Trip
搜索"Trip" ，找到 以下影视作品
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马克·詹金
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康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式，但如今富有的伦敦游客纷纷下山，取代了当地人，当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫，因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅，现在看来，最后一场战斗是和新主人在海边的停车位上展开。然而，情况很快就失控了，而不仅仅是因为车轮夹钳。Bait是一种黑白，手工制作，16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而，最重要的是，在影像中不同层次的电影历史参考文献之下，当前许多政治关联正在等待被发现。Thepicture-postcardidylloftheCornwallfishingvillageismisleading.Whilefishingusedtobeawayofsupportingoneself,wealthyLondontouristshavenowdescendedandaredisplacingthelocals,whoselivelihoodisthusthreatened.TherelationshipbetweenbrothersStevenandMartinisalsostrained.Martinisafishermanwithoutaboat,sinceStevenstartedusingitforfarmorelucrativetoursforalltheday-trippers.They’vesoldthefamilycottageandnowitseemsthatthefinalbattletobefoughtisthatwiththenewownersovertheparkingspacenexttothesea.Yetthesituationsoongetsoutofhand,andnotjustbecauseofthewheelclamp.Baitisablack-and-whitefilmshotonhand-processed16mm.Numerousclose-upsoffish,nets,lobsters,wellingtonboots,knotsandcatchbasketsbringtomindthetheoryofamontageofattractions.Thedepictionofthedifferentsocialstrata–onecouldspeakofclassrelations–isalsoreminiscentofthetraditionofsocialrealisminBritishcinema.Aboveall,however,awholelotofcurrentpoliticalrelevanceiswaitingtobediscoveredbeneaththedifferentlayersoffilmhistoricalreferencescontainedintheimages.
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凡妮莎·帕里斯
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Uninspired and newly single painter Sara is down on her luck and wants nothing more than to get away from her problems. When she decides to take a trip to visit her mom, she becomes involved in the efforts to save a local church which is in danger of closing down.
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皮奥特尔·舒尔金
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After a five-year hiatus from filmmaking, Piotr Szulkin returned in 1990 - with "Femina", based on a novel by Krystyna Kofta and inspired by Luis Bunuel.The main character is Bogna, a thirty year old woman lost in her surrounding reality and unhappy in her private life. After her husband departs for a foreign scholarship, Bogna learns that her mother died. The trip to her hometown for the funeral becomes a voyage in time, during which she relives the memories of her idyllic childhood.As beautifully mounted as any of Szulkin's films, it's full of delirious wide-angle imagery (at times recalling the films of Terry Gilliam). Unavailable on DVD even in Poland, this is a most unfairly neglected work by Szulkin.
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ItssummertimeinahotandemptyBuenosAires.Marcelasworldisshakenwhenhersisterdies,leavinghercompletelyoutofsorts.Stillgrieving,shemustdealwithclearingoutherflat.Oneofherdaughter’syoungfriends,Nacho,appearsonthescene,eagertohelp,apresencewhichleadstosharedroadtripsandadventures.Duringtheseconfusingdays,peopleandconversationsfromanothertimewillmingle,promptingquestions,whiletheimminenceofeverydaylifeclosesinonher.
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莫斯基,一位年青的当地小伙子,赶上了黑帮人物诺曼德,莫斯基接收了诺曼德的一次奇异的买卖；洛伦佐,一位老意大利移平易近,正在寻觅倏地赢利的办法来拯救告急的老婆；文森特,一个自愿从事合法买卖的大夫......三个男子的运气在月食之夜产生了摩擦...... Boucane, a young Native fresh off the reserve, meets Norman, a former mob boss, reduced to doing odd-jobs for his new bosses. Lorenzo, an old Italian immigrant on his last dime, is looking for some fast cash to fulfil his dying wife's last wish. Vincent, a doctor stripped of his medical license, is forced to work for the insidious Chinese mob. Three men, each looking for a way out. Their fates collide on the night of a lunar eclipse.
