Strain
搜索"Strain" ，找到 以下影视作品
导演：
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特里斯坦·奎因
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利兹·博宁
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LizBonninpresentsacontroversialandprovocativeepisodeofHorizon,investigatinghownewscientificresearchisraisinghardquestionsaboutzoos-thefilmexploreshowandwhyzooskeepanimals,andwhethertheyneedtochangetokeepupwithmodernscienceorultimatelybeconsignedtohistory.Shouldzoosculltheiranimalstomanagepopulations?LiztravelstoCopenhagenZoo,whokilledagiraffeandfedittothelions,towitnesstheircullingprocessfirsthand.Theythinkitisanaturalpartofzookeepingthatisoftensweptunderthecarpet.Shouldsomeanimalsneverbekeptincaptivity?Inaworldexclusive,LizvisitsSeaWorldinFloridaandasksifcaptivitydroveoneoftheirorcastokillhistrainer.Butcouldzoosbetheanswertoconservingendangeredspecies?Lizexaminestheirrecord,fromhelpingbreedpandasforthewildtoeffortstosavetherhinos.Shemeetsoneofthelastsurvivingnorthernwhiterhinosanddiscoversthefutureofthisspeciesnowliesinamultimillion-dollarprogrammetoengineerthemfromstemcells.VeteranconservationscientistDrSarahBexelltellsLizthescienceofcaptivebreedingisgivinghumanityfalsehope.
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陳錫煌,已故布袋戲大師李天祿的長子。李天祿因入贅陳家,長子按規定得姓陳。父親伟人般的身影!異姓父子的特别關係,為兩人種下難解心結。2009 - 年,高齡七十九歲的陳錫煌離開家属庇蔭,只帶著紅盒子內供奉的戲神田都元帥,用本人的名字另創劇團,成為深獲國內外确定的人間國寶。但是,傳統布袋戲的倏地沒落,卻又讓他面臨空有一身絕學!大方授藝不藏私,但是後繼者寥寥可數的窘境⋯⋯。楊力州愛看布袋戲,任务室取名「後場」,意指拍紀錄片一如為布袋戲敲鑼打鼓的樂陣,是在陪襯鏡頭裡的出色人生。「紅盒子」製作歷時十年,不仅紀錄八旬長者的傳承任务!探索兩代國寶間的抵触,更以大銀幕展現老師傅為戲偶注入靈魂的掌中技藝,企圖將傳統布袋戲的獨特魅力,从新帶回常平易近生涯。Chen Hsi-huang is the eldest son of Li Tien-lu, the renowned Taiwanese glove puppeteer, but his relationship with his father had always been strained. At the age of 79 - Chen set up his own troupe, which soon earned recognition all over the world.Nevertheless, Chen finds no one to pass on his great skills...本片與2010年為NHK剪輯的一小時內版本差别https://movie.douban.com/subject/25984029/
导演：
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克里斯·艾迪生
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马丁·弗瑞曼
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黛西·海格达
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艾伦·阿姆斯特朗
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乔安娜·培根
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亚历克斯·伊斯特伍德
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伊娃·普雷内尔
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乔治·威克曼
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杰达·艾尔斯
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莎莉·菲利普斯
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Natalie Walter
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Katie Males
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Grace Long
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格鲁吉亚·马奎尔
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Ava Amir
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布赖恩·罗杰
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BreedersSeason3startswithPaulhavingmovedoutandstayingatLeah’shouse.Heshouldbelonelybutthesimplerlifehasitsappeal.Meanwhile,Allyhasherownproblemswithwork,herearlymenopauseandherincreasinglystrainedrelationshipwithhernewlyadolescentdaughter.Gallowshumorandlargeglassesofwineonlygosofarinquellingtheangst...
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Aveteransoapoperastarretirestoabeachhousewithherpublicistandpartner,butherEarlyOnsetAlzheimerswillstrainthecouplesrelationshipuntiltheyfindthestrengthtoredefinethemselvesandwhattheymeantooneanother.
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白承彬
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AdysfunctionalfamilysheartofdarknessislaidbareinthegrimlyhumorousandthenjustplaingrimmellerMembersoftheFuneral.FeaturebowbyBaekSeung-binheraldsadarkwitandsleekintelligenceguidedbyacreativelysecurehumility.AstandoutfromthesubstandardHDfodderthatgenerallyclogsupPusansNewCurrentscompetishandso-calledcutting-edgefests,Funeralisquietlyriveting.Atadtoorestrainedformidnightsidebarsorcommercialrelease,picpossessesanintensitythatshouldsecurefestberths.
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罗兰·芬豪特
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Julian Ras
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Yahya Gaier
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东尼·卡斯
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珍妮弗·霍夫曼
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Sophie Cohen
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Naomi Tarenskeen
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Noah de Nooij
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Shy eleven year old Gus' life is changed irrevocably when he finds an Egyptian mummy in his bed. An actual mummy of an actual young Egyptian prince brought to life by a lightning bolt that struck his enchanted golden scarab, just as he was being transported to a nearby museum. Darwishi Uratum Msamaki Minkab Ishaq Eboni, or DUMMIE for short, is almost the exact opposite of Gus. An unrestrained daredevil who knows no fear or pain and is up for anything. An unlikely friendship is born.
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未知
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MayansM.C.followsthelifeofEzekiel“EZ”Reyes,presidentoftheMayansM.C.charterontheCali/Mexiborder.EZhasnowrisentoleadhisbrotherAngelandtheSantoPadreM.C.inabloodywaragainsttheirrivalSonsofAnarchy.DefendingtheCaliforniaterritoryandpatchbeginstoclaimliveswithintheclubandcausesstrainbetweenEZandAngel.
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安德鲁·马丁
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GuyisanexperiencedBritishfighterpilotwhoisincommandofBritain'sfirstmannedmissiontospace.HehastrainedforthisforthreeyearsattheheightoftheColdWarandnowheisaloneinspacewithamalfunctioningcapsule.HehaslimitedcontactwiththeUK,someunusualcommunicationwiththeUSandsomeunorthodoxcommunicationwithTyuratamdeepinSovietRussia...
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Thisearly70’sgiallobyUmbertoLenziiscertainlyamongthebestinhisfilmographyandalsointhewholegenre.PersonallyIthinkLenzi’sbestfilmsarethefunnycartoon-turned-filmKriminal,thestylishgialloSevenBlood-StainedOrchids,theexplosiveNapoliviolentaandthis.IntheeightieshedidplentyoffilmtrashinformofEatenAlive,HitcherintheDarkorBlackDemons,allofwhicharerippingsomethingoffand/orverydullandslowmoving.KnifeofIcecamewhenthegialloboomwasatitshottestandtheresultisconvincing.Technicallythefilmissuperb,containinggreatcinematographyinthebeginningwhenwelearnaboutthemaincharacter’straumatowardstrains.Fromthispointon,Lenzishowsushisabilitytobenefitthewidescreenand,forexample,thebicyclerideneartheforestisgenuinelybeautiful!ThisscenealsoshowsLenzi’sabilitytobuildsuspense,veryslowlybutmeaningfully.Afterall,therearen’tsomanymurdersinthewholefilm,onlythesuspensecirculatingaroundthemurderer’sidentity.Onesuspectisadevilworshipperwhichbringsnewaspectstothemystery.Sincethefinalscenetakesplaceinachurch,onecanwonderifLenziwantedtocommentonsomething,maybethehypocriticalmoraleofchurchandsuperstition.Themaincharacter(CarrolBaker)ismutewhichdemandsalotfromherfaceandeyes.Theactressworksverywell,givingusabelievableperformancecirculatingaroundtheemotionsoffearandmentalpain.Theotheractorsaregood,too.Thefinally,however,maynotgivetoopositiveasightaboutfemalesexsincetheyallareexpressedrathernegativelyinthefilm,onewayoranother.Stillthisiseasilyamongthemostnoteworthyinthegenre,notasbloodyastheArgentofilms,forexample,butequallysuspensefulandvisuallyalsointeresting.
