Paparizo
搜索"Paparizo" ，找到 以下影视作品
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黄建新
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实现拍摄却惨遭华纳抛弃的「说出你的机密 Tell Me Your Secret」由Amazon接办,2021年播出。 这部女性主导的10集心思惊悚剧由Harriet Warner执笔。剧集环绕三名脚色开展,每自我都有着奥秘而不安的过往。Lily Rabe扮演Emma,曾直视过某个伤害杀手,她刚坐了三年牢被开释,有一个作为掩护的新身份,想忘却与杀手纠葛的从前；Hamish Linklater扮演John,已经是一名连环案实行者,现在急切想要寻觅救赎；Amy Brenneman扮演Mary,执迷于找到掉落多年的女儿,被定型为「伤心母亲」。跟着他们被推至边沿,「受害者」跟「犯法者」之间的分界限开端变得隐约。别的,Enrique Murciano将表演Peter Guillory,一个看似心胸好心的心思医治师。 卡司还包含Stella Baker!Elliot Fletcher!Xavier Samuel!Chiara Aurelia!Ashley Madekwe等。 该剧原为TNT的名目,以剧名「朱颜祸水 Deadlier Than The Male」 在2017年4月掉掉落试映集预约,2018年2月掉掉落正式剧集预约,6月时更名「说出你的机密 Tell Me Your Secrets」,2018年中下旬正式开拍。全剧于2018-2019年实现拍摄后始终被放置,跟着华纳团体节目战略调剂,被高层以为分歧适TNT。只管是华纳自家结合制片,华纳既不盘算上线HBO Max,也不斟酌寻觅新平台播出。 在被华纳确认摈弃的4个月后,不测由Amazon接办复出。
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山姆·艾斯梅尔
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Amazon过去以两季直接预定拿下JuliaRoberts主演﹑SamEsmail开发的新剧《归途Homecoming》。本剧根据GimletMedia同名爆热播客改编，其甫一上线就成为了多家电影电视制作方和制片人想要争夺的热门IP。在经过激烈角逐后，UniversalCableProductions拿下改编权并与SamEsmail联手将其搬上电视荧幕。定于11月2日上线的半小时剧《归途》将由原播客作者改编，是一部政治惊悚剧，剧中讲述了一个协助士兵重返社会的秘密政府机构工作的社工HeidiBergman（JuliaRoberts饰演）、她的上级和一名士兵Walter（StephanJames饰）的故事。BobbyCannavale饰演ColinBelfast，他是「HomecomingInitiative」部门的非现场主管...
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改编自史提芬京(StephenKing)畅销小说人物的TheDeadZone是一套集动作、浪漫、超自然及冒险于一身的心理学恐怖片集。JohnnySmith(AnthonyMichaelHall饰演)于小镇中过着平凡的生活，本身是自然科学教师的他喜欢向学生们展示出大自然的奥秘，在他身边的除了他深爱的未婚妻Sarah(NicoledeBoer饰演)之外，还有以他引以为荣的母亲。Johnny本拥有着几乎完美的生活，直至某天他发生车祸，使他一直昏迷不醒为止。六年后，Johnny终于恢复知觉及清醒，但他所认知的世界已变得面目全非。除了他的母亲已过身外，他的未婚妻Sarah亦下嫁了另一人且生了小孩。但这些事以他来说还不是太重要，因为他竟发现自已拥有一种惊人的超自然力量，只要他接触到其它人或对象时便会发生。在离开医院之前，他p凭着超自然的幻觉得知其护士之女儿正身处险境，从而能够及时把她的女儿救出。现在，Johnny除了尝试适应昏迷六年后的生活外，还需要把不知道是福是祸的超自然力量弄走，继续以普通人的姿态生活。帮助Johnny恢服体能的物理治疗师Bruce(JohnL.Adams饰演)由医院相识后因了解得太多而渐渐变成他的好友；而他母亲的牧师GenePurdy(DavidOgdenStiers饰演)则为了他建立了一笔基金，待他有需要时便可使用；另外，Sarah亦尝试一方面与Johnny保持关系，另一方面不影响与她丈夫(ChrisBruno饰演)与及儿子的关系。本剧集由StarTrek系列编剧MichaelPiller及其子ShawnPiller制作，于2002年6月16日在USANetwork首播，并创下六千四百万的收视纪录，同时亦打破基本有线电视节目首播的收视纪录。
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居伊·德波
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Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.
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巴沃·德弗恩
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60年月的比利时,小男孩皮姆（杰尔·弗劳里佐恩 Jelle Florizoone 饰）跟单亲妈妈伊薇特（伊娃·范·德·古独特 Eva van der Gucht 饰）住在北海边的繁荣小镇上,外地最繁荣的场合是一家叫做“德州”的酒吧。皮姆从小就很特殊,他爱好玩公主侍女游戏 ,爱好绘画,爱好漂亮的男孩,爱好珍藏可爱人的物件。邻家男生吉诺（马提亚斯·瓦格尔斯 Mathias Vergels 饰）跟妹妹萨布丽娜（妮娜·玛利亚·柯特卡斯 Nina Marie Kortekaas 饰）是皮姆两小无猜的玩伴,皮姆跟吉诺偷尝禁果激发一段暗昧而甜蜜的初恋。当漂亮的吉普赛青年卓坦（托马斯·库芒 Thomas Coumans 饰）不测涌现后,皮姆的生涯更是产生无可挽回的转变… 「德州北海」改编自比利时女作家安德烈·索丽的生长小说「这是永久」。导演巴沃·德弗恩是位公然同道,他的短片屡次在国际上获奖,其视觉后果被誉为“有着超脱世俗的恶劣跟清爽之风”。「德州北海」是巴沃·德弗恩的第一部剧情长片,“正常来说,生长片子每每停止于主人公找到本人的身份。但这并不是这部片的主题,它是对于爱,对于寻觅本人的幸福。”本片获蒙特利尔国际片子节银丝带奖跟影评人费比西奖,罗马国际片子节都会爱丽丝奖。
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MariaVargas（艾娃·加德纳AvaGardner饰）一个美丽、敏感、渴望爱情的西班牙女子，本在一家酒吧跳舞。被美国导演HarryDawes（亨弗莱·鲍嘉HumphreyBogart饰）挖掘，带到好莱坞，成了万众瞩目电影明星。但她却与投资Harry电影的老板KirkEdwards矛盾重重，后又和南美洲的富人Bravano纠缠不清。直到她遇见深爱她的那个男人——伯爵Vincenzo，两人终于结婚，但悲剧却无法避免。就如Vincenzo的家族格言一样：该来的，总会来。美人已逝，空留遗憾。
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陈鹏飞
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BradPitt制片公司PlanBEntertainment过去宣布为Amazon开发新剧《外围OuterRange》，这部惊悚剧由BrianWatkins负责，剧集讲述一名待在怀俄明州荒野的牧场主因为发现这儿隐藏着谜团，紧接着他决心为了自己土地及家人而战。JoshBrolin加盟剧组，饰演主角RoyalAbbott。
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1913年,西西里的小岛上,有一个农夫家庭：母亲深信宗教,欧巴萨尔瓦多（文森特•阿玛托 Vincenzo Amato 饰）哑忍外向,弟弟镇静如水,孙子又聋又哑,他们的生涯极为清苦。某天,一个美国人离开了这里,开端流传对于新大陆的诸般传奇,这让一家人找到了追求美妙生涯的偏向,经由一番探讨,终极他们决议偷渡到美国。他们穿上了皮靴,穿梭叫卖的集市,登上了开赴美国的渡轮。在途中,他们结识了屡次赴美未果的年青男子露西亚（夏洛特•甘斯布 Charlotte Gainsbourg 饰）,萨尔瓦多对露西亚发生了好感,然而母亲竭力支持,以是两人只得目挑心招。然而某天,露西亚忽然找到了萨尔瓦多,提出了一个令他意想不到的提议……
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和泉圣治
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1997年，泡沫经济崩溃后，日本金融界陷入危机。银行也由于巨额不良债权问题处在生死存亡的关头。在此背景下，大型城市银行之一的三叶银行开始实施“批量转让”，即将回收困难的不良债权打包出售给投资公司。三叶银行资产流动化开发室室长芝野健夫（渡部笃郎饰）负责这一日本国内的首次尝试。他就债权转让问题与外资投资公司“HorizonJapanPartners”的代表鹫津政彦（绫野刚饰）见面了。芝野提出希望最少能以300亿日元的价格收购价值723亿6458万日元的债权，对此鹫津表示会认认真真地进行核定，而芝野却因他的这种态度产生了一丝不安。除芝野以外，三叶银行的所有人都对核定结果满怀期待，然而等到四周后答复的那一天，芝野和同事们从鹫津口中听到了一个极其令人震惊的价格。三叶银行常务董事饭岛亮介（小林薰饰）对外资企业“秃鹫”的戏耍感到气愤不已，他主动提出自己要亲自负责第二次的批量转让。面对说出“只为三叶工作”的饭岛，芝野…？另一方面，鹫津遭到了因批量转让被自己收入囊中的债务人的怒骂，恰好在场的“东京世纪王冠酒店”的前厅经理松平贵子（泽尻英龙华饰）看到了这一幕…
