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Setintheworldofbugswherespidersarethecops,adetectiveboardsaseaplanetoSanFranciscoafterfinallycapturinghisarchnemesis,butamurderonhisflightdrawshimintoaplotthatthreatensboththehumanandbugworlds.
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比尔·杜克
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Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
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“我每天午夜的就餐者是漫长一天的结束，也是新一天的开始。”——吉姆《月光鸡饭》讲述了一个以卖海南鸡饭为生的普通小伙吉姆，在自己的餐车里遇到了醉酒的顾客文的故事。把他们两个带到一起的那个晚上，创造了一种难以理解的感觉。尽管文是一个被绑架的人，但两人都无法停止对彼此的思念。之后他们生活中的一切都不一样了。"Mydineratmidnighteverydayistheendofalongday,butalsothestartofanewday."-Jim"MoonlightChicken"tellsthestoryaboutJim,anordinaryguywhosellsHainanesechickenriceforaliving,whometWen,adrunkcustomerinhisdiner.Thenightthatbringsthembothtogethercreatedafeelingthatishardtounderstand.NoneofthetwocanstopthinkingabouteachotherdespiteWenbeingatakenman.Everythingintheirlifeisnotthesameafterthat.
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16 year old Rocco's two aims in life are to get laid and to see his favourite pop star in concert with his best friends, sassy and tomboyish Maria and nerdy and quiet Mauri. When a bullying incident at school forces Rocco to come out to his divorced middle-class parents their liberal leanings are severely tested. Luckily his two friends stand by him and join him in running away from home (in his parents stolen car) to see their favourite singer in concert, followed hot on their heels by his neurotic mother and eccentric gran to hilarious effect. A vibrant , funny coming out tale,, A Little Lust is both immersive and totally life-affirming.
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Antonioisa30yofamilyman,whoselifefindsanunexpectedtwistwhenhe'ssuddenlydumpedbyhishusband,whomhedependsbothpsychologicallyandeconomically:heneedstofindanewplacetostay,ajobandanewpurposeinlife.AntoniofindsaroominanapartmentownedbyDenisandstartstoworkinabakeryownedbyLuca,whileattendingpastryschool.Throughthisprocesshediscoversthatitwaswrongofhimtogiveuphisindependenceforthesakeofhisrelationshipinthepast.
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TheResident‘sprognosisisgood:FoxannouncedMondaythatithasrenewedthemedicaldramaforathirdseason.Season2oftheseries,ledbyMattCzuchryandEmilyVanCamp,currentlyairsMondaysat8/7c.(Checkoutourrenewalscorecardtogetthestatusonyourotherfavoriteshows.)“AmyHoldenJones,ToddHarthanandtheteambehindTheResidentcontinuetoshowcasetheirbrilliantstorytelling,revealingboththetriumphsandtragedywithinthemedicalworld,”MichaelThorn,FoxEntertainmententertainmentpresident,saidviastatement.“MattCzuchry,EmilyVanCampandBruceGreenwood,alongwiththestellarcast,havedevelopedrichandcompellingcharactersthroughtheirheartfeltperformances.”
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雅什·乔普拉
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每个人在某个地方总有一个属于你的人存在。“我心狂野”就是让这种信念实现的故事。它讲述的是拉忽尔，一个不相信爱情的人的故事。拉忽尔不太理解人们是如何能够在一起相处一生，难道真的有人是属于他的吗？这又是关于坡佳，一个相信一定有人是属于她的，而且她一定能遇上那个人的女孩的故事。这还是关于妮莎，一个认为爱情就是友谊，终有一天她的梦想会实现的故事。这部电影还有出色的音乐献给那些有梦想而充满热情的人们。他们的梦想能实现吗？他们能找到他们的真爱吗？影片将让我们相信每个人在某个地方总有一个属于你的人存在。 Dil to pagal hai is a fantastic film. Its my all time favorite.I love to watch Yash Chopra films and among them its the best one. Since the year it released i.e 1997 no other film has touched me like this.My extreme love for DTPH is because of following reasons.. -Its tag line touches me i.e someone somewhere...is made for you. -Its story line and Yash Chopra's perfection as a director. -Its superb music by Uttam Singh and above all LATA MANGESHKAR's melodious duets with Udit Narayan.I love its songs; and in them, Lataji's voice (even more than old songs of Lataji) -Uttam singh's background instruments rock me whenever i listen to the numbers. -Shahrukh Khan's first performance in which he didnot deliver dialogs in the way like he earlier used to.He was very serious and his acting was quite,calm and mature.For the same reason he got several awards for this film. -Madhuri's performance was great and so was of Karisma.Both got awards and Karisma also got her first National Award. -I love its screenplay specially in the shots having an acting stage within the film.(See its climax to confirm what i said.) MUST SEE IT AFTER READING MY COMMENTS IF YOU ARE NOT SATISFIED WITH ME. I AM SURE YOU WILL ALSO BECOME A DTPH FAN LIKE ME.
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一天，609号房东花花公子Mum，看到一个小伙在他的床上，从他们第一次见面就上床那天后，神秘的事情不断发生。Mum总是梦见一个神秘的事件，半夜总会被奇怪的梦突然惊醒。Mum试图通过和女人上床来忘记和年轻男子的“情感”。然而，这甚至让他多想想他的梦中情人。然后，他把事件的点点滴滴联系起来，提出了反向平行宇宙的理论。最后，他在现实生活中遇到了Dew。虽然他们的第一次见面是Dew的最后一天，但也是他们两个互相帮助改变未来的开始！Oneday,astrangemanissleepingonMum'sbed,aplayboyandtheownerofroom609.Theybothhavepassionatesexthefirsttimetheymeetandafterthat,mysteriou...
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Fivechildrenagedbetween11and17whohavebeenrejectedbysocietyleavetowninsearchoftheirown"Kingdom".Theycrossamountainrange,roadsandrurallandscapes,andarebothvictimsandguiltypartiesontheirjourney.Theystealandlaunchattacksbutarealsorobbedandtorturedinturn…
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WiththeimminentreleaseofRoseMatefeo’sbrandnewromcomStarstruckonBBCThreeattheendofApril,thiscomingyearmarksawatershedmomentinbroadcastinghistorywithmostBBCThreecomedyeitherstarring,writtenbyorcreatedbywomen.BBCThreewillbethefirstUKchanneltoachievethislandmarkinfemalerepresentationwith58%oflong-formscriptedcomedywrittenbywomen.UpcomingtitlesincludeLazySusan,StarstruckandEllieandNatasiaplusthesecondseriesofbothInMySkinandBacktoLife.Inadditiontothis,theBBCtodayannouncesfournewBBCComedySlicesforBBCThree,allofwhicharewrittenbyand/orstarfemaletalent:Ladybaby,Amicable,DinosaurandBritney,whichresultsinthemajorityofcomedyprogrammesonBBCThreenowbeingfemaleled.KateDaughton,outgoingHeadofComedyattheBBC,says:BuildingonthehugesuccessofPhoebeWaller-BridgeandDaisyMayCooper,thismarksamonumentalachievementandistestamenttothefactthemostpioneeringandexcitingnewvoicesincomedyareincreasinglyfemale.KateleavestheComedyCommissioningteamtodayhavingmadeatremendousimpactoverseeingaraftoffemalefirsttitles.SinceKate’sarrivalin2017shehascommissionedandnurturedFleabag,Mum,Ghosts,Gavin&Stacey:ChristmasSpecial(2019),ThisTimeWithAlanPartridge,BacktoLife,TheGoesWrongShow,OutofHerMind,TwoDoorsDown,InMySkinandManLikeMobeen.AlongsidetheforthcomingWitchfinder,Alma’sNotNormalandStephenMerchantseriesTheOffenders(w/t).ShaneAllen,DirectorofBBCComedy,says:Fiveyearsagotherewerestillarticlesaskingwhereallthefunnywomenwere.Thathoaryoldnonsensecanfinallybedispensedwithonceandforall.It’salevelplayingfieldwiththemostvibrantanddynamicworkcomingthroughfromfemaleswritersandwriterperformerswhoareelevatingtheartformofcomedyandexpandingitshorizons.AsforKateDaughton,nolongerwillshecurseatmeforloudsneezingintheoffice.Partlybecauseshe’sleavingandmostlybecausewe’venotbeenintheoffice.Trulybereft;indenialthatshe’soffandwe’reluckytohavehadherforsolong.CharlotteMoore,ChiefContentOfficer,says:Kate’simpeccabletaste,whipsmartcomedybrainandbeguilingwayswithtalenthavehadatransformativeimpactonthecomedyoutputinhertimehere.ThefactthatBBCThreecanclaimtobethefirstUKchannelwithamajorityoffemaleledandwrittenscriptedcomedyisinlargepartdowntohervisionandpassionforbackinggenredefiningfemalecreatives.She’llbesorelymissedbutthankfullyleavesbehindaterrificlegacyofshowsahead.
