波特·凯利

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天文馆
剧情:
娜塔莉·波特曼将与约翰尼德普的女儿Lily Rose Depp协作新片「Planetarium」,出演一对通灵姊妹。故事设置在30年月,由法国导演 Rebecca Zlotowski(「大电站」)执导,这也是娜塔莉·波特曼自「这个杀手不太冷」之后,再次与法国导演协作。影片筹划9月开机,2016年上映。
待做清单
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来自爱达荷州的布兰迪(奥布瑞·普拉扎AubreyPlaza饰)刚刚高中毕业,正准备升入大学,然而纯朴如她,对大学男女生之间的“互动”可谓毫无经验。在一次派对上,她初尝醉酒的滋味,并差点与心仪的男孩罗斯蒂(斯科特·波特ScottPorter饰)偷食禁果,然而她有些笨拙生硬的反应让罗斯蒂最终作罢。布兰迪开始为自己对性事的无知感到惭愧,为了不让自己输在起跑线上,能够顺利融入“声色犬马”的大学生活,布兰迪列出了一张详细的“学习清单”,决定在开学前全方位熟识性的方方面面,并把与罗斯蒂发生关系列入了这张“待办清单”中,紧接着,这位清纯少女推开性爱大门的体验课程开启了……
毕业舞会2020
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迪·迪·艾伦(三届奥斯卡金像奖得主梅丽尔·斯特里普饰)跟巴里·格利克曼(托尼奖得主詹姆斯·柯登饰)是纽约的舞台明星,他们正面临着一场危急:耗资伟大的新百老汇扮演无人问津,使他们的奇迹一泻千里。同时,在印第安纳州的小镇上,高中生艾玛·诺兰(重生代演员乔·艾伦·佩尔曼饰)正面临一件痛心的事件:只管掉掉落了高中校长(科甘-迈克尔·凯饰)的支撑,家长会的担任人(凯丽·华盛顿饰)仍是制止她跟本人的女友艾丽莎(阿丽亚娜·德博斯饰)加入结业舞会。迪·迪·艾伦跟巴里以为这是个绝佳来由,他们能够经由过程艾玛的窘境重振本人的名声,并与另一对追求机遇的愤世嫉俗演员安吉(奥斯卡金像奖得主妮可·基德曼饰)跟特伦特(安德鲁·兰内斯饰)一偕行为。但当他们自我沉醉的名流行为主义不测埠壮志未酬时,四人发明他们本人的生涯被推翻了:他们连合起来为艾玛打造了一个夜晚,让她能够真正地为本人庆贺。 「结业舞会」由瑞恩·墨菲执导,崔茜·尤玛!凯文·张伯伦!玛丽·凯·普莱斯!洛根·赖利!尼科·格莱瑟姆!索菲娅·德勒尔跟纳撒尼尔·J·波特结合主演。这部温情的影片改编自查德·贝格兰!鲍勃·马丁跟马修·斯克拉屡获殊荣的百老汇音乐剧,该音乐剧曾掉掉落托尼奖提名。鲍勃·马丁跟查德·贝格兰担负编剧;该片由瑞恩·墨菲!亚历克西斯·马丁·伍德尔!亚当·安德尔斯!多里·贝林施泰因跟比尔·达马切克独特制造。
镜子的另一面:纽波特民歌艺术节1963~1965
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"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
救猪行动
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一名松露猎手(凯奇饰)独自居住在俄勒冈州的野外,当他心爱的觅食猪被绑架后,他必须前往波特兰,带着自己被抛弃的过往,去拯救那只猪。
遮蔽的天空
剧情:
作曲家波特(约翰·马尔科维奇JohnMalkovich饰)和作家妻子姬特(德博拉·温格DebraWinger饰)在二战后携两人的朋友雷纳(坎贝尔·斯科特CampbellScott饰)一起来到北非撒哈拉旅行。在神秘而捉摸不定的沙漠中,波特和姬特的婚姻危机似乎也因此得到了异样的缓和——波特流连于和当地的妓女寻欢,而姬特却和雷纳发生了关系。在夫妻关系的断裂中,波特和姬特重新意识到对方对自己的重要性。然而此时波特不幸染上霍乱,姬特带着他辗转奔袭在撒哈拉,严酷的沙漠吞噬了希望,最终波特还是离姬特而去。姬特在悲痛中阴差阳错跟随一支驼队继续在沙漠中踯躅,并成为驼队的女人,在无尽的沙漠中渐行渐远……
总统的精神医生
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总统的保卫机关将纽约著名的精神病专家西尼选为总统的精神病医生。西尼和女友南被迫到华盛顿定居,严格的保密规定还不允许他同任何谈论这件事。无法忍受的西尼决定逃跑,他借一个机会离开了华盛顿,但特工人员却化装成各种人物一直跟踪着他。西尼混到一群嬉皮士中成功地甩掉特工,但没想到加拿大特工又盯上了他,正在他们企图绑架他时,一个叫克罗波特金的俄国特工将他解救出来,于是他们一起前往华盛顿。电话公司的保安人员企图控...
灯红酒绿杀人夜
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本片翻拍自1980年同名作品。正值青春年华的美丽少女唐娜柯派尔(BrittanySnow布里坦妮斯诺饰)却拥有一段悲伤恐怖的过去,她曾亲眼目睹父母和弟弟被人杀害。高中三年的快乐生活以及甜美的爱情让唐娜渐渐淡忘那段伤心往事,如今三年学业已满,盛大的毕业典礼即将召开。唐娜和好友们精心打扮,打算与男友鲍比(ScottPorter斯考特波特饰)迎接那华丽和梦幻夜晚。但快乐的舞会因突如其来的停电事故而中断,当灯光再次亮起时,一具男尸出现众人面前。一场恐怖的屠杀随之展开,唐娜不得不再次面对曾经困扰她的血腥恶梦……
被诅咒的手
剧情:
上世纪70年月,在一家位处于芬兰偏远山区森林中的精力医院内,多年来产生着一系列惨无人性的变乱。这里的大夫跟护士互相勾搭,对精力病患者直接残肆迫害跟杀戮,而且将至拍成微8影片以满意他们掉常的兴趣。事发之后,医院被废除,而那些虐杀录像带却一直着落不明。 2009年的一天,由美国导演斯蒂芬(史蒂夫·波特 Steve Porter 饰)带领的摄制组离开外地,预备将精力医院虐杀变乱拍成片子。偶尔机遇,两名灌音师发明白一间隐蔽的房间,这里恰好就是大批虐杀录像带的隐匿之所。斯蒂芬不雅看了这些录像带之后性格大变,他专心拍出非常实在的恐惧片,为此不吝大开杀戒……
致命点击第一季
剧情:
Netflix与知名澳剧运作人TonyAyres(《一记耳光》《阴差阳错》)、制片人大卫·海曼(《哈利·波特》《地心引力》)合作推出惊悚剧《标题党》(Clickbait),讲述“在社交媒体年代,我们最危险、不受控制的冲动如何被刺激加剧,以及现实人格与网络人格越来越严重的割裂”。Ayres和ChristianWhite一起担任剧集主创和制作人,Ayres任运作人,White编剧,BradAnderson(《罪人》)为主要导演,NBC环球旗下的Matchbox影业也参与制作,将在墨尔本拍摄,共8集。
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