Landscape
搜索"Landscape" ，找到 以下影视作品
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克拉拉·卢嘉
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马修·麦克诺提
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丽贝卡·鲁特
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埃米莉·塔夫
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Alex Lanipekun
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安·奥戈博莫
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罗宾·卡拉
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奥利弗·亨廷顿
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劳拉·艾克曼
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露丝·霍洛克斯
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伊万娜·贝斯克
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菲利普·加斯科因
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杰米·李比彻
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马诺伊·阿南德
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Kiarash Behnam
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Nenda Neururer
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Lee Byford
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Solly McLeod
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Cameron Howitt
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NeveKellyisdead.Sheisstuckinlimboandmustfindoutwhokilledher.ThisadaptationofthemysteryseriesBeauSéjourimpressesonaccountofitsyoungcastandthebreath-takinglandscapesofEngland’sLakeDistrict.
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杰米·奇尔兹
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BasedonthebestsellingInspectorStanhopebooksbyaward-winningwriterAnnCleeves,Veraandherteamaredrawnintofourmorecompellingmysteries,includingthedeathofawildliferanger,leftaloneovernightonaremoteandinaccessibleisland.SetaroundNewcastleandthestunningNorthumberlandcountryside,Verafeaturescomplexandintriguingcases,atmospherically-shotlandscapesandcaptivatingperformances,ledbyBAFTAandGoldenGlobeaward-winningactressBrendaBlethynastheunorthodoxbutbrilliantDCIVeraStanhope.
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彼得·霍尔
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FilminghasstartedonBBCTwo’scriticallyacclaimeddramaTheLastKingdom,fromCarnivalFilms.Thesecondseries,adaptedbyBAFTA-nominatedandRTSaward-winningwriterStephenButchardfromBernardCornwell’sbestsellingseriesofnovels,istoreturntoBBCTwonextyear,withNetflixjoiningasaco-productionpartner.Theemotionallycomplexandcompellinglandscapeofrevenge,rivalry,hostility,corruption,love,sex,loyaltyandfriendship,formsthebackdroptoagrippingadventurebasedonCornwell’snovels,TheLordsOfTheNorthandSwordSong–partofthehugelypopularbestsellingfranchiseTheLastKingdom.Setintheyear878 - thesecondseriesreturnsasfearlessandinstinctivewarriorUhtredcontinueshisfightforhisnativelandofNorthumbria.Uhtred,havinggivenhisswordtoKingAlfred,despitehisupbringingbytheinvadingpaganDanes,embarksonhisvoyagenorthtoreclaimhisownfate:toavengeEarlRagnar’sdeathandrecapturehisancestrallandsofBebbanburg.Alfred’sconvictiontocreateaunitedEnglandisstrongerthanever,andhesetshissightsonthewildlandsofthenorth,whichhavefallenintochaosandrebellion.ItisadangeroustimeforSaxonandDanealike,butAlfredchampionsanewking-aChristianDane-tounitethetribes.However,thiskinghasbeenenslaved,andUhtredbecomesembroiledinarescuemission,whichbringshimfacetofacewithanenemyofold.
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彼得·霍尔
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FilminghasstartedonBBCTwo’scriticallyacclaimeddramaTheLastKingdom,fromCarnivalFilms.Thesecondseries,adaptedbyBAFTA-nominatedandRTSaward-winningwriterStephenButchardfromBernardCornwell’sbestsellingseriesofnovels,istoreturntoBBCTwonextyear,withNetflixjoiningasaco-productionpartner.Theemotionallycomplexandcompellinglandscapeof...
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萨杜斯·奥沙利文
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TheindomitableDCIVeraStanhope,assistedbyhertrustedcolleague,DSJoeAshworth,stepsupforanotherseriesofchallengingcases.Sheinvestigatesthemysteriousdeathofapensioneronabusycommutertrain(OnHarbourStreet),unearthsathirtyyearmysteryafterabrutalmurderonthesandsofaseasideresort(Protected),unpicksthetragiclastmonthsofafailednovelistgunneddownonaremoteNorthumberlandmoor(TheDeerHunters),anddelvesintothetangledlifeofabusinessmanfoundfloatinginthewaterundertheGatesheadMillenniumBridge(DeathofaFamilyMan).InspiredbythenovelswrittenbyrenownedcrimewriterAnnCleeves,andfilmedagainstabackdropofoutstandingNorthumberlandlandscapesandatmosphericproduction,eachenthrallingstoryisenhancedbythecaptivatingperformanceofBrendaBlethynasthisshambolicyetbrilliantdetective.
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WildCanadaFromthefilmmakersoftheacclaimedseriesHumanPlanetandPlanetEarthcomesWildCanada,thisspectacularfive-partseriesonthewildlifeandthewildlandsofCanadarevealsaCanadathatfewhaveseenbefore.UnderlyingtheseriesisanepicnarrativethroughtimeandacrossthevastscaleoftheCanadianlandscape,thatprovidesexcitingnewstoriesabouttheplantandwildlifeofCanada.NewresearchrevealsthatmanyofCanada’suniqueandstunningnaturallandscapesarethedirectresultofancienthumanactivity.Eachepisodetellstwoparallelstories:thenaturalhistoryofCanada,andhowpasthumansshapedCanada’slandscapeandthewildlifespectaclesweseetoday.
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吉尔·罗伯森
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SetamidthewildbeautyoftheNorthumberlandlandscape,DCIVeraStanhopeinvestigateschillingcrimesonlyshecansolve.Theshambolicbutperceptivedetectivedoesnotmakefriendseasily.Grumpyandoftenshort-tempered,whatVeralacksincharmshemakesupforinwisdomandinsight.Inthesixthseries,Veraandherteamarecalledintoactiontotackleanumberofchallengingcases;fromunravellingthemysteryofawomanfoundmurderedonthebleakNorthumberlandmoors(DarkRoad),piecingtogetherthetragicdownfallofayoungmanwhosebodyisdiscoveredhiddeninacave(Tuesday’sChild),solvingamysteriousdoublemurderinaremotecountryhouse(TheMothCatcher),todelvingintoadarksecretattheheartofastrugglingfishingcommunity(TheSeaGlass),eachenthrallingstoryisenhancedbycaptivatingperformances,beautifullyshotlandscapesandhighproductionvalues.
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保罗·高特
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ITV’scriticallyacclaimedcrimedramareturns,starringmulti-awardwinningactressBrendaBlethynasDCIVeraStanhope.BasedonthebestsellingInspectorStanhopebooksbyrenownedwriterAnnCleeves,Veraandherteamarefacedwithaseriesofdauntingchallenges.Fromdelvingintotheunsettlingprivatelifeofanoldcolleague,attemptingtobreakthroughthecodeofsecrecyinthearmy,tocopingwiththeemotionalimpactonafamilytornapartbyaddiction,eachenthrallingstoryisenhancedbycaptivatingperformancesofthisshambolicyetbrilliantdetectiveinaction.Combinedwithbeautifullyshotlandscapesandatmosphericproduction,eachfilmcreatesahauntingbackdropforVera’sinnerturmoilasshediscovershiddentruthsaboutherownpast,whichthreatentochangeherlifeforever.
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居伊·德波
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内详
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Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.
