Ratanapintha
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希提·麦克唐纳
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第三季不是一个常规季,而是一个只有四部分的迷你季。虽然名义上该剧还未被取消,但第三季就是终结季的事实恐怕无法改变。在地方行政长官Munk被吊死之后,两名奥斯陆来的警官进驻坚毅镇对这起谋杀案展开调查。他们很快发现,这个看似宁静美好的地方实际上暗流涌动,这里的居民每个人都有黑暗的秘密。与此同时,Hildur和Munk的死给坚毅镇造成极大的冲击,无论警察、科学家还是普通居民都要为整件事情承担一定的责任,提防寄生虫的进一步伤害和萨满巫师的愤怒。DanAndersson已经迷失了方向,尽管他没有被寄生虫杀死,也逃过了冰冷的北极海水、药物过量、绑架和酷刑的诸多折磨,但这位坚毅镇警长无法再判断正与邪、对与错,他的世界在崩塌、在碎裂、在快速改变。伤心和失败的打击让MichaelLennox走上了酗酒的道路,几乎快把自己喝死——直到他过去认识的女人ElsaSchenthal突然来到镇上。他们两人的历史已经非常久远,但曾经发生过的事情仍然历历在目……因为Elsa要为许多灾难负主要责任。Elsa向Michael提供了一条救赎之路。另一方面,那些不愿安息的逝者的「幽灵」开始在小镇边缘出现,让这个冰冻的、与世隔绝的北极世界陷入新的危机。
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Thequeererotichorror-comedyACLOSERWALKWITHTHEEfollowsJordan,ayoungChristianmissionarywhogetscaughtwatchinghishandsomepastorEliintheshower.ThehousechurchostracizeshimuntilEli(whohappenstobeafledglingexorcist)suggestsitmaybedemonicpossessionthatsgivingJordanhisungodlyurges.Whatstartsasanexorcismtosavetheirfriendshipquicklydescendsintopsychosexualmadness.
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Setonthecuspofthe19thcenturyinDelhibeforetheBritishruledinthatregion,thedramadepictsthefortunesoftheresidentsofBeechamHouse,animposingmansionsurroundedbyacresofexoticwoodsandpristinelawns.TomBateman(VanityFair,JekyllandHyde)takestheroleofenigmatic,soulfulJohnBeecham,ahandsomeformersoldierwhohaspurchasedthemagnifice...
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Silasidentifiesthemanthatkilledhiswifeandkidnappedhischild,15yearsprior,asFrankValance;Thenewgubernatorialcandidate,andplanstoassassinatehim.
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Based on an unknown Sch?nberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Sch?nberg’s atonal score, performed here by 70 musicians. That Sch?nberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Sch?nberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Sch?nberg canon—and the film such a challenging and intriguing experience.
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托斯卡·马斯克
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ColtonDonavanlivesonthatrazor-thinedgetowardoutofcontrol.Whetherit'sonthetrackoroffofit,everythinghewantsisathisfingertips:success,willingwomen,mediaattention.Everythingthatis,butRylee.She'stheexceptionthisrecklessbadboycan'tseemtowinover.Herheartishealing.Hissoulisdamaged.Theybothknowthetwoofthemcouldneverwork....
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广濑贵士
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Constantlyonthehuntandsufferingfromhallucinationsthatdrivehisviolentnature,anunnamedmaniscapturingwomenandsavagelybeatingthemtodeath.Meanwhile,awomanisluringmenintoaviolentend,bywayofherknife.Drivenbythesameforcetomaketheoppositesexsuffer,thekillers’fatesintertwine.Thetwomustfaceoffinabattletothedeath,inwhichtheyareforcedtorevealthehorribletruthbehindtheiraddictiontomurder.“Brutal”takesaninterestingapproachtoitsvisuals,drawingheavyinfluencefromWestern“Grindhouse”films,usingafiltertomakethefootageappeargrainy,damaged,andwithlightandcolorfluctuations.Unfortunately,thevisualstylingendsupfeelingmisguided,asotherthanapplyingthefilteritdoesnotimitateanyotheraspectsofthe“Grindhouse”genre.Despitetryingtodirtyupthefilm,itisapparentitwasshotondigital.Thecinematographyisalsoastepabovemost“Grindhouse”productions,withTakashiHiroseprovinghehastalentbehindthecamera.Exteriorshotstothosetakingplaceinsmallspacesareallcompetentlyframed,lit,andtransitionwell.Thedecisiontoaddaneffectontopoftheworkhurtsthefilm’simageryandevengivesasenseofdesperationtotrytocaptureacertaintypeofnostalgiawiththeaudience,insteadofrelyingonitsownstrengths.Itisunfortunatewhenonecreativechoicecanhurtaproductionsomuch.Thestoryof“Brutal”issimplebuteffective,itdoesattemptsomesortofsocialcommentaryabouttheviolentnatureofmenandwomen,butitdoesnotofferenoughdepthintothesubjecttojustifytheamountofviolenceondisplay.Thefilmdoesendonastrongnotewithaninterestingtwist,witharevealthatisboundtogrosssomeout,whilegivingothersachuckle.Inspiteofitssimplenature,thosewhoenjoyfilmsthatmakethemsomewhatuncomfortableandenjoythechallengeofgettingthroughsomeultra-violence,“Brutal”posesafunandentertainingchallengeinthatregard.