Antal
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Afterdiscoveringasetofcrypticmicrocassettesinhernewhome,Casisdrawnintoameditativemysteryofenvironmentalsoundandexperimentalmusic.
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罗伯特·李
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A CIA agent who, while on assignment in Russia shortly before the fall of the Soviet Union, is captured by KGB forces and placed in a mental hospital. Eleven years later, Carville is given a chance to earn his freedom.
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达里奥·阿基多
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Roberto, a drummer in a rock band, keeps receiving weird phone calls and being followed by a mysterious man. One night he manages to catch up with his persecutor and tries to get him to talk but in the ensuing struggle he accidentally stabs him. He runs away, but he understands his troubles have just begun when the following day he receives an envelope with photos of him killing the man. Someone is killing all his friends and trying to frame him for the murders...
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尼汀·卡卡尔
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杰奇·巴格纳尼
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Kritika Kamra
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普拉提克·巴巴尔
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Perlene Bhersaina
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Rishi Panchal
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Neha Reddy
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Maya Ben
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Panna Bhen
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奇坦·代亚
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Kumkum Das
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Bhumika Dubey
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普拉蒂克·甘地
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Mohan Kapoor
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Shivam Parekh
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森尔·辛
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托雷尔·文森
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Jai "Jackky Bhagnani", born and brought up with middle-class values, has a 'take it easy' approach to life. Since he doesn't believe in a herd mentality, he and his two best friends, Raunak "Pratik Gandhi" and Deepu "Shivam Parekh" start looking for unique ways to make it big in the world. During this trial and error phase, Jai realizes his dream. But his decision of choosing an unprofitable career path doesn't go down too well with his father "Neeraj Sood", who has bigger aspirations for him. Therefore, in order to bring stability to his life, his father decides to get him married. Destiny, however, has something else in store for Jai, when he accidentally meets Avni "Kritika Kamra", an ambitious, MBA graduate, who wants to start her own business. Set in the backdrop of the Gujarati milieu, the film traces Jai and Avni's personal journey, as they both find themselves and discover the true meaning of friendship in the bargain
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威廉·A·塞特尔
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John Kent (Randolph Scott), a former star football player at Harvard, goes to Paris with his friend Huck Haines (Fred Astaire) and the latter's dance band, the Wabash Indianians. Alexander Voyda (Luis Alberni) has booked the band, but refuses to let them play when he finds the musicians are not the Indians he expected, but merely from Indiana (Huck Haines and his Indianians Band). John turns to the only person he knows in Paris for help, his Aunt Minnie (Helen Westley), who owns the fashionable Roberta gown shop. While there, he meets her chief assistant (and secretly the head designer), Stephanie (Irene Dunne). John is quickly smitten with her. Meanwhile, Huck unexpectedly stumbles upon someone he knows very well. Countess Scharwenka, a temperamental customer at Roberta's, turns out to be his hometown sweetheart Lizzie Gatz (Ginger Rogers). She gets Huck's band an engagement at the nightclub where she is a featured entertainer. Two things trouble John. One is Ladislaw (Victor Varconi), the handsome Russian deposed prince and doorman who seems too interested in Stephanie. The other is the memory of Sophie (Claire Dodd), the snobbish, conceited girlfriend he left behind after a quarrel over his lack of sophistication and polish. When Aunt Minnie dies unexpectedly without leaving a will, John inherits the shop. Knowing nothing about women's fashion and that his aunt intended for Stephanie to inherit the business, he persuades Stephanie to remain as his partner. Correspondents flock to hear what a football player has to say about feminine fashions. Huck gives the answers, making a lot of weird statements about the innovations John is planning to introduce. Sophie arrives in Paris, attracted by John's good fortune. She enters the shop, looking for a dress, but is dissatisfied with everything Stephanie shows her. Huck persuades her to choose a gown that John had ordered discarded as too vulgar. When John sees her in it, they quarrel for the final time. John reproaches Stephanie for selling Sophie the gown. Terribly hurt, Stephanie quits the shop. With Roberta's putting on a fashion show in a week, Huck takes over the design work, with predictably bad results. When Stephanie sees his awful creations, she is persuaded to return to save Roberta's reputation. The show is a triumph, helped by the entertaining of Huck, Countess Scharwenka, and the band. (A pre-stardom Lucille Ball, with platinum blond hair, appears uncredited in her first RKO film[4] as a model wearing an elaborate feather cape, after the vocal by Dunne, in the fashion show.[5]) The closing sensation is a gown modeled by Stephanie herself. At the show, John overhears that she and Ladislaw are leaving Paris and mistakenly assumes that they have married. Later, he congratulates her for becoming a princess. When she informs him that Ladislaw is merely her cousin and that the title has been hers since birth, the lovers are reunited. Huck and Lizzie, who decide to get married, do a final tap dance sequel.
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杰里·霍珀
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吉恩·巴瑞
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莉迪娅·克拉克
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MichaelMoore
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Mary
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Carroll
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杰弗里·塞尔
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Michael
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Moore
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玛丽·墨菲
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拉尔夫·蒙哥马利
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哈罗德·米勒
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科兹摩萨尔多
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伦纳德施确郎
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奥兰·索尔
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伯特史蒂文斯
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米尔本·斯通
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南希·盖茨
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Anthony
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Warde
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Houseley
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Stevenson
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Jr.
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格瑞塔·格兰斯泰德
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李·米勒
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Joseph
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Mell
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Hans
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Moebus
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詹姆斯·科纳蒂
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Norman
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Budd
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弗兰克·卡迪
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John
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Damler
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Don
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Brodie
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Tommy
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AtLosAlamos,NewMexico,themaximum-security"atomiccity"ofU.S.nuclear-weaponsresearch,topatomicscientistFrankAddisonhasanormal,middle-Americanlifewithhiswifeandson...untiltheboyiskidnappedbyenemyagentstoextortH-bombsecrets.Result,afastmovingchasethrillerwithsomeparentalsoul-searching.
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A young environmentalist wakes, trapped, kidnapped in the elevator of a super high-rise building at the mercy of her tormentors
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Awealthyrais(aheadoflocaladministrationinTadzhikistan)buildshistoiletrightnexttothehouseofateacherinthevillage.Thearomasofthetoiletdisturbthelifeoftheteacher’sfamily;itisveryupsettingforthem.ButtheraisisalsoanewTadzhik(newmoney)andignoresthecomplaints.Moreover,everytimehevisitsthetoilet,heshamelesslystaresattheteacher’syoungwifeoverthefence.However,thepoweroftheraisissogreatthatnobodydarestoopposehim.Theteacherbuyscheaplyahomerightinfrontoftherais’shousefromanoldmananddecidestobuildapublictoiletthere.Itseemsthattheeraoffairytalesandlegendshasvanishedanditisnotpossibletomakefilm-parables.However,JamshedUsmonovcreatesfilm-parables.Ineveryoneofhisfilmsthereisacharactertellingalegendthatturnsthemeaningofthefilmallaround.InFlightoftheBeeitisataleaboutabee,whichsavedthelifeofanarmy:Onceuponatimeitwasacustomtokilloldpeoplewhoreachedacertainage.ButoneofthesoldiersofAlexandertheGreatdidn’thavethehearttokillhisfather.Hehidhiminhistravelingtrunkandcarrieditonhisbackduringmarches.Thearmycametoadesertandthewarriorsstartedtodiefromthirst.Nobodyknewhowtofindwater.Thefathersaidtohisson:Catchabee,tieawhitethreadtoitslegandfollowit.Itwilltakeyoutowater.Theyfoundwaterandthearmywassaved.Afterthatoldpeopleweresparedbecauseeverybodyrecognizedthemasasourceofwisdom.Thevillageteachertellsthisstorytohisstudentsatthebeginningofthefilm.ItisinterestingtonotehowinthefilmFlightoftheBeedifferentmentalitiesintermingledandco-existed.TheteacheristypicaloftheSovietintelligentsia:hewritesbooksthatnobodypublishes;helooksforjusticefromthegovernmentthathasneverbeenfairtohim.ThesurroundingsofthevillagearestillSoviet:theraishasLenin’sportraitinhisoffice;youngpeopleareidleanddrunkastheyalwayswereduringtheSovietera.Thenewcapitalists,thenewTadzhiksinthevillage,donotweardesignerjacketsanddonottalkoncellphones.Thenewmoneyispresentedinthecharacteroftherais.Ithasalmostafeudalquality;itisthepowerofalocallord.JamshedUsmonovhasauniquetalenttobalancethefunnyandserious,thesimpleandcomplicated.He,likenobodyelse,sensesthisborder,whereasimplestoryturnsintoaparableandfilmcharactersstandoutasarchetypesofdifferentperiodssettogetherinthegapoftimes.(kinokultura/GULNARAABIKEEVA)
