Achara
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Lila, a character in a children's story book, suddenly falls out of her paper world and ends up trapped in a place she doesn't belong - And so starts this great adventure where Lila discovers that the only person who can save her is Ramon, the owner of the book who hasn't read it for many years - But it's not going to be easy; Ramon is no longer the little boy he was, he has grown up and has not only stopped reading, but has also stopped believing in fantasy. Lila and her new friend Manuela set out to convince him of what's happening and together they face a dangerous journey to the Desert of Lost Memories, to retrieve Lila's lost book. In this adventure through magical worlds, children will explore and discover the true value of friendship and the power of fantasy.
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皮奥特尔·舒尔金
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After a five-year hiatus from filmmaking, Piotr Szulkin returned in 1990 - with "Femina", based on a novel by Krystyna Kofta and inspired by Luis Bunuel.The main character is Bogna, a thirty year old woman lost in her surrounding reality and unhappy in her private life. After her husband departs for a foreign scholarship, Bogna learns that her mother died. The trip to her hometown for the funeral becomes a voyage in time, during which she relives the memories of her idyllic childhood.As beautifully mounted as any of Szulkin's films, it's full of delirious wide-angle imagery (at times recalling the films of Terry Gilliam). Unavailable on DVD even in Poland, this is a most unfairly neglected work by Szulkin.
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理查德·勒梅
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Every25years,itbegins.Boundtoanancientpact,afamilyofunlimitedpowerdescenduponasmallruraltowntosacrifice4humanlives,onebeingamemberoftheirownfamily.Theritualstartswiththerapeofalocalgirl,18yearoldKerry.Findingherselfpregnant,sherealizesherunbornbabyisthetargetofasinisterplot.Asthemonthspassandpeoplearoundherbegintoturnupdead,shedesperatelysearchesforawayoutofthisunthinkablesituation.Thefamilymustperformthisritualtomaintaintheirpowerordie.InchargeofcarryingouteachsacrificeashisinitiationisDavid,ayoungmanconflictedwithhisdestiny.HeunexpectedlybeginstofallforKerry,whichweighsonhisconscienceastheygetclosertothefinalsacrifice.Whatstartsoffasathrillersoondescendsintotherealmofhorrorasoccultritualsandancientpactstakeholdofonegirlslife,bindinghertoafateshecannotpossiblyfathom.ROSEMARYSBABYmeetsDRAGMETOHELLinthistwistedanddarklookintotheoccultandhowfarthehumanspiritcantakeonesoulinitsmostdesperatehour.Layeredwithplottwistsandconflictedcharacters,BLOODLINEfollowssixpeopleastheycarryouttheirdestinytotheirultimatehorror.
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Bipedalism, or 'two-footed walking', is the story of a painter who grew up in an orphanage and only years later learns the circumstances of his father's disappearance and death. Childhood memories bring the main character back to the past he buys a house in the suburbs that used to belong to his family. In the basement, he finds his father's archives and scientific research documents on the hybridization of human race with related biological species. Studying the archive material, he unexpectedly finds evidence of efforts to renew the experiments on the remaining hybrid population. The painter then becomes a researcher, and consequently a victim. The basic idea of his father's research was to change, control and influence the process of human evolution - initially connected with eugenics theories of the period before World War II, and now being placed in a context of modern 'biotechnological' expectations by his former colleagues. The main character tries to recreate and realize his father's heritage, who was forced to cooperate with state terror organizations, using the results of his secret research. In a tragic manner, this information turns into the main character's reality, at first forcing him to reappraise his father's values and later driving him to madness.
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娜塔莎·卡利斯
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摩根·霍姆斯特姆
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Praneet Akilla
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Aason Nadjiwan
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梅赛德斯·莫里斯
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托马斯·埃尔姆斯
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Kheon Clarke
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Rebecca Kwan
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艾伦·阿什莫
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Braeden Clarke
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艾米利亚·麦卡锡
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Jeff Teravainen
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John B. Lowe
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马修·凯文·安德森
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Gino Anania
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Rong Fu
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沙龙·巴杰
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卡尔·索达森
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劳伦·科克伦
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埃斯·巴蒂
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Life, death and drama at 20,000 feet, SKYMED weaves together intense character journeys and high-stakes medical rescues, as we follow the triumphs, heartbreaks and tribulations of budding nurses and pilots flying air ambulances in remote Northern Canada
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马里奥·毛瑞尔
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卡曼妮·耶美肯
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Taksaorn Paksukcharern
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Sakarat Jumrus
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吉拉维奇·蓬帕吉特
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查亚鹏·朱利·普帕特
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娜塔玻·提米露克
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帕贡·查博里拉
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Rudklao Amratisha
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SixCharactersispossiblythemosthighlyanticipatedThaifilmthisyear,notleastofallforitsstar-studdedcast.Onashootingsetfilledwithtension,anervousdirector(MarioMaurer)triestoshootahorrormovie.Thewillfulcastofactorsisnohelp.Meanwhile,sixstrangerssuddenlyappearwhotelltheirstory,explainingthattheyarethecharactersofthescriptleftbyadeadscreenwriter.Thedirectorlaughsatthestrangersatfirstbuteventuallybeginstogetcarriedawaybythecompellingfamilystorytheytell.DirectorM.L.BhandevanovDevakula,whoalsovisitedBusanin2011withEternity,isadirectorwhoistalenteddepictingeroticismwithintenseemotionsaswellasadaptationasintheJanDaraseries.SixCharacters,anadaptationofItalianplaywriterLuigiPirandello′sSixCharactersinSearchofanAuthor,spotlightsthedirector’sstrengthsandvision.
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约翰·亚历山大
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BELGRAVIAisthestoryofasecret.AsecretthatunravelsbehindtheporticoeddoorsofLondon’sgrandestpostcode.Thestorybehindthesecretwillberevealedinweeklybite-sizedinstalmentscompletewithtwistsandturnsandcliff-hangerendingsthatwillbedelivereddirectlytoyourmobile,tabletordesktopviaabrandnewapp.Youcanreadit,orlistentoit,orjumpbetweenthetwo.Setinthe1840swhentheupperechelonsofsocietybegantorubshoulderswiththeemergingindustrialnouveauriche,Belgraviaispeopledbyarichcastofcharacters.ButthestorybeginsontheeveoftheBattleofWaterlooin1815.AttheDuchessofRichmond’snowlegendaryball,onefamily’slifewillchangeforever...
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翁贝托·伦齐
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Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
