Paryla

故事改编自著名的二战军事事件“敦刻尔克大撤退”。二战初期，40万英法盟军被敌军围困于敦刻尔克的海滩之上，面对敌军步步逼近的绝境，形势万分危急。英国政府和海军发动大批船员，动员人民起来营救军队。英国士兵汤米（菲昂·怀特海德 Fionn Whitehead 饰）在逃离海滩的过程中相继结识吉布森与亚历克斯，同时民用船主道森先生（马克·里朗斯 Mark Rylance 饰）与儿子彼得、17岁少年乔治也离开英国，去往敦刻尔克拯救士兵。三人陆续搭救了海军（基里安·墨菲 Cillian Murphy 饰）、飞行员柯林斯及汤米一行人，而战斗机飞行员法瑞尔（汤姆·哈迪 Tom Hardy 饰）则在被敌人双面夹击的艰难情形下顽强战斗。影片的故事从陆、海、空三个角度讲述，在德国军队的包围下，每个人不得不为自己的命运背水一战，才有可能活着回家。©豆瓣

冷战初期，纽约律师詹姆斯·多诺万（汤姆·汉克斯 Tom Hanks 饰），为苏联情报员鲁道夫·阿贝尔（马克·里朗斯 Mark Rylance 饰）辩护，当时美苏关系紧张，詹姆斯仍然秉持公平正义的原则，毫不偏私地为阿贝尔抗辩，阿尔贝欣赏他的正直，他也欣赏阿贝尔的忠诚，虽然最后输了官司，两人却建立起微妙的情谊。不久之后，美军U2高空侦察机在执行机密任务时，被苏联军方击落，詹姆斯受雇于中情局，代表美方与苏联谈判，试图在极其渺茫的机会中，与苏联交涉换囚条件，营救被劫持的美国飞行员。影片根据美国律师詹姆斯·多诺万真实经历改编。

埃里森·奥斯沃特（伊桑·霍克 Ethan Hawke 饰）是一个十几年前小有名气的犯罪小说作家，为了寻找创作灵感，他不惜一次次搬入曾经发生过命案的凶宅。时至今日，为了重现往昔的辉煌，他再次带着妻子崔茜（Juliet Rylance 饰）以及一双儿女特里夫（Michael Hall D'Addario 饰）和艾丝莉（Clare Foley 饰）搬入一栋凶宅。在收拾阁楼时，他偶然发现一卷家庭录影带，里面记录着房子前主人一家快乐幸福的生活瞬间以及他们被吊死在树上的惨烈画面。此后的日子里，他一遍遍观看录影带，从中寻找罪犯的蛛丝马迹，并且在房屋内的每个角落追查线索。 在这一过程中，各种诡异事件相继在家人身上发生。埃里森此时已难以抽身……©豆瓣

故事产生在2045年,虚构事实技巧曾经渗入到了人类生涯的每一个角落。詹姆斯哈利迪（马克·里朗斯 Mark Rylance 饰）一手制作了名为“绿洲”的虚构事实游戏天下,临终前,他宣告本人在游戏中设置了一个彩蛋,找到这枚彩蛋的人即可成为绿洲的继续人。要找到这枚彩蛋,必需先掉掉落三把钥匙,而寻觅钥匙的线索就隐蔽在詹姆斯的过往之中。　　韦德（泰尔·谢里丹 Tye Sheridan 饰）!艾奇（丽娜·维特 Lena Waithe 饰）!大东（森崎温 饰）跟修（赵家正 饰）是游戏中的挚友,跟之后碰见的阿尔忒弥斯（奥利维亚·库克 Olivia Cooke 饰）一同,五人踏上了寻觅彩蛋的征程。他们所要反抗的,是名为诺兰索伦托（本·门德尔森 Ben Mendelsohn 饰）的大资源家。

故事改编自著名的二战军事事件“敦刻尔克大撤退”。二战初期，40万英法盟军被敌军围困于敦刻尔克的海滩之上，面对敌军步步逼近的绝境，形势万分危急。英国政府和海军发动大批船员，动员人民起来营救军队。　　英国士兵汤米（菲昂·怀特海德 Fionn Whitehead 饰）在逃离海滩的过程中相继结识吉布森与亚历克斯，同时民用船主道森先生（马克·里朗斯 Mark Rylance 饰）与儿子彼得、17岁少年乔治也离开英国，去往敦刻尔克拯救士兵。三人陆续搭救了海军（基里安·墨菲 Cillian Murphy 饰）、飞行员柯林斯及汤米一行人，而战斗机飞行员法瑞尔（汤姆·哈迪 Tom Hardy 饰）则在被敌人双面夹击的艰难情形下顽强战斗。　　影片的故事从陆、海、空三个角度讲述，在德国军队的包围下，每个人不得不为自己的命运背水一战，才有可能活着回家。

雷纳德（马克·里朗斯MarkRylance饰）是一位手艺精湛的裁缝，一场火灾之后，他离开了伦敦，来到芝加哥，在这里经营着一间属于自己的裁缝店。店里的员工除了雷纳德自己外，还有一个名叫梅布尔（佐伊·达奇ZoeyDeutch饰）的姑娘，梅布尔的父亲是一个臭名昭著的恶棍，背负着父亲的“盛名”，梅布尔下定决心要攒够钱，去看一看这个肮脏黑暗的街区以外的世界。一天深夜，黑帮大佬罗伊（西蒙·拉塞尔·比尔SimonRussellBeale饰）的儿子里奇（迪伦·奥布莱恩DylanO'Brien饰）和他的副手弗朗西斯（强尼·弗林JohnnyFlynn饰）闯入了店中，里奇身受重伤，在弗朗西斯的威胁之下，雷纳德处理了里奇的伤口，将他从死亡线上救了回来，但与此同时，他也被卷入了这个黑帮家族的纷争之中。

WhenwealthylandownerGregoryLancaster’sbodygoesmissingonthenightofhisdeath,asinisterwebofsecretsandliesisexposedinthevillageofLittleMalton.DCIBarnaby,DSNelsonandnewForensicPathologistKamKarimorearedrawnintoamacabreworldofbody-snatchingastheyseektoidentifythevillain.

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.

1954年的英国电影《轰炸鲁尔水坝记》(TheDamBusters)，这部电影几乎以纪录片的形式记录了第二次世界大战中1943年5月16日晚上英国皇家空军执行的“惩戒行动”。Thisfilm,detailstheAlliedeffortstotargetGermandamsduringWorldWarTwo.Inverymethodical,butalsoenthusiasticfashion,theyfiguredoutwhatplane,whatbomb,whatangle,whataltitude,etc.,werenecessarytoinflictmaximumdamagetothedams,whileminimizinglossestotheplanes.Theanswertheycameupwith,soundsabsurd,butitworked:verylarge,cylindricalbombsrotatingbackwardsatahighrateofspeed,causingthem,whendropped,toskipalongthesurefaceofthewater,rightuptothebaseofthedam.要炸掉水坝，可不是容易的事情，电影详细介绍了炸弹设计者的设计过程，以及英国军方采纳这个计划的过程(因为乍听起来实在像是天方夜谭)，这个片子看起来决不乏味，甚至是相当令人激动地。该片获第28届奥斯卡最佳效果奖提名及第9届英国电影学院最佳电影，最佳英国电影和最佳编剧3项提名。

中文名风儿轻轻吹外文名Thewindgentlyblowing其它译名Leventsoufflantdoucement出品时间2004出品公司上影（集团）上海电影制片厂制片地区中国大陆导演周波编剧曹征路制片人朱永德类型剧情主演陈辰，王维维，沈佳妮，陆敏，翟乃社片长90分钟上映时间2004对白语言汉语普通话色彩彩色目录1基本信息2主创人员3主要演员4剧情简介1基本信息编辑片名：风儿轻轻吹上映：2004年色彩：彩色遮幅片长：90分钟语言：汉语普通话导演：周波编剧：曹征路摄影：王国富美术：朱明建作曲：苏隽杰录音：施翔剪辑：唐伟文责任编辑：鲁书潮副导演：张乃华副摄影：张波化妆：刘云服装：王雁道具：成卫照明：杨国良场记：张昭明剧务：王惠明录音指导：葛伟家音频编辑：华媛媛混录技术：刘宝森音乐录音：薛武拟音：苏东生后期制片：范军制片：黄金兴出品人：朱永德监制：许朋乐策划：贺子壮张微定统筹：李民协助拍摄:上海文化广播影视集团技术中心摄制:上海电影集团公司上海电影制片厂陈辰....曾书妮王维维....杨燕沈佳妮....林丽珊陆敏....许蒙蒙杨明....游雁林张铎....高玮景松涛....吴阳阳刘正伦....系主任翟乃社....许文石子良....唐文德龚玲玲....王阿姨汤妮....游夫人参加演出：周萍王雁王国富黄保华姚安濂张乃华张肖蝶张昭明MaryLawrence-曾书妮是一个来自农村的学生，奋发读书，希望毕业后留校任教；林丽姗是上海人，天生丽质，整天沉浸在浪漫的梦想之中；许蒙蒙家境优越；但从不快乐，课余时间都在电脑键盘的敲击声中渡过，杨燕是个乖乖女，一如她的小鸟依人的外貌……留学归来的游雁林是她们的班主任，他的玉树临风的气质，使林丽姗倾倒，由暗恋到追求被拒，情感一度低迷，自暴自弃，游教师最终以自己的经历使林丽姗懂得了什么是真正的爱情，因而重新振作了起来。曾书妮的勤奋令高玮爱慕不已，但多次示意都得不到对方的明确回应；杨燕和吴阳阳在图书馆相识后，很快陷入了热恋之中。中秋节的晚上许蒙蒙对父亲“永不相见”的态度，令同室女生面面相觑；曾书妮竟竞选学生会主席失败后，心情郁闷，是高玮的开导，使她破涕为笑，内心感到温暖……四年的大学生活，转眼已过去一半，学生们开始考虑自己的归宿，女生们去进行社会实践，但到处碰壁的经历使她们明白了自己的知识和阅历的欠缺。酒后的吴阳阳私入宿舍，向杨燕表达爱意，适逢宿监前来检查，吴跳窗逃走。杨燕受到校方质询，高玮替吴“背黑锅”，最终，杨燕、高玮被校方“责令退学”。高玮于是参加支边救助失学儿童的义务教师行列，不久即传来了他为保护孩子而遇袭的消息，而阳燕退学后和一日本商人住到了一起……在经历了情感的困惑，求职的碰壁后，生活的历炼使她们明白了许多的人生哲理，渐渐地成长，成熟起来……