Natafitria
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SetinanalternateAmericawherewitchesendedtheirpersecutionover300yearsagobycuttingadealwiththegovernmenttofightfortheircountry,“Motherland:FortSalem”followsthreeyoungwomenfrombasictrainingincombatmagicintoearlydeployment.Inthisworld,thetraditionalrolesofgenderandpowerareflipped,withthemoredominantwomenonthefrontlinesfightingloomingterroristthreatsthatarefamiliartoourworld—butwithsupernaturaltacticsandweapons.TheseriesalsostarsAshleyNicoleWilliams,JessicaSutton,TaylorHickson,DemetriaMcKinneyandAmaliaHolm.“Motherland:FortSalem”isexecutiveproducedbyEliotLaurence,WillFerrell,AdamMcKay,KevinMessick,MariaMaggentiandStevenAdelson.
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Afteranexperimentaldrugtrialgoeshorriblywrong,thesurvivingtestsubjectshavetofightoffsleep,andeachother,tostayalive.
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拉尔夫·托马斯
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Unemployed Czech-speaking writer Nicholas Whistler thinks he's got a job visiting Prague for a bit of industrial espionage. In fact he is now in the employ of British Intelligence. His pretty chauffeuse on arrival behind the Iron Curtain, Comrade Simonova, is herself a Czech agent. Just as well she's immediately attracted to 007's unwitting replacement.
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「红色十月」是一艘核子潜艇的名字，史恩康纳莱饰演该艇的苏联将官雷米斯船长，影片述叙他在前往冰封的极地海域出机密任务时，率众叛变，欲往西方世界投诚的经过。由汤姆克兰西同名畅销小说改编，《终极警探》的导演约翰麦特南执导。幕后消息：汤姆克兰西的小说盘据美国畅销小说排行榜多年，但是从来没有人敢动过将他的小说搬上银幕的念头，因为其中牵涉到困难重重的科技场面，也就是这个原因使得《猎杀红色十月》的拍片预算一直追加到4000万美元，制片马克纽菲德说：「早先如果我知道有这麽多困难，我可能就不会同意开拍了。」为了拍摄这部电影，制片公司在派拉蒙片厂搭出了五个巨大场景，利用两座昇降台，三艘潜水艇模型，表现潜水艇在深海中的各种角度，下墬、摇晃，和在受攻击下模拟实景。史恩康纳莱拍摄该片时，印象最深刻的便是关在狭小空间中的酷热，为了营造出潜艇特有的光影，必须不断的排烟进来，「为了保持烟的停留状态，所有的通口都封住了，相对地，热气无法散去，实在让人热得受不了。」专间制造电影魔术，由乔治卢卡斯所设立的特效制作「IndustrialLightandMagic」，负责深海中的景观。在汤姆克兰西的小说尚未于84年版前，马克纽菲德便己买下电影版权，书一推出，短时间内七百万本便销售一空，但花了马柯一年半的时间才找到肯投资拍片的片厂，这期间他几乎放弃想转而改拍电视迷你影集。为了让剧本能令派拉蒙公司满为止，《猎杀红色十月》先后启用了三位编剧，初期剧本为了忠于原着，一直从「正确性」上着手，毕竟这并不是一部《星际大战》那般的科幻电影。另外派拉蒙同意拍摄的重大前提，便是必须先徵得海军同意提供专家意见和必要的支援，亏得86年汤姆克鲁斯的《悍卫战士》为海军建立了绝佳的公关印象，嚐到甜头的军方便欣然同意。马柯和第一位编剧唐纳史都华首先在87年获准登上潜艇出维吉尼亚海，稍后导演和一批演员亦在安排下登上海军基地一艘快速潜艇，在圣地牙哥外海上渡过了24小时，在片中饰演美国潜艇「达拉斯号」舰长的史考特葛伦坦承：「这次的实际航行对我的演出有莫大的帮助。」海军同时支援了一些士兵充当「达拉斯」的船员，至于「红色十月」舰上的官兵则半是由俄国移民担任，其中约半数听不懂英文，当然都是为了符合影片中采用苏联为背景的真实性，这也是另外一位编剧赖瑞佛喀森加入的原因，他加强了原着中较弱的一环，关于雷米乌斯投诚的动机的部份。根据畅销名着改编，描述苏联核子潜艇「红色十月号」航道经常偏轨，引发美国中情局的忧虑，认为它要攻击美国，但情报员杰克森却认为它欲归降美国，到底真相如何
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皮埃尔·埃泰
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IMDB简介 Pierre married Florence, the only daughter of a small industrialist. 15 years later, he is the boss, but his middle-class life worries him a lot. When a new young and lovely secretary comes, he starts dreaming. Written by Yepok Twenty-five year old Pierre is a man who likes to play the field, about which most of girlfriends are aware. Pierre falls into a relationship with Florence Girard, who he loves and marries more out of circumstance than anything. Their life is less than the exciting one he envisioned for himself, as he ends up working for Florence's father in the office of the family business, a tannery. Old habits surface as he embarks on a few extramarital dalliances, which he sees solely as distractions from the problems of marriage, one of those problems with Florence being her mother, who Florence resembles. Thus he sees his future as that of his staid in-laws. It isn't until he is in his late thirties that he truly does begin to contemplate ending the marriage, all because of his new eighteen year old secretary, Agnès, with who he believes he has fallen in love. The questions become whether he will do anything about it, if his feeling for Agnès truly is love, whether Agnès has similar feelings for him, and how Florence truly feels about marriage to him after ten years and visa versa. Written by Huggo
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Episode1:HighCastleAuniversityprofessorwhohadbeenworkingasatranslatorattheNurembergtrialsisstabbedtodeath.AsFoyleinvestigates,hedelvesintotheworldofinternationaloilpoliticsandcorruptNazibusinessmen.Samassiststhemurderinquirybygoingundercover,despiteherpregnancy.Episode2:TrespassAsBritaindebatesthecreationofaJewishstateinPalestine,thesonofawealthyJewishbusinessmanisassaulted.Theflamesofanti-SemitismhaverecentlybeenfannedinLondonbyCharlesLucas,aright-wingwriter,andFoylesuspectstheattackwasraciallymotivated.Episode3:EliseAfteranattemptonHildaPierce'slife,FoylescrutinizesherworkforSOEduringthewar.CouldthisberelatedtothedeathsofnineSOEagentsinFranceandrumorsofatraitorcalledPlato?
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史蒂文·格拉汉姆
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An industrial tow truck driver suffering from insomnia returns to his childhood home after the untimely death of his father, to discover that a paranormal presence has been living in the house and haunting the sacred land it was built on.
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纽约警员跟查察官的故事,逾越15个年龄,1990年首播,至今仍遭到亿万不雅众注视标长剧。 law & order第55届艾美奖最大的遗憾,已持续11年入围剧情类最佳电视剧奖提名的这部热点电视剧,此次却不测埠未被提名,破碎了它本来想要创造的12次提名新高。 本片融警匪与法庭于一体的电视剧,片中报告的犯法根来源根基于实在生涯,每每是近期报纸上的头条消息。节目分为两部门,上半部门先容警员研讨现场,咨询证人,提审怀疑犯等一系列的侦破运动,后半部门细致记载结案件侦破的前期任务,案件转交到检讨官手里,检讨官权衡案情,告状,直到庭审,节拍紧凑,动平易近气魄。因为终极坏人不用定被绳之于法,以是不雅众看的时间每每暗自捏一把汗。 这个剧集除了曾经播出的15季之外,还包含3个特殊的系列,一个是 Special Victims Unit 系列（6季）,一个是Criminal Intent 系列（4季）,跟Trial By Jury 系列。可见其火爆水平。可谓NBC汗青上,以致美国影史上最雄伟的剧集。 "In the criminal justice system, the people are represented by two separate yet equally important groups: the police, who investigate crime; and the district attorneys, who prosecute the offenders. These are there stories. " 这是Law & Order十四年如一日,也是我百听不厌的终场白,是以Law & Order franchise(包含spin-off的SVU)都兼有捕快的办案进程跟查察官在法庭上的滚滚雄辩,这二者互相平起平坐成为Law & Order奠基其cop drama之教父位置的奇特魅力,然而迩来每回看Law & Order,都彷彿只是在期待后半小时的法庭戏上,也不是说后面的办案就不杰出,然而总要在进入告状进程中才显出本剧的成熟!圆滑,精致精妙处的出神入化；一男一女老小两位查察官的差别考量而激盪出的互动!辩证,告状的策略目标每每不仅是彩色清楚的司法公理考量,而牵涉到当面司法轨制及其偏狭破绽!纤细的政治氛围,Law & Order更不仅是关在拍照棚里假造天马行空的新奇案件,它每回老是不犹豫地定睛盯上社会中的敏感命题。 Law & Order: 跟L&O: SVU一样,是Law & Order家属的老迈,Wolf Dick的作品。自我认为它有点像一个drama版的本日说法,固然Law & Order要好许多。Law & Order的最大卖点是它的order部门。看order部门对美国criminal law跟criminal procedure law有很大的懂得。
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约翰·亚历山大
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BELGRAVIAisthestoryofasecret.AsecretthatunravelsbehindtheporticoeddoorsofLondon’sgrandestpostcode.Thestorybehindthesecretwillberevealedinweeklybite-sizedinstalmentscompletewithtwistsandturnsandcliff-hangerendingsthatwillbedelivereddirectlytoyourmobile,tabletordesktopviaabrandnewapp.Youcanreadit,orlistentoit,orjumpbetweenthetwo.Setinthe1840swhentheupperechelonsofsocietybegantorubshoulderswiththeemergingindustrialnouveauriche,Belgraviaispeopledbyarichcastofcharacters.ButthestorybeginsontheeveoftheBattleofWaterlooin1815.AttheDuchessofRichmond’snowlegendaryball,onefamily’slifewillchangeforever...
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TheprojectfromshowrunnerTaylorSheridanfollowspatriarchJacob(Ford)andmatriarchCara(Mirren)andexplores“theearly20thcentury,whenpandemics,historicdrought,theendofProhibitionandtheGreatDepressionallplaguethemountainwest,andtheDuttonswhocallithome.”
