Umbers

我演电影时，在不同的角色中，体验过不同的人生。还有另一种人生，就是我自己的人生：卸去演员的身份，作为一个人，以我的方式存在。生活中，思绪如风般吹拂着我的脑海。我读报纸、看新闻、与朋友闲聊、和陌生人交谈，总有一些事触动我的心弦。一方面，印度在崛起，蒸蒸日上，作为一个印度人，我感到高兴和自豪。但是，在社会中还有很多令人心酸的事实，我们却对此熟视无睹。这些苦难，却让我深感不安，感到哀伤。有时我会想，干嘛要去思考这些与我无关的事情呢？我的生活幸福美满，别人的苦难与我何干呢？但是它确有干系。因为我也是这个社会中的一份子。一连串的事情把你我和社会的每一个人都联系在一起，一呼一吸中，体会心中的共鸣。如果甘地、提拉克、鲍斯、尼赫鲁、智者阿扎德仍然在世，我们有何颜面去面对他们。我们的先人怀抱梦想，为自由而奋斗，就是为了建立一个像现在这样的印度吗？所以，我在这里，希望听到、学到些什么，希望和你们有所交流，发现问题的根源，看到事情的真相。我想讨论一些关系印度民生的话题，不责难任何人，不中伤任何人，也不制约任何人。人人都说，伤害我们的人近在咫尺，或许我们都有责任。现在，与我一起踏上这段旅程吧。一起去寻找、去发现、去学习、去分享，一起去揭开这些难题的谜底。我无心激化矛盾，只为能改变这个时代。无论是谁的心中，只要有星星之火，必将成燎原之势。(印坛字幕组翻译）5月06日第一集FemaleFoeticide（主题：印度妇女被迫堕胎）5月13日第二集ChildSexualAbuse（主题：儿童性骚扰）5月20日第三集BigFatIndianWedding（主题：巨额的嫁妆）5月27日第四集EveryLifeIsPrecious（主题：医疗失当）6月03日第五集IntoleranceToLove（主题：自由恋爱与包办婚姻）6月10日第六集PersonsWithDisabilities（主题：残障人士）6月17日第七集DomesticViolence（主题：家庭暴力）6月24日第八集ToxicFood(主题：害人的农药）7月01日第九集AlcoholAbuse（主题：酒精毁人生）7月08日第十集Untouchability（主题：种姓制度）7月15日第十一集OldAge（主题：尊重长者）7月22日第十二集Water（主题：水资源）7月29日第十三集TheIdeaofIndia（主题：印度的梦想）制作人：阿米尔汗夫妇阿米尔汗的第一次电视脱口秀节目《真理访谈》。2012年5月6开始，每周日StraPlus播出。Ep01：残杀女婴2012年5月6日女孩很珍贵：残杀女婴。从出生前开始大规模残杀女孩已经导致了严重印度人口性别失衡和其他一系列社会问题……Ep02:儿童性侵害2012年5月13日打破沉默：高达53%的孩子，也就是两人中就有一人是性侵害的受害人。施暴者的往往是备受信赖的人，而作案地点就在家中。家长务必警惕和关注孩子的各种求助信号，同时，我们也需要强有力的完善的保护儿童免受性侵害的法律。【广告时间：更多华语世界资讯，敬请关注萧芳芳护苗基金会http://www.ecsaf.org】Ep03:盛大的印度婚礼2012年5月20日很多人都期待一个奢华的婚礼，但是印度的现状是，昂贵的婚礼仪式和沉重的嫁妆负担不仅导致新人生活悲惨，也破坏了父母的家庭。婚礼的概念已经变成一种交易，完全不在乎人或者家庭关系的价值。这是可以改变的，只要女方和他的家人对于嫁妆说不，坚持简单的婚礼仪式，恢复婚姻纽带的神圣性。本期阿米尔提出的短信问题是，”你认为我国今天的婚事是否已成为商业交易？“Ep04:医疗制度需要治疗否？2012年5月27日人民相信医疗从业人员，相信他们有足够的知识和设备做我们的健康卫士。但是，如果这知识被邪恶利用，那么医疗就成为了噩梦。尽管现在医生队伍中充满了唯利是图者，很多医院也只想着利用病人来赚钱，还有有很多遵从希波克拉底誓言的医生，他们在捍卫这个神圣的职业。Ep05:IsLoveaCrime?-3rdJune2012Thesimpleactoffallinginloveopensupaworldofemotionsandreactionswhichsometimesculminateincrime--thedeathofthecouple.Eveniftheyescapedeath,loverswhogoagainstreligiousandcommunitybarriersstillhavetofaceharassmentandcensurefromsocietyand,duetothispressure,rejectionfromtheirfamilies.Ep06:PersonswithDisabilities-WeCanFly!Peoplewithdisabilitieshavethesamezealandappreciationforlifeastherestofusdo.Buttheyoftengetshunned,doubted,mockedandinsulted.Accesstopublicplacesandbuildingsisrestrictedanddoorsareclosedforschoolingandemployment.Indiadoesnotappeartobematureenoughandunderstandingenoughtorecognisepeoplewithdisabilitiesforwhattheyare--people.Ep07:DomesticViolence--DangerAtHomeForcountlesswomen,enteringmarriedlifeoftenmeansthebeginningofastressful,violentexistence.Beatingone’swifeseemstobeingrainedinmanymen’smindsetsastheappropriatebehaviourforastrongmale,buttheconsequencesaremiseryforthewifeandchildren,andoftenabroken,unhappyhome.Theconceptofdomesticviolenceisbasedonthenotionofpatriarchy,whichneedstobeconvertedintoequality.Ep08:ToxicFood-PoisonOnOurPlate?Fordecadesourfoodandwaterhavebeencontaminatedbypowerful,harmfulpesticideswhichhavebeenpromotedasnecessaryforbetteragriculturaloutput.Buttherealityisthatwedon’tneedpesticidesforbetteryield,andtheiruseisnotonlydeadlyforhealthbutresultsinexpensivefarmingmethods.Thesolutionistoadoptorganicfarming,whichispossibleandprofitable,asthestateofSikkimhasshown.Ep09:AlcoholAbuse-ThinkBeforeYouDrinkAlcoholconsumptionisassociatedwithhavingfunandenjoyinglife.Butexcessive,irresponsibledrinkingtakesawaythatverylifeitself.Manyalcoholaddictshaveclimbedbacktonormallife,provingthatitispossibletolivehappilywithoutalcohol.Helpforalcoholicsisavailable,free,atAlcoholicsAnonymous.Ep10:Untouchability-DignityforAllForacountrywhichhasbeenindependentfor65years,itisamatterofshamethatwehavenotyetshakenoffthetyrannyofcaste-baseddiscrimination.Countlesspeoplehavetoliveindegradingconditions,childrenareunabletogotoschool,employmentavenuesareclosed,andeveneducationdoesnotopenbigotedminds.Ep11:OldAge--SunsetYears,SunshineLifeOurparentsaretheoneswhohavebroughtusupandmadeuswhatweare.Atleastoutofconsiderationforthatmuch,weshouldbegoodandkindtowardsthem.ButcountlesspeoplealloverIndiadon’tthinkso,goingbythenumbersofabandonedoldpeopletakeninatoldagehomes.Thentherearesomeolderpeoplewhotakemattersintotheirownhands--beitromanceoradventuresport.

CBSwillbebringingbackanotheroneofitsveterandramasforthe2019-20TVseason.Announcedthisafternoon,thenetworkhasofficiallyrenewed“NCIS”foritsseventeenthseason.Thenewscomesafterstarandexecutiveproducer,MarkHarmon,signedanewdealwithCBStoreprisehisroleontheseries.“NCIShasbeenaglobaljuggernautforalmosttwodecades,”saidCBSEntertainmentPresident,KellyKahl.“Itsviewersareclearlythemostloyalofanydramaontelevision.Theyarepassionateaboutthecharacters,theplotlinesandthestorytelling.Weoweahugedebtofgratitudetothegiftedproductionteamandthecast,ledbytheextraordinaryMarkHarmon.WearedelightedthattheshowwillremainalinchpinoftheCBSschedulethiscomingseason.”Initscurrentseason,“NCIS”hasbeenaveraging12.2millionviewersinthelive+samedayratings,makingitTV’ssecond-most-watchedscriptedseries,behindonly“TheBigBangTheory.”IthasremainedastrongperformerforCBS,inbothitsratingsandviewershipnumbers,andwaswidelyconsideredtobeastrongrenewalcontenderleadinguptotheannouncementtoday.Withthisrenewal,“NCIS”nowjoins“YoungSheldon,”“Mom,”“CriminalMinds,”“GodFriendedMe,”“MagnumP.I.,”“FBI,”and“TheNeighborhood”onagrowinglistscriptedtitlesconfirmedtobereturningonCBSforthe2019-20season.

每自我在某个处所总有一个属于你的人存在。“我心狂野”就是让这种信心实现的故事。它报告的是拉忽尔,一个不信任恋情的人的故事。拉忽尔不太懂得人们是怎样可以在一同相处终生,莫非真的有人是属于他的吗！这又是对于坡佳,一个信任必定有人是属于她的,并且她必定能赶上那自我的女孩的故事。这仍是对于妮莎,一个以为恋情就是友情,终有一天她的妄想会实现的故事。这部片子另有精彩的音乐献给那些有妄想而布满热忱的人们。他们的妄想能实现吗！他们能找到他们的真爱吗！影片将让咱们信任每自我在某个处所总有一个属于你的人存在。Dil to pagal hai is a fantastic film. Its my all time favorite.I love to watch Yash Chopra films and among them its the best one. Since the year it released i.e 1997 - no other film has touched me like this.My extreme love for DTPH is because of following reasons.. ->Its tag line touches me i.e someone somewhere...is made for you. ->Its story line and Yash Chopra's perfection as a director. ->Its superb music by Uttam Singh and above all LATA MANGESHKAR's melodious duets with Udit Narayan.I love its songs; and in them, Lataji's voice (even more than old songs of Lataji) ->Uttam singh's background instruments rock me whenever i listen to the numbers. ->Shahrukh Khan's first performance in which he didnot deliver dialogs in the way like he earlier used to.He was very serious and his acting was quite,calm and mature.For the same reason he got several awards for this film. ->Madhuri's performance was great and so was of Karisma.Both got awards and Karisma also got her first National Award. ->I love its screenplay specially in the shots having an acting stage within the film.(See its climax to confirm what i said.) MUST SEE IT AFTER READING MY COMMENTS IF YOU ARE NOT SATISFIED WITH ME. I AM SURE YOU WILL ALSO BECOME A DTPH FAN LIKE ME.

Ayearhaspassed,LordGlendenninghasdiedandMorayisworkinginParis.RecentlymarriedtothephilanderingTomWeston,whohasayoungdaughterFlora,Katherine,nowowneroftheParadise,summonsMoraytoreturnandrevitalizethestore,whichislosingtrade.OnarrivalbackheproposestoDenise,whoisstillemployedattheParadise,andAudreyproposestoEdmund.Newstaffnumbershop-girlSusyandstore-manNathaniel,theformerinlovewiththelatter,unawarethatheisasaboteurforFenton,arivaltradesmanseekingtobuytheParadise.KatherineisawarethatWestonalsowantsthesaleandurgesMoraytomakeasuccessofthegrandreopening.SuspiciousofNathaniel’sactions,Deniseexposeshim,leadingtohisdismissalandahugelyprofitablefirstdayunderMoray’smanagement.SeeingitspotentialWestoncallsoffhisdealwithFenton.

"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.

Josh(Keegan-MichaelKey)andMelissa(CecilyStrong)missthemagictheyfeltinSchmigadoonandinanattempttoreturn,findthemselvesinSchmicago—thereimaginedworldof’60sand’70smusicals.Thenewseasonwillincludeneworiginalmusicalnumbersfromco-creatorandexecutiveproducerCincoPaul,aswellasreturningstarsCecilyStrong,Keegan-MichaelKey,ArianaDeBose,MartinShort,DoveCameron,JaimeCamil,KristinChenoweth,AlanCumming,AnnHarada,JaneKrakowski,andAaronTveitwiththeadditionofTitussBurgessandPatrickPage.

该剧基于公共记录和Egil“Bud”Krogh、MatthewKrogh合著的《Integrity》一书创作。故事讲述总统RichardNixon自己的政治打手、“水门事件”主谋E.HowardHunt（伍迪·哈里森饰）和G.GordonLiddy（贾斯汀·塞洛克斯饰）如何意外推翻了他们本想竭力保护的总统职位。Nixon有一支团队“水管工/WhiteHousePlumbers”，专门为他收集政敌情报、抹黑对手、阻止内部人士爆料等，E.HowardHunt和G.GordonLiddy就是该团队的指挥人。

这是一部实现正义的办公室题材新剧该剧讲述拥有悲剧家族史的张浩宇作为第一个也是唯一的高中毕业生进入泰一会计法人的会计师，实现自己梦想的故事。金明洙剧中饰演进入"泰一会计法人"唯一的高中毕业生出身的会计师"张浩宇"一角，具有出色的记忆力和观察能力，还有对会计师必备数字的天生感觉，以及卓越的随机应变能力崔振赫将饰演泰一会计法人副代表的独子韩胜祖。剧中，韩升祖家境好、学历好、人物好，可谓“诈骗狗”，非常完美

　　Charlie, a young boy from China travels all the way from Shanghai to find his fathers restaurant in Hollywood is in trouble. He must convince 3 people to believe in the Spirit of Christmas in order to save his family's dream. This Multi-Award Winning, Family Christmas Comedy will bring your entire family together and includes musical numbers with Bertie Higgins, John Ford Coley and Darren Dowler.

　　这是一部经典的悬疑剧，剧中人物生活在 20 世纪 20 年代的意大利，当时贝尼托-墨索里尼的法西斯主义正在兴起。 　　该剧以 20 世纪 20 年代的意大利里维埃拉为背景，由娜塔莎-麦克艾洛娜（Natascha McElhone，《浪人》、《加州靡情》、《光环》）饰演贝拉-安斯沃思（Bella Ainsworth），她是一位富有的实业家的女儿，搬到意大利后在美丽得令人窒息的波托菲诺小镇开了一家典型的英式酒店。Mark Umbers（《家庭火灾》、《情妇》、《抵押品》）饰演贝拉迷人但危险的贵族丈夫塞西尔，Anna Chancellor（《四个婚礼和一个葬礼》、《小时代》、《Mapp & Lucia》）饰演酒店最有影响力、最难伺候的客人 Latchmere 夫人。