Inthemorningthenextdayhewearshisuniformandstartworkingwithpride.Whilstheisonhisduty,averyharmonicmusicscorebeginstobeplayedonthepiano.Thewatchmanspectatesthepeacefullifeonthestreet.Atthattimewecatchonthatsocialismisnotagovernmentalregime;yetit’sanuneducatedbehavior.Asafinalscenethewatchmanwitnessesofacadetschool’spupilsbeingtaughtofthedemocracy.Heleavesuswithaconfusedsmile.AsoftandlikablethesisfromthePolishdirectorKieslowski.YoucanfindthisshortdocumentaryasaspecialfeatureinhisDVDofAShortFilmAboutKilling.Itcouldhelpyoutocompasshisfilmlanguage.
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扬·斯维拉克
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奥达•索科普（Petr Forman 饰）是一个生涯不活气的男子,他宁肯终日窝在家里看电视,也不肯出去走一走。某天,奥达觉得四肢乏力,苏醒从前。三天后,医护职员破门而入,对他直接挽救。奥达从苏醒中渐渐醒来,见到了一个奇异的女子,随后便神奇地规复安康,布满活气。但在谁人电视的天下中,有另一个奥达正试图牟取他的能量…… 本片荣获1995年布鲁塞尔国际奇幻片子节金鸦奖!1995年捷克金狮奖最佳票房奖跟最佳编剧奖!1995年瑞典Gérardmer片子节评委会奖跟特殊说起!1994年Pilsen片子节不雅众奖最受欢送影片!1996年Tromsø国际片子节不雅众大奖!1994年威尼斯片子节UCCA Venticittà奖。
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奥逊·威尔斯
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威爾斯独逐一部公映的黑色電影,故事依舊奇情：澳門巨贾從秘書口中聽到一個愛情傳說,有人為了香燈有後願意付錢找人與老婆上床。傳說歸傳說,但澳門巨贾卻要使這個不朽故事成真,找來美人珍．摩露,當恰是本人老婆,要她找人轟烈地做愛做的事。乍聽下來真是一場天方夜譚,但影片拍來动人至深,53歲的威爾斯與成熟的珍．摩露上演動人不已,最後一個鏡頭更被影迷描述是[魔術],令影片入圍柏林國際電影節競逐最佳電影金熊獎。 The only colour film by Welles publicly released is another showcase of the absurdity of human nature. A Macau millionaire is told a legend about someone who is willing to pay a huge sum for someone who would sleep with his wife in order to produce an heir. In an act to make the legend real and to immortalise it, the millionaire finds Jeanne Moreau to be his wife and starts to search for the man who would make love to her. A potent performance by Welles and Moreau makes the film purely magical; a Golden Berlin Bear nominee for Berlin International Film Festival.
