Sahni

「无耻之徒」（Shameless）第七季。本季故事肇端于「一个月之后」,Frank从苏醒中醒来后得悉亲人背离了他,于是向他们宣战。然而Fiona正忙于改良本人的生涯,基本没时光存眷Frank的威逼。只管Fiona在第六季开头受到令人悲伤的背离,但她仍是挺过去了。她是一个顽强的兵士,不什么能阻拦她寻求重生涯的尽力——包含她的家人。Gallagher家的金童Lip实现了痊愈医治,带着对酗酒疑问的新意识返来了,他对本人的远景表现达不雅。与之相反,已经精力很不稳固的Ian现在有了一份正式职业（抢救员）,还收成了令人满足的恋情。Debbie仍旧不晓得怎样做一个好母亲,行将成年的Carl必需做出一些严重决议。Fiona信心本人要活出自我样来,然而Gallagher家的其余人在不她这个主心骨的情形下能否会土崩瓦解！AliciaCoppola表演严正的蓝领女性Sue,跟Ian一同任务。她担负一群抢救员的羁系人。ArdenMyrin表演无家可归的NewMonica/Delores,与Frank产生了关联。PashaLychnikoff表演Svetlana的父亲Yvan。RubyModine表演「PastyPies」馅饼餐厅新来的女效劳员Sierra,Fiona刚成为餐厅的司理。

BjarneM?delspieltdenTatortreinigerHeiko?Schotty“Schotte,deralsGeb?udereiniger(mitSpezialisierungzumTatortreiniger)SpurendesAblebensvonMenschenanTatortenbeseitigt.EshandeltsichnichtumeineKrimiserie,vielmehrwirdaufhumorvolleWeisedieArbeitdesTatortreinigersgezeigt.DabeispielendieKriminalf?llenureineuntergeordneteRolle.DerSchwerpunkt...

BjarneM?delspieltdenTatortreinigerHeiko?Schotty“Schotte,deralsGeb?udereiniger(mitSpezialisierungzumTatortreiniger)SpurendesAblebensvonMenschenanTatortenbeseitigt.EshandeltsichnichtumeineKrimiserie,vielmehrwirdaufhumorvolleWeisedieArbeitdesTatortreinigersgezeigt.DabeispielendieKriminalf?llenureineuntergeordneteRolle.DerSchwerpunkt...

BjarneM?delspieltdenTatortreinigerHeiko?Schotty“Schotte,deralsGeb?udereiniger(mitSpezialisierungzumTatortreiniger)SpurendesAblebensvonMenschenanTatortenbeseitigt.EshandeltsichnichtumeineKrimiserie,vielmehrwirdaufhumorvolleWeisedieArbeitdesTatortreinigersgezeigt.DabeispielendieKriminalf?llenureineuntergeordneteRolle.DerSchwerpunkt...

一定要以信服的眼光来看待永恒。与过去曾在北美国家公园拍摄过的影片比较，此片有相当令人惊嘆的拍摄手法。使用特种摄影机和技巧，大卫伏特尼以前所未见的拍摄角度掳获了这些国家公园的美丽胜景。流畅、熟练的摄影技巧以及空中摄影，让你有穿越山水风景，翱翔天际的身历其境感受。培特里克曾以绝妙的理由讚嘆：这是一趟会让你期待再三参与的旅程。Byusingspecialcamerasandtechniques,DavidFortneyhascapturedthebeautyoftheseparksinwaysneverseenbefore.Fluid,masterfulcameraworkandserialphotographygivesyouthesensationofsoaringoverand...

HomerWells（托比·马奎尔TobeyMaguire饰）从小在St.Clouds的一所孤儿院长大,孤儿院的院长Dr.WilburLarch（迈克尔·凯恩MichaelCaine饰）对他关心备至。Homer跟其余孤儿一同安康快活地生长,他还在Dr.Larch身边进修,把握了精深的医术,尤其是妇科手术。有一天,中尉WallyWorthington（保罗·路德PaulRudd饰）带着他的未婚妻CandyKendall（查理兹·塞隆CharlizeTheron饰）离开孤儿院直接打胎手术。术后,Homer讯问Wally是否带他到表面的天下去看一看,Wally怅然允许。于是Homer随着Wally分开了孤儿院,性掷中第一次见到了大海,还在Wally家的苹果庄园找了份任务。未多少后Wally又去缅甸加入战役。Homer跟Candy在日复一日地相处中滋长了恋情。而另一方面,Homer收到孤儿院寄来的信,Dr.Larch生机他归去当他的助手,但Homer谢绝了,他更想留在表面的天下。此时Wally火线传来凶讯,Wally受伤下半身瘫痪行将回家。Homer该如那边置这些疑问呢！本片依据JohnIrving的同名小说改编,掉掉落七项奥斯卡提名,博得最佳男主角跟最佳改编脚本奖。

Fraternaltwinsspendahellishnightattheremoteinntheirfatherdisappearedfromthenighttheywereborn.

ThisBritishespionagethrillercentersonateamofMI-5counter-terroristspiescollectivelyknownas’Spooks’becau搜索引擎优化ftheshadowynatureoftheirexistence.Technicallyspeaking,Spooksdon’tevenexist-theyhavenonames,identities,orknownlocations.Yetthesesecretagentsareallthatstandbetweenthenationandtheterroristswhotrytounderminenationalsecurity.MatthewMacfaydenheadsthecastasTomQuinn,amanstrugglingtodealwithhisdoublelife.

WhenformerwrestlingchampionKakhilearnsthathissonSosohasgottenhimselfintodifficulties,hetravelsfromGeorgiatoNewYorktohelphimandfindoutwhatisgoingon…LevanKoguashvilihassethislatestofferinginBrooklyn’sBrightonBeach,capturingthediverseatmosphereofaneighborhoodthatishometoimmigrantsfromtheformerSovietUnion–aplacewherelanguagesandethnicgroupsmix,wheremostshopsignsareinCyrillic,andwherepeople’snostalgiafortheirhomelandmingleswiththeircurrentwoes.Profoundlymelancholicandinfusedwithtragicomicmomentsandasenseofunderstandingforitsprotagonists,thefilmcapturesthebondbetweenafatherandhisadultson,anancientbondinwhichtheoldermanwillalwaysfeeltheneedtoprotecthisblood,nomatterwhatthecircumstances.

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.