Frame

[satyamevjayate」意为“真理战胜一切"，这句话写在印度国徽上，是印度的座右铭。宝莱坞电影巨星阿米尔汗历时两年，打造出这一关注社会、贴近民众、深层次揭露社会问题的节目。他采访不同阶层印度人的真实故事,大胆曝光印度社会种种弊病,力图以残酷真相打动和唤醒大众,进而努力改变现状、治愈丑陋伤疤。Episode1:FightingRape对抗强暴ThefirstepisodeofSatyamevJayateSeason2,telecastonMarch2,2014,dealtwiththeissueofrapeandunderlinedseveralsystemicfactorsthatactasroadblocksonthepathtojusticeforsurvivors.TheVoteforChangecampaignforthisepisodecentredaroundthreefocalpoints:ThesettingupofOne-StopCrisisCentresineverydistrictofIndiaaspertheguidelinesrecommendedbytheJusticeUshaMehraCommission.ThecreationofVulnerableWitnessDepositionCourtroomsacrossthecountry.Agender-sensitive,scientificandhumaneprotocolforthemedicalexaminationofsurvivorsofrape,tobeuniformlyimplementedacrossthecountry.Episode2:Police警察OnMarch9,2014,thesecondepisodewastelecastanditdealtwiththeneedforreformsinthepolice.In21stcenturyIndia,thesystemofpolicingisstillbyandlargewithintheframeworkofthe1861PoliceActintroducedduringthecolonialBritishRaj.Thepolicecontinuestobearuler’spoliceratherthanapeople’spolice.TheVoteforChangecampaignforthisepisodeurgedcitizenstosupportthedemandthatthe2006judgmentoftheSupremeCourtinthecasefiledbyformerDGP,UP,ShriPrakashSinghbeimplementedandapeople-friendlypoliceforcebecreated.Episode3:Don’tWasteYourGarbage不要看浪费你的垃圾ThethirdepisodeofSatyamevJayate,telecastonMarch16,2014,dealtwithoneofthemostshamefulproblemspersistinginourcitiesandtowns,viz:garbageandthescandalousstateofsolidwastemanagement.TheVoteforChangecampaignforthisepisodecalleduponpeopletosupportthedemandthatincineratortechnologyforburningwastebeopposedandthatstategovernmentsandunionterritoriesworktowardsimplementingtheMunicipalSolidWastes(ManagementandHandling)Rules,2000.Episode4:KingsEveryDay我自君王，每日TelecastonMarch23,2014,thefourthepisodedealtwiththeneedforstrengtheninggrassrootsdemocracyandinparticular,highlightedimportantmeasurestohelpfightcorruptionandincreasepublicparticipationingovernance.TheVoteforChangecampaignforthisepisodeurgedcitizenstolendtheirsupporttothedemandforsocialauditsofthegovernment’sexpenditureonsocialwelfare,andthepassingofthePublicServicesGrievancesBillwhichwillhelpensurethatessentialservicesaredeliveredinatime-boundmannertocitizens.Episode5:CriminalizationofPolitics政策犯罪SatyamevJayate’sfifthepisode,telecastonMarch302014,dealtwiththerampantcriminalizationofpoliticsinourcountry.TheVoteforChangecampaignforthisepisodecalleduponpeopletosupportthedemandthattheproposaloftheElectionCommissiontodebarcandidateswithseriouscriminalcharges(withappropriatesafeguards)isbroughtintoeffectandsuchcandidatesarenotallowedtocontestelections.JustcameoutofmymeetingwithHonorablePrimeMinisterofIndiaShreeNarendraModiji.Wasverykindofhimtosparehisvaluabletime.—AamirKhan(@aamir_khan)June23,2014SharedwithhimtheoverwhelmingsupportthatwegotfrompeopleacrossthecountrythroughVoteforChangeCampaign...—AamirKhan(@aamir_khan)June23,2014..onSMJonthevariousissuesthatwetackledinourshow.Hehasassuredmethathewilllookintoallthematterspic.twitter.com/AI7e8cX9Bn—AamirKhan(@aamir_khan)June23,2014http://www.satyamevjayate.in/petitions-reach-topm.aspx

DirectorGaryHustwit(Helvetica,Objectified)completeshisdesignfilmtrilogywithUrbanized.Exploringthedesignofcitieswiththeworld’sforemostarchitects,policymakersandengagedcitizens,Urbanizedframesaglobaldiscussionabouthowthedesignofourcitiesaffectsourlives.

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.

Jackisengagedtofindamissingperson,onlytobelaterframedforhismurder.JackisquicklycaughtupinacomplexwebofpowerfulvestedintereststhatstretchesfromhishometownofFitzroytoaremotevillageinthePhilippines.

源内苍（日笠阳子 配音）是一名十分平凡的高中一年级女生，一天，她收到了一个神秘的包裹，拆开了包装，出现在小苍面前的，是名叫“Frame Arms Girl”的小型机器人轰雷（佳穗成美 配音）。轰雷可不是一般的机器人，她拥有着自我的意识，能够通过学习人类的感情与战斗方式而不断地自我进化，就这样，小苍和轰雷的同居生活拉开了帷幕。除了轰雷外，还存在着别的机甲少女。个性十分傲娇的短剑（绫濑有 配音）、性格单纯但拥有着广袤的知识的闪燕（长江里加 配音）、行事大大咧咧但充满了正义感的迅雷（桦山南 配音）、没有一丝感情沉默寡言的骨姬（山村响 配音），在轰雷之后，她们接二连三的出现在了小苍的身边。©豆瓣

源内苍（日笠阳子配音）是一名十分平凡的高中一年级女生，一天，她收到了一个神秘的包裹，拆开了包装，出现在小苍面前的，是名叫“FrameArmsGirl”的小型机器人轰雷（佳穗成美配音）。轰雷可不是一般的机器人，她拥有着自我的意识，能够通过学习人类的感情与战斗方式而不断地自我进化，就这样，小苍和轰雷的同居生活拉开了帷幕。除了轰雷外，还存在着别的机甲少女。个性十分傲娇的短剑（绫濑有配音）、性格单纯但拥有着广袤的知识的闪燕（长江里加配音）、行事大大咧咧但充满了正义感的迅雷（桦山南配音）、没有一丝感情沉默寡言的骨姬（山村响配音），在轰雷之后，她们接二连三的出现在了小苍的身边。

After his son is framed for a kidnapping, a bereaved deacon takes justice into his own hands and fights a corrupt police gang to absolve him.

JEONstatedthat”withThePainterIwanttocreateadifferenttypeofmise-en-scenewithintheframeofgenre–auniqueandhighlystylizedfilmwiththevisionIhavebecomeknownfor.”TheprojectwillstarYOOJoon-sang,whoisknownforhisperformanceinHONGSangsoo’sfilmssuchasHahaha(2009),TheDayHeArrives(2011)andInAnotherCountry(2012),asapainterwit...

Synopsis:Julienetsonpreneurdeson,Michel,tournentàBrugesundocumentairedecommande.Julienrêveaufilmqu’ilpourraittournerdanscettevillemystérieuse:uneadaptationdeShakespeareoudeMusset.LerejointbientôtSophie,safemme,anciennecomédienne,quisouffredeladistancequeJuliensemblemettredansleursrapports.Bientôt,àuneexpositiondepeinture,ellerencontreunartistequ’ellevoitsouslestraitsdeJulienetquil’inviteàvenirvisiterFlorence.ElleconfieàMichelsestourments.Julien,desoncôté,vientd’accepterlapropositiondesonproducteur:réaliserune"histoire"avecdes"personnages"et,pourquoipas,des"vedettes"...Alorsqu’ellesemblaitdécidéeàsuivrel’inconnu,SophiesejettedanslesbrasdeJulien.Lemetteurenscènequitourneunfilmintitulé"L’hiver"demandeunenouvelleprise.Pourlasecondefois,SophiesejettedanslesbrasdeJulien.Lepeintreinconnus’enva...©FichesduCinéma“Onecouldspendforeverunravelingthisendlessnet,sotightlywovenwithsignsandechoes,whichbecomesricherwitheveryviewing.Hanoun’sformalinvestigationofthefragmentandthe(almostsubliminal)flashframe,ofveryslightlyalteredvariationsandrepetitions,whichheappliestosituationasmuchastodialogue(oftenrepeated,eitherwithinthesameshotorfromadifferentangle)revealssomethingoftheinteriorityoffilm,ofitscreator’sunconscious,whichbecomesthatofhischaracters.ThisstructuralresemblancetoaRussiannestingdollshouldnotconfuse;it’sratherthecontraryofthisdetachmentwithwhichthefilmends.ThemoreHanouncompresseshisdreamsofdreamswithindreams(films),thecloserhegetstointimacy.”-EmericdeLastens(Re:Voir)

A Viking Princess is forced to flee her kingdom after being framed for the murder of her father, the King. Under the guidance of the God Odin, she travels the world gaining wisdom and building the army she needs to win back her throne.