Diberti
搜索"Diberti" ，找到 以下影视作品
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根据世界级英裔美籍著名幽默作家P.G.Wodehouse的系列作品改编，编剧Clive Exton同时也是ITV拳头剧《大侦探波罗》(Poirot)系列的主力编剧。主演史蒂芬·弗莱(Stephen Fry)和休·劳瑞(Hugh Laurie)均为剑桥出身，与爱玛·汤普森(Emma Thompson)等当年同在剑桥Footlights表演俱乐部演出(Monty Python主要成员也出身于此)，两人均多才多艺，剑桥之后在电影、电视、广播领域长年合作。国内观众对这两位的印象可能主要来自Richard Curtis/Ben Elton编剧、罗温·艾金森(Rowan Atkinson)主演的《黑爵士》(Blackadder)系列。小说作者P.G. Wodehouse，通译沃德豪斯(1881-1975)，英国小说家和喜剧作家。以塑造“绅士中的绅士”Jeeves这一形象而闻名，1955年入美国籍。《万能管家》中的主角是迷迷糊糊的英国绅士Bertie Wooster （其实就是个250）和他的聪明机灵、花样百出的男仆Jeeves，几乎每一个故事都是由主人荒唐的行为转变成不可收拾的困境，但是最后总是由男仆出人意料的机智解决。
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英格玛·伯格曼
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1907年圣诞，艾柯达家族两代人共享圣诞晚宴，其乐融融。可好景不长，小主人公亚历山大（伯特·格福BertilGuve饰）和芬妮（妮拉·艾尔温PernillaAllwin饰）的父亲奥斯卡（艾伦·艾德沃AllanEdwall饰）在排练《哈姆雷特》时突然中风，弥留之际把苦心经营的大剧院托付给妻子艾米莉（艾娃·弗洛灵EwaFroling饰）。一年后艾米莉带着一双儿女改嫁冷酷残暴的青年主教爱德华。爱德华的母亲和姐姐专横刻薄，亚历山大与继父的矛盾日益尖锐，却只能默默忍受。当老祖母海伦娜（古娜·沃根GunnWallgren饰）得知此事后，暗中请老友帮忙，终让孩子们重获自由。艾米莉也逃离了主教家，从此一家人再次团聚享受着天伦之乐。本片获得第56届奥斯卡最佳摄影、最佳艺术指导、最佳服装设计和最佳外语片等多项大奖。
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本杰明·李
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故事产生在挪威,画家Barbora Kysilkova的两幅作品在艺术馆被盗。小偷是一位名叫Karl-Bertil Nordland的瘾正人。在法庭上,画家终于见到了小偷,并做出了一个惊人的决议：以这位小偷为灵感作画。小偷与画家就如许开启了一段看似弗成能的密切关联。
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凯文·辛
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柏林是一个富有想象力的地方，一个记录所有历史的城市。当柏林墙于1989年倒下时，柏林人在历史长河中的慌张之旅告了一段落。在本节目中，间谍、告密人、双重间谍和冷战柏林墙的讯问者讲述了自己紧张不安的双重生活，梦想与梦魇戏剧般地重现出来。柏林墙是一道丑陋的混凝土屏障，它分开城市，分离家庭，足足影响了一代人（1961-1989年）。几百人（大部分是年轻人）因为试图逃往西柏林而被杀死。建造柏林墙的人认为，他们建设了一个英勇的社会主义世界。但是，柏林墙不断毒害、腐化、残害包围在它里面的人，建造者的梦想变成了梦魇。Berlinisaplacethatisindispensabletotheimagination,acitywherehistoryticksalltheboxes.Thelongestofallthehelter-skelterridesthatBerlinershavetakenthroughtheplaygroundofhistoryendedin1989whentheBerlinWallshatteredintoamillionsouvenirs.TheBerlinWallwastheugly,concreteobstaclethatformorethanageneration(from1961to1989)splitthecityanddivideditsfamilies.Hundredsofpeople,mainlyyoung,werekilledtheretryingtoescapetotheWest.ThepeoplewhobuilttheWallthoughttheywerebuildingabravenewsocialistworld.ButtheirdreamturnedintoanightmareasovertimetheWallpoisoned,corruptedandbrutalizedthelittleworlditencircled.InTheSecretLifeoftheBerlinWall,thedreamsandnightmarescomedramaticallybacktolifeasthespies,informers,doubleagentsandinterrogatorsofColdWarBerlinweavetheirnervyspellsofdoublelivesanddoubledealing.Wallsdividetheworldintotwoandthisisafilmwithtwofaces-flawedheroesandheroicvillains,traitors,compromisedvictoriesandsaddefeats.Aworldofgoodintentionsheadinginbaddirections.Aworldwherenothingiswhatitseemstobe.
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伍迪·艾伦
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长久以来，剧作家大卫（约翰·库萨克JohnCusack饰）都过着郁郁不得志的生活，艺术家特有的清高让他对如今腐败混乱的话剧界充满了失望之情。为了讨好情妇奥利芙（詹妮弗·提莉JenniferTilly饰），黑帮大佬看中了名不见经传的大卫的剧本想要投资，作为前提条件，大卫必须让奥利芙饰演主角。虽然奥利芙唠叨的个性和蹩脚的演技让大卫深感抓狂，但在利益面前，他痛苦的屈服了。就这样，一个奇怪的剧组诞生了。剧本的漏洞，女演员们之间的矛盾，男主演日益肥胖的身材都让大卫感到绝望，但令他惊奇的是，一直监视着奥利芙的保镖契奇（查兹·帕尔明特瑞ChazzPalminteri饰）在无意中展现了过人的编剧才能。在契奇的帮助下，被改写的剧本居然获得了盛大的成功，与此同时，契奇对由自己操刀的剧本展现出的病态执着和剧组里混乱的男女关系让大卫陷入了另一个困境……...
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该剧根据DC旗下Vertigo出的同名漫画改篇，13集的第二季讲述传教士JesseCuster（DominicCooper饰）在知道上帝失踪了后，联同那神经病女友Tulip（RuthNegga饰）及爱尔兰吸血鬼Cassidy（JosephGilgun）出发去找那家伙回来。不过主角们将不会一路顺风，因为从地狱而来的杀人犯将会追杀他们。
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罗克珊·道森
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PBS十多年前曾播过自己拍摄的剧集，但后来只播英国进口剧集，如今又打算播自己拍摄的剧集。作为PBS杀回「原创」领域的首部作品，该剧沿袭了PBS热门进口剧集《唐顿庄园》的历史风格。故事发生在美国内战时期，主人公是两名护士志愿者——来自新英格兰地区并支持废奴主义的MaryPhinney（MaryElizabethWinstead）和支持南方联盟国的南方佳丽EmmaGreen（HannahJames）。Green家族在弗吉尼亚州的亚历山大市经营豪华酒店生意，北方联邦军1862年占领这座城市后，他们的酒店被改造成专门治疗战争伤员的「大厦之屋医院」（MansionHouseHospital）。MaryPhinney（MaryElizabethWinstead）是个寡妇，最近刚刚来到「大厦之屋医院」工作。JoshRadnor（没错，就是《老爸老妈的浪漫史》中的「老爸」）扮演医院雇佣的外科医生JedediahFoster，他从小生长在一个南方权贵家庭中，父亲是马里兰州的大地主，家中有许多黑奴。GaryCole扮演Green家族的掌门人JamesGreen,Sr.，他很难在一座「敌人占领」的城市里维持家族生意。HannahJames扮演EmmaGreen，是「大厦之屋医院」的一名护士志愿者。PeterGerety扮演AlfredSummers医生，「大厦之屋医院」的外科主任。他爬上这个职位完全因为他的年纪忽悠了所有人，并非因为他有真材实料。NorbertLeoButz扮演守旧的军医ByronHale，一切都循规蹈矩。他一方面密切监视护士们的一举一动，另一方面却与AnneReading护士保持着密切的关系。McKinleyBelcherIII扮演黑人工人SamuelDiggs，他隐藏了一个秘密：他从一个年轻的男仆那里学会了医术。ShalitaGrant扮演美丽的AureliaJohnson，是医院里的洗衣女工，她试图忘掉自己的过去。CherryJones扮演令人生畏的北方联邦军护士长DorotheaDix。JackFalahee扮演FrankStringfellow。AnnaSophiaRobb扮演AliceGreen。CameronMonaghan扮演TomFairfax。DonnaMurphy扮演JaneGreen。TaraSummers扮演AnneHastings。L.ScottCaldwell扮演Belinda。SuzanneBertish扮演MatronBrannan。WadeWilliams扮演SilasBullen。LukeMacfarlane扮演ChaplainHopkins。BradKoed扮演JamesGreen,Jr.。本剧的素材大部分来源于这座医院医生和护士的回忆录及往来信件，具有一定的真实性。亚历山大市是美国内战时期南方联盟国占领时间最长的一座城市，后被北方联邦军收复。——转自“天涯小筑”
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吉尔·罗伯森
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AcornTV联手Channel5制作罪案剧《达格利什Dalgliesh》，《福斯特医生》的BertieCarvel饰演标题人物。首季共6集，2集一个故事，12月份将在北爱尔兰开始制作。本剧由全女性团队打造，改编自P.D.James(图2)的系列小说《InspectorDalglieshMysteries》，将会追溯Dalgliesh从上世纪七十年代的英格兰一直到如今打击犯罪的职业生涯，每个故事都会聚焦他破解一桩不寻常的凶案，发生在不同的地点，有不同的客串人物。首季的3个故事将分别改编自：《ShroudforaNightingale》，一名实习护士的死亡；《TheBlackTower》，对一间异常的残疾人之家的调查；《ATasteforDeath》，一名无家可归的养老金领取者和一名内阁大臣被发现死在一间教堂里。原著共14本，首次出版于1962年，最后一本出版于2008年。该系列曾被多次改编搬上校荧幕。
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居伊·德波
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内详
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Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.
