Adzi

本片是苏联纪录片导演，“电影眼”理论的创始人吉加维尔托夫（DzigaVertov）的代表作。电影主要拍摄于乌克兰的敖德萨市，摄像师是维尔托夫的哥哥米凯尔卡夫曼（MikhailKaufman）。影片主要分观众入席、城市黎明、人民的工作与休息、体育运动和艺术实践几部分，通过刻画人民生活的方方面面来呈现苏维埃新社会中的一个理想城市。摄影师米凯尔卡夫曼在拍摄的同时也出现在电影画面中，首创了“自我暴露”的电影形式。在这部具有里程碑性突破意义的纪录片中，维尔托夫首次使用了二次曝光、快进、慢动作、画面定格、跳跃剪辑、画面分割等前卫剪辑手法，并采用了仰角、特写、推拉镜头等新颖的拍摄手法，并制作了一段定格动画。

在马其顿,战役中的波斯尼亚,东正教的一位年青修士以缄默掩护一位年青女孩,这位阿尔巴尼亚女孩涉嫌杀戮一位东正教徒。但实在只是误解。修士以本人的仁慈决议与女孩私奔。在伦敦,一位拍照记者（凯特琳·卡特利吉 Katrin Cartlidge 饰）在餐馆与她的老公议论情感变淡的疑问,二人辩论剧烈之时,一名种族主义者突入餐馆开枪扫射。爱,在生逝世之间忽然变得清楚。一位分开挚友的拍照记者（拉德·舍博德兹加 Rade Serbedzija 饰）从伦敦动身,回到16年没来的故乡马其顿。这里有他的老友人,他的东正教友人们,另有与阿尔巴尼亚人的种族抵触。拍照记者实验经由过程跟解的方法化解纷争,然而,这所有远不他设想的那么简略。“圆圈不是一个圆。”三段互订交织的故事,差别文明!宗教!平易近族的误解形成的喜剧。©豆瓣

冬天,蒂妲絲雲頓拜訪落腳於法國小山村四十餘年的挚友約翰伯格,兩人散步於靄靄白雪的村莊!或深或淺地,在小屋中聊起童年記憶與歷史承接。春天,透過凝視動物,經歷一場人類與動物關係的思辨。炎天,於山村中跟三兩藝術家漫談當代政治,佐以舊時影片!音樂,摸索藝術怎样述說政治。秋日,蒂妲再度帶著孩子拜訪約翰以及約翰之子,在視野遼闊的山村生涯中,發現傳承的意念存在於所觀看的每一片風景。四部短片象徵四序的更迭,而山村的風景!動物!生涯則是年復一年的循環,體現約翰口中[無窮延长的此時现在]。他的思惟及人生觀與陈旧的農舍!青葱的綠地!放牧的牛群相呼相應,說著這個天下方圆人物风物的故事,阿爾卑斯山裡的小村莊,則是最诱人的舞台。（以上來自2016台北金馬影展）The Seasons in Quincy is a feature-length documentary film in four parts by the Derek Jarman Lab at Birkbeck, in collaboration with Til da Swinton, Christopher Roth and Colin MacCabe. Together, the parts constitute a film portrait of John Berger, the British writer and thinker.In 1973 - Berger abandoned the metropolis to live in the tiny Alpine village of Quincy. He realized that subsistence peasant farming, which had sustained humanity for millennia, was drawing to an historical close. He determined to spend the rest of his life bearing witness to this vanishing existence, not least by participating in it. Berger’s trilogy Into their Labours chronicles the peasant life of this Alpine village and its surrounding countryside. Our portrait places Berger in the rhythm of the seasons in Quincy.The four parts of the film each address different strands of Berger's life and work. The first, Ways of Listening, directed by Colin MacCabe, deals with fathers and friendship. Spring, directed by Christopher Roth, considers Berger's writing on our relationship with animals in juxtaposition with the animals that surround him in the Haute Savoie. A Song for Politics, directed by Colin MacCabe and Bartek Dziadosz, reflects on politics through a conversation between Berger, Colin MacCabe, Ben Lerner, Akshi Singh and Christopher Roth. The last part, Harvest, directed by Tilda Swinton, revisits Quincy to meditate on belonging and continuity with John and his son Yves.來自http://www.jarmanlab.org/the-seasons-in-quincy-four-portraits-of-john-berger.html

冬天,蒂妲絲雲頓拜訪落腳於法國小山村四十餘年的挚友約翰伯格,兩人散步於靄靄白雪的村莊!或深或淺地,在小屋中聊起童年記憶與歷史承接。春天,透過凝視動物,經歷一場人類與動物關係的思辨。炎天,於山村中跟三兩藝術家漫談當代政治,佐以舊時影片!音樂,摸索藝術怎样述說政治。秋日,蒂妲再度帶著孩子拜訪約翰以及約翰之子,在視野遼闊的山村生涯中,發現傳承的意念存在於所觀看的每一片風景。四部短片象徵四序的更迭,而山村的風景!動物!生涯則是年復一年的循環,體現約翰口中[無窮延长的此時现在]。他的思惟及人生觀與陈旧的農舍!青葱的綠地!放牧的牛群相呼相應,說著這個天下方圆人物风物的故事,阿爾卑斯山裡的小村莊,則是最诱人的舞台。（以上來自2016台北金馬影展）The Seasons in Quincy is a feature-length documentary film in four parts by the Derek Jarman Lab at Birkbeck, in collaboration with Til da Swinton, Christopher Roth and Colin MacCabe. Together, the parts constitute a film portrait of John Berger, the British writer and thinker.In 1973 - Berger abandoned the metropolis to live in the tiny Alpine village of Quincy. He realized that subsistence peasant farming, which had sustained humanity for millennia, was drawing to an historical close. He determined to spend the rest of his life bearing witness to this vanishing existence, not least by participating in it. Berger’s trilogy Into their Labours chronicles the peasant life of this Alpine village and its surrounding countryside. Our portrait places Berger in the rhythm of the seasons in Quincy.The four parts of the film each address different strands of Berger's life and work. The first, Ways of Listening, directed by Colin MacCabe, deals with fathers and friendship. Spring, directed by Christopher Roth, considers Berger's writing on our relationship with animals in juxtaposition with the animals that surround him in the Haute Savoie. A Song for Politics, directed by Colin MacCabe and Bartek Dziadosz, reflects on politics through a conversation between Berger, Colin MacCabe, Ben Lerner, Akshi Singh and Christopher Roth. The last part, Harvest, directed by Tilda Swinton, revisits Quincy to meditate on belonging and continuity with John and his son Yves.來自http://www.jarmanlab.org/the-seasons-in-quincy-four-portraits-of-john-berger.html

It’sChristmasandZipandZapareuptotheiroldtricks.Butthistimethey’vegonetoofarandtheirpunishmentwillbenoChristmasvacationandaseeminglyboringboattripwiththeirparentsinstead.Totheirsurprise,thedestinationisaspectacularremoteisland.Butaterrifyingstormrollsinandthey’reforcedtoseekshelteratamansionbelongingtotheeccentricMissPam,wherechildrenwithoutfamiliesenjoyaparadisewithnorules.Helpedbytheirnewfriends,Flecky,MackyandPippi,thebrothersdiscoverthattheirparents’suddendisappearanceinthemiddleofthenightisrelatedtothemysterioussecretbehindtheislandanditsstrangeinhabitants.

孤儿西蒙（方·基默ValKilmer饰）幼时生活在教会孤儿院中，那里留给他的，除了施洗者约翰的新名字与严苛的惩罚以外，还有撬门开锁的能力。多年以后，西蒙已经是著名的大盗，他计划筹措5000万之后洗手不干，享受人生。西蒙受命远赴莫斯科，盗取了政党领袖兼石油寡头伊万（拉德·舍博德兹加RadeSerbedzija饰）的芯片，自此与伊万父子“结缘”。西蒙为高额报酬再度接受任务，而这次的雇主居然是伊万父子，他们命西蒙盗取足以解决能源危机的核技术。西蒙乔装接近掌握核技术的艾玛博士（伊丽莎白·苏ElisabethShue饰），与博士暗生情愫的同时，应付着伊万父子的棘手任务……

A hurricane blows Mothra's egg off Infant Island and causes it to drift to Japan. Banzo Torhata sees an opportunity to make money off the egg but Mothra's twin priestesses show up and plead with him to return the egg or else the larva will hatch and cause great damage in search of food. Torahata refuses and tries to kidnap the fairies. They then go to reporters Ichiro Sakai and Junko Nakanishi to try to persuade Torahata to return the egg. Torahata still refuses and the girls leave with the adult Mothra. In the meantime Godzilla reawakens and begins another rampage. Japan's only hope is for Mothra to return and not only save her unhatched offspring, but Japan as well.

Two lesbian vampires (Marianne Morris and Anulka Dziubinska) lure people into their castle to prey on them.

在3×01「NoPlaceLikeHome」中,植物沾染变乱曾经从前整整10年,大少数植物都被治好了。再不黑熊突入一般平易近居的厨房,再不老鼠残虐电梯,华盛顿特区的街道也不再像非洲野活泼物园。所有看起来都在恶化,但人类却支付了昂扬的价值——用来疗愈植物的药物经由过程氛围流传至寰球,人类逐步得到了生养才能。一种被称作「混种」的新威逼开端涌现,它们是试验室里制作出的怪物雄师,没人能阻拦它们消灭人类的信心。GracieDzienny本季表演MitchMorgan的女儿!曾经长大成人的Clementine。Clementine坚称父亲还在世,要求他往日的战友们帮助拯救他。要想疗愈人类不孕不育的疑问,只有Mitch能做到。

对音乐的禀赋跟热忱能够使人到达高峰。但是,在路上,将会有演艺圈的圈套。此中包含款项!名望跟粉丝群。在这个名望如斯难以捉摸的天下里,一个年青女孩能为本人的妄想而斗争吗！一个备受争议的选秀节目“音乐比赛”始终在天下各地寻觅有才干的歌手。谁将开端一个奇迹,谁将掉掉落一个冷水澡的决议老是由三个陪审团决议：一个已经很受欢送的歌手,奥洛（Maciej Zakoscielny）,交际媒体皇后,伊娃（Julia Kaminska）,跟波兰爵士夫人乌尔祖拉·杜兹亚克（Urszula Dudziak,自演）。在奥洛的故乡举办的一次海选中,有一场辩论。开真自我是“奥斯特拉”（由卡塔兹娜·索克扮演）。这个反叛美女对陪审员对她母亲的狂妄跟歧视行动觉得末路怒（安妮塔·索科洛夫斯卡）。这个小丑闻很合适该剧的制造人（托马斯·卡洛拉克）,他将「奥斯特拉」推向下一个阶段。在那边,她不只性格火暴,并且嗓音也很棒。但是,胜利是要支付价值的。受欢送并不像许多人想的那么令人高兴。咱们的少年豪杰将不得不面临正派跟品德的真正磨练。这位年青的明星行将开端她的舞台竞争,残暴的演艺界,最主要的是,她本人的感触。