White
搜索"White" ，找到 以下影视作品
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BobCook
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Whensixraiderskillherhusband,childandworkersonherranch,awhitewomanraisedbytheCommancheclaimsanIndianbloodrite.
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Two girls grow up as best friends in an Innu community. While Mikuan has a loving family, Shaniss is picking up the pieces of her shattered childhood. As children, they promised each other to stick together no matter what. But as they're about to turn 17, their friendship is shaken when Mikuan falls for a white boy, and starts dreaming of leaving the reserve that's now too small for her dreams.
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罗瑞·肯尼迪
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AcloseexaminationoftheWhakaari/WhiteIslandvolcaniceruptionof2019inwhich22liveswerelost,thefilmviscerallyrecountsadaywhenordinarypeoplewerecalledupontodoextraordinarythings,placingthistragiceventwithinthelargercontextofnature,resilience,andthepowerofoursharedhumanity.
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马克·詹金
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康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式，但如今富有的伦敦游客纷纷下山，取代了当地人，当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫，因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅，现在看来，最后一场战斗是和新主人在海边的停车位上展开。然而，情况很快就失控了，而不仅仅是因为车轮夹钳。Bait是一种黑白，手工制作，16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而，最重要的是，在影像中不同层次的电影历史参考文献之下，当前许多政治关联正在等待被发现。Thepicture-postcardidylloftheCornwallfishingvillageismisleading.Whilefishingusedtobeawayofsupportingoneself,wealthyLondontouristshavenowdescendedandaredisplacingthelocals,whoselivelihoodisthusthreatened.TherelationshipbetweenbrothersStevenandMartinisalsostrained.Martinisafishermanwithoutaboat,sinceStevenstartedusingitforfarmorelucrativetoursforalltheday-trippers.They’vesoldthefamilycottageandnowitseemsthatthefinalbattletobefoughtisthatwiththenewownersovertheparkingspacenexttothesea.Yetthesituationsoongetsoutofhand,andnotjustbecauseofthewheelclamp.Baitisablack-and-whitefilmshotonhand-processed16mm.Numerousclose-upsoffish,nets,lobsters,wellingtonboots,knotsandcatchbasketsbringtomindthetheoryofamontageofattractions.Thedepictionofthedifferentsocialstrata–onecouldspeakofclassrelations–isalsoreminiscentofthetraditionofsocialrealisminBritishcinema.Aboveall,however,awholelotofcurrentpoliticalrelevanceiswaitingtobediscoveredbeneaththedifferentlayersoffilmhistoricalreferencescontainedintheimages.
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Just over 40 - years ago, marriage in China was arranged by the state. Romantic love was seen as a capitalist concept and was not allowed during this period. Wedding photography (if any at all) consisted of one black and white passport photo of the couple (dressed in Mao- style outfits) as proof of the marriage. Now, China has fallen in love with love and its exploding wedding industry is worth 80 - billion dollars, and it is on an upward curve. Pre-wedding photography is one of the most significant and curious parts of the industry. Every couple marrying in China will take part in a pre-wedding shoot. It in册ves several costume and backdrop changes where you can become a character in any fantasy you choose. For the most exotic lo- cations couples pay up to $250 - 000 - AUD. Pre-wedding photo shoots have become an important national ritual. They are proof of the marriage but now also of love, romance, freedom, status, money and the new China Dream. As an expat living in Shanghai with a long history of coming to China, Sinophile photographer Olivia Mar- tin-McGuire was captivated by the construction of dreams through this booming photographic world. Once she started to delve deeper into this new traditional she found a unique window into China. One that revealed a country dreaming, a country rapidly booming and a country reconstructing its recent past trauma all through their own lens. China Love takes us on a wild journey into the warmth of the family web in China into the hearts of our characters and into their personal dreams with an understanding of why and where these aspirations come from. The project explores China's new position as a globalised country from its restrictive and highly traditional past - through the window of its booming wedding industry and asks what is the new China Dream when it comes to love.
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迈克尔·柯蒂兹
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Doctor X (1932) is a First National/Warner Bros. horror and mystery film. Based on the play originally titled The Terror (New York, February 9, 1931) by Howard W. Comstock and Allen C. Miller,[1] it was directed by Michael Curtiz and stars Lee Tracy, Fay Wray, and Lionel Atwill. The film was produced before the Motion Picture Production Code was enforced. Themes such as murder, rape, cannibalism and prostitution are interwoven into the story. The film was one of the last films made, along with Warners' Mystery of the Wax Museum (1933), in the two-color Technicolor process. Black and white prints were shipped to small towns and to foreign markets, while color prints were reserved for major cities. PS. The Return of Doctor X (1939) link
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Showtime正式预订由JamieFoxx制作，JayPharoah主演的喜剧《白闻名》（WhiteFamous）。该剧松散改编JamieFoxx的个人经历。该剧讲述由JayPharoah饰演的一个冉冉升起，有才华的黑人喜剧演员FloydMooney，如何保持自己身为非裔美国人的独特性，做到在白人圈子也闻名。MegalynEchikunwoke饰演Floyd的前女友，他们之间有一子Floyd（LonnieChavis饰），尽管已经分开，但她仍然是Floyd生命中的最爱;UtkarshAmbudkar饰演Malcolm，是Floyd的经理人，他希望自己的客户能为扩大事业而不惜一切。
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大卫·鲍伊
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AnintimateportraitoffivekeyyearsinDavidBowie'scareer.FeaturingawealthofpreviouslyunseenarchivethisfilmlooksathowBowiecontinuallyevolved,fromZiggyStardust,totheSoulStarofYoungAmericans,tothe'ThinWhiteDuke'.ItexploreshisregenerationinBerlinwiththecriticallyacclaimedalbumHeroes,histriumphwithScaryMonstersandhisglobalsuccesswithLet'sDance.Withinterviewswithallhisclosestcollaborators,thisfilminvestigateshowBowiehasbecomean'iconofourtimes'.
