Santo
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A listless young man, upon learning he is ill, leaves his job, girlfriend and city behind, and ventures alone into the British Columbia interior, bringing his fears and anxieties with him.
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A romantic getaway for two troubled college sweethearts turns into a struggle for survival when unexpected guests - and the surrounding environment - exhibit signs of a mysterious infection.
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Inthistwo-partseries,SimonReevetravelstoGreece,oneofthemostbeautiful,troubled,andextremecountriesinEurope.TravellingfromtheIslandsoftheAegeantotheruggedandmountainousnorth,Simongetsbehindthepicture-postcardimagetolearnmoreaboutGreeceandtheGreeks-andwhythecountryhasfacedaseeminglyendlesseconomiccrisis.Alongthewayheencountersanextraordinarycastofcharacters,fromrebelmonksandgun-totingpriests,todesperatemigrantsandaninjuredbearcub.ThefirstlegofSimonReeve’sjourneyaroundGreecetakeshimfromtheholidayislandsoftheAegeantothecapitalcityofAthens.OffthetinyislandofPserimosSimongoesunderwaterwiththediverswhostillhuntfortheseacreaturewhichmadetheseislandsrich:thenaturalsponge.Hehearshowtheisland’spopulationisstrugglinginthefaceofdecliningstocksandthewidereconomiccrisis.TravellingontoLesvos,justafewmilesfromtheTurkishcoast,Simonencountersanotherofthehugechallengesfacingthecountry:themigrantcrisis.TheislandhasbecomeEurope’sfrontline,withthousandsofrefugeesarrivingdaily,fundamentallychangingthelivesoftheislanders.OnGreece’slargestisland,Crete,Simonheadstotheruggedmountainswhereeveryshepherdisarmedandthelocalpriestisalsoheadofthelocalgunclub.CampingoutunderthestarsSimonlearnshowforCretans,memoriesofGermany’sroleintheSecondWorldWarstillcolourtheirviewoftheGreekdebtcrisis.InAthens,Simoninvestigatestheeffectsofthatcrisis.Hehearshowhardlifeisforanimpoverishedcommunitylivinginconvertedshippingcontainers,andinthecityheisconfrontedbyangryprotesters-andseesjusthowquicklytheseprotestscandescendintoariot.
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克里斯·史密斯
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Reenactments drive this documentary investigating the mastermind behind a scam to sneak the kids of rich and famous families into top US universities.
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ThisisthestoryofEvaPerónafterherdeath.Theembalmedbodyof“Evita”hadaneventfuljourneythatlastedfor22years,andwaseverybitaseventfulasher33yearsoflife.Evitadiedin1952,buthercorpsewaitedabovegroundforthreeyearsfortheconstructionofamonumentthatwasultimatelyneverbuilt.In1955,PresidentPerón’sgovernmentwasoverthrownbyamilitarycoup,whohidthebodyfor19yearstopreventitfrombecomingasymbolagainsttheregime.WhileonlyapoliticalfigureforsixyearsasGeneralPerón'swife,hercorpseinfluencedArgentinepoliticsformorethantwodecades—weavingamorbidlystrangestorythatpassedintotherealmofmythology.Tothemilitaryofficersthattookover,Evitawasevenmoredangerousthanwhenshewasalive,asallfearedthaterrantcorpsewithoutarestingplace.
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Midah,RohayuandAniarethreewidowswhohappentobedie-hard-fansofsingerAimanZalini.Whenthesinger'slastconcertisannounced,thethreeladiestryanddoeverythingtheycantoraisethemoneyforthetickets.Theyconcoctedanadditive-free,allnatural,andnon-tobaccovapejuicebusiness.Theirvapeformulaprovestobeasuccessandtheymakeenoughforthecon...
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The original crime-solving series Private Eyes is a 10-episode procedural drama that follows ex-pro hockey player Matt Shade (Jason Priestley) who irrevocably changes his life when he decides to team up with fierce P.I. Angie Everett (Cindy Sampson) to form an unlikely investigative powerhouse. Through their new partnership, Shade is forced to examine who he has become and who he wants to be. Ongoing episodes find Shade and Angie investigating high-stakes crimes in the worlds of horse racing, fine dining, Toronto's vibrant hip-hop scene, scandalous literature, magic clubs, and more.
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SamedilivesinavillageinWallonia.Heworksfromtimetotimeasagardenerandhasacloserelationshipwithhismother.Everydaylifeinthevillage,whichhasseenbettertimes,Samedi'squietandfriendlynatureandthestilllargelyintactruralsettingstandinstarkcontrasttotheheroinaddictionSamedihassufferedfromforover20years,whichonlyhisfamilyknowsabout.Hisrelationshipwithhismotherchangeswhenhemakesanotherattempttogetclean.PalomaSermon-Daï’sdocumentarypaintsarestrained,highlyprecisepictureofarelationshipmarkedbyaffectionandlovebutwhichisalsodifficulttodefineinrelationtoSamedi'sproblem.Asthecameraobservesthelong,concentratedconversationshehaswithbothhismotherandhistherapist,apictureofaddictioncomesintoviewwhichispartofafamilystructure.Thisbecomesembeddedinsomethinglargerinturnviatheindividualimagesofthevillage.PetitSamedicreatesanimageofdependenceinwhichindividual,familyandsocialcoexistenceareintertwined,withoutfallingintothetrapofsayingwhatmightbeabletosolvetheproblem.