Wever
搜索"Wever" ，找到 以下影视作品
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奈伊·安蒂科
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Sophielandsajobwithacomicbookpublisherdespitebeingunqualifiedfortheposition.However,hernewfoundsecurityisthreatenedwhenshebreaksupwithherboyfriend,thefatherofthechildsheiscarrying.
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Valeriaistheyoungassistantofafilmproducer.Shelivesinanapartmentonthesamefloorofhermotherandwritesanonymouslyforasuccessfulscreenplayer,AlessandroPes.Onedayshebumpsintoanoddretiredpolicemanwhotellsheracriminalstory.Valeriaiswarybutlistensfascinatedbyhim.WhenshegoesbackhomesheusesthestoryshehasheardfromthemanasthesubjectfortheforthcomingscriptofAlessandroPes,whichhasbeenexpectedtobeconsignedtotheproducersforalongtime.Thesubjectisappreciatedtotheextentthatthemovieisfinancedevenbyforeigncompaniesandanoldbutwell-knownAmericandirectorisemployedtodirectit.However,thisisadangeroussubject.Infact,ThestolenCaravaggiotellsthemysterioustheftofafamouspaintingbyCaravaggio,Lanatività,whichhasbeenstoleninPalermobytheMafia.Asaconsequence,Valeriawillplayarolewhichisunusualtoher.
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Setin19thcenturyEngland,MissMarxcentersonthelifeonKarlMarx’syoungestdaughterEleanor.Inherpublicpersona,EleanorTussyMarxwasatranslator,actress,achildren’srightsactivist,afeministandapersuasivelabourorganizer,atirelesspowerhousedeterminedtocarryonherfather’swork.Sheheldherownwithtwentiethcenturygods,includingbothherfatherandhiscolleagueEngels.Inherprivatelylife,however,shewasvulnerableandherattractiontotheself-indulgentandself-importantEdwardAvelingledherintomiseryandultimatelyprovedfatal.
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During the first day of being a teacher, Kumarika (Aom Sushar Manaying) runs into a big problem when she fails to check the school schedule. Due to her unawareness, she ends up fighting with the man who owns the whole school causing her to fear that she will not only fail her assessment but lose her job. Kumarika is shocked, however, to find the owner only flirts with her inst...
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Marouane
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Meftah
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Kika
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van
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de
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Vijver
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Anniek
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Pheifer
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Hannah
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van
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Lunteren
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Joep
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Vermolen
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Bram
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Blankestijn
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Robbert
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Bleij
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Pierre
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Bokma
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Reinout
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Bussemaker
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Steef
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Cuijpers
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Hayo
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de
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Kruijf
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Yahya
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Gaier
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Micha
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Hulshof
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Yannick
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Jozefzoon
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No?l
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Keulen
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In2050,Earthhasbecomeadryanddesolateplace.FighterpilotNovaisforcedtotravelbackintimetopreventadevastatingenvironmentaldisaster,howeveranunforeseenside-effectoftimetravelmakesNovayoungagainandshecrashlandsinto2025asatwelve-yearold.Nobodyseemstotakeherandhermissionseriously,exceptforNas-aneglectedteenwhotriestokeep...
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多米尼克·布伦特
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Filmingavampireflickinanold,abandonedmanorhouseshouldhaveworkedlikeadream,butthefilmcrewisoutoftheirdepth,overscheduleanddesperatetogettheshootfinishedandgohome.However,asthemoonturnsfull,thenightmarebegins.Bloodflowsandthebodycountrisesascastandcrewmeetthemanor’sresidentwerewolf…”
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NoahLuke
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AglobalsteelworkscompanypartnerswithanaerospacefirmtominetheMoon.However,whenadrillingaccidentcausesagiantpieceoftheMoontocrackoffandhurtletowardsEarth,thesurvivingspaceteamandtheheadofthefirmmustfigureouthowtodestroythemeteoroidbeforeitwipesouttheentireplanet…
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马克·詹金
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康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式，但如今富有的伦敦游客纷纷下山，取代了当地人，当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫，因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅，现在看来，最后一场战斗是和新主人在海边的停车位上展开。然而，情况很快就失控了，而不仅仅是因为车轮夹钳。Bait是一种黑白，手工制作，16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而，最重要的是，在影像中不同层次的电影历史参考文献之下，当前许多政治关联正在等待被发现。Thepicture-postcardidylloftheCornwallfishingvillageismisleading.Whilefishingusedtobeawayofsupportingoneself,wealthyLondontouristshavenowdescendedandaredisplacingthelocals,whoselivelihoodisthusthreatened.TherelationshipbetweenbrothersStevenandMartinisalsostrained.Martinisafishermanwithoutaboat,sinceStevenstartedusingitforfarmorelucrativetoursforalltheday-trippers.They’vesoldthefamilycottageandnowitseemsthatthefinalbattletobefoughtisthatwiththenewownersovertheparkingspacenexttothesea.Yetthesituationsoongetsoutofhand,andnotjustbecauseofthewheelclamp.Baitisablack-and-whitefilmshotonhand-processed16mm.Numerousclose-upsoffish,nets,lobsters,wellingtonboots,knotsandcatchbasketsbringtomindthetheoryofamontageofattractions.Thedepictionofthedifferentsocialstrata–onecouldspeakofclassrelations–isalsoreminiscentofthetraditionofsocialrealisminBritishcinema.Aboveall,however,awholelotofcurrentpoliticalrelevanceiswaitingtobediscoveredbeneaththedifferentlayersoffilmhistoricalreferencescontainedintheimages.
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NoahLuke
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AglobalsteelworkscompanypartnerswithanaerospacefirmtominetheMoon.However,whenadrillingaccidentcausesagiantpieceoftheMoontocrackoffandhurtletowardsEarth,thesurvivingspaceteamandtheheadofthefirmmustfigureouthowtodestroythemeteoroidbeforeitwipesouttheentireplanet…
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马苏德·克米埃
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Dash Akol is greatly respected in Shiraz as an honorable man who has lost his family's money through helping his friends. He has an enemy, however, named Kaka Rostam, a mean and spiteful person. Dash Akol, who is in his forties, falls in love with Marjan, daughter of the late Haji Samad, for whose estate he is the executor. But he keeps his love secret. One day a suitor asks for Marjan's hand, and Dash Akol considers it against his code of honor to refuse. On the night of the wedding, Dash Akol hands over responsibility for the family to the bridegroom. As he is leaving the house, however, Kaka Rostam is waiting for him and a fight ensues. Kaka Rostam stabs him in the back, but Dash Akol succeeds in killing him. On his deathbed, Dash Akol sends his parrot to Marjan with the confession of love he has taught it.
