影片库

两名匪徒闯进一个火车站电报室内,强制电报员给火车收复书号,后又将电报员绑缚起来。火车驶近后,匪徒们偷偷地溜上火车。随后,匪徒们逼停了火车,把车上的搭客都赶下了火车,将他们的财帛搜索一空。到手后,四名匪徒逃至草原分赃。而与此同时,一个小女孩救下了电报员,电报员随即赶到警员局报案。一批警员开端追击匪徒,两边在草原上开展了激猛火拼,终极四名匪徒被逐一击毙。                                                                    「火车大劫案」依据1900年产生在美国的一个实在掳掠变乱改编,影片用14个局面镜头报告了一个较为庞杂的故事,是鲍特拍摄的第一部西部片。本片成为事先最受不雅众欢送的影片,连续上映了十年。这部作品给美国片子带来一股新的“西部风”,西部片因而逐步繁华起来。

公司职员李小霞在上班途中，扶起被撞的老太太邬大妈而被诬陷，要求赔偿医药费，百口莫辩默默承担了这一切。在小霞筹措医药费期间，患者女儿万燕到公司要钱，小霞的顶头上司刘经理私下诋毁，导致小霞被公司陈总解雇。这一切没有被其男友张亮及张良母谅解，小霞与张亮的爱情也亮起了红灯。李小霞该何去何从？

暂无

杂货店店长阿水与妻子两人生涯平庸,日复一日,阿水心中始终略觉有趣。在阿水性致勃勃的这一天,他背着妻子找了黄刊上的伴游蜜斯想要偷欢。第一次做这件事的阿水在进程中略显愚笨,半途还被伴游蜜斯的男友碰到,两人固然临时蒙过了男友的妒忌心,却在连续串新奇的变乱后,迫使本来只想要满意本情面欲的阿水淌入了这对情侣奇怪的纠纷中。

故事改编自朱迪斯·克尔创作的同名绘本童书,报告索菲与母亲在厨房喝下昼茶,忽然门铃响了。索菲开门发明是一只山君在门前,于是索菲约请山君一同来喝下昼茶。

阿睿跟其余孩子一样一出身就被妈妈抱到碧云寺里请不雅音妈收为干儿子生涯都遵守不雅音妈的指导暑假来了天丽生机阿睿能够教她泅水这个邀约让阿睿欣慰若狂偏偏很不巧的不雅音妈指导阿睿犯水关了全部暑假都不克不及下水˘˘

你认为你有做老板的才能吗！这项互动式的特殊节目将磨练你的技巧,并为你与婴儿公司的16份任务之一相婚配。

《什么叫做爱》2013年爆笑情感微电影，通过一部神器的电话，引发的爱情，喜剧，励志，情感，动作，惊悚奇幻故事，诠释不一样的爱情观。比邻，一款只打给陌生人的电话。每一次的相遇都是难以释怀的期待，期待与你在这里的相遇。

三仔守着一间过期的钟表行店里早已不买卖三仔平常足不出户老友过世后他实验踏出停止的生涯久违的第一次登山三仔就摔伤了脚山上的山公都在讥笑他

一个女人在电话中得知，相爱五年的情人将于第二天与另一个女人结婚，于是她陷入了极度抑郁。

内详

「赝品的抨击」报告了一个疏忽产物德量,而且制作跟出产赝品的人,终极本人尝到了赝品的抨击……这是一部匈牙利的经典之作,也是一个优良的笑剧片,引进中国之后,由上译厂有名演员邱岳峰!张同凝配音,经典再现了片中人物的言语作风,滑稽滑稽!回味无穷,保障让你大笑不止。

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.

悠远的石器时期,阳光亮媚的大草原上,洞居人老爸正坐在树下逗引着他可憎的儿子。这时间小宝宝哇哇大哭,本来小家伙饿肚子了。老爸站起家预备给儿子找吃的,这时发明四周那棵香蕉树的全部果实全体被两只小黄人一扫而光。孩子哭得越来越凶猛,老爸天然肝火中烧。合法他预备好好经验这两只小黄人的时间,父子俩同时发明不远处有一头正在吃草的野牛。老爸大胆异常,决议佃猎这头野兽,同时将儿子交给小黄人们照看。不外小家伙可不是什么省油的灯,他给保姆小黄人们找了不少的费事。石器时期,险象环生……©豆瓣

A stop-motion animated skeleton takes drastic measures when he learns the film for which he was created is being rebooted without him.

BehindthescenesdiscussionofanimationtechniquesandthemakingofPinocchio.

[来日就要高裝檢了,連上怎麼會多了根通砲桿。]車長下令四個裝甲連的天兵,要想方設法將這根桿子藏起來。他們開著一台空氣戰車,不打砲只出包,一会儿碰到尖兵,一会儿又撞鬼,好不轻易桿子消逝了,沒想到此中一個阿兵哥竟順勢逃兵,這下車長可真要發火了。致我們永不用逝的軍旅生活。

小花猪的食品被黑乌鸦抢走了,它随着黑乌鸦一起追去,成果越跑越远。找不到小花猪的小猪坐在地上悲伤肠哭起来。小黄狗问起因,小猪说它想去找小花猪,但是又怕赶上魔鬼。小黄狗拍拍胸口,说它不怕魔鬼,两个搭档上路去找小花猪。                                             路上,它们碰到了许多“魔鬼”,小黄狗虽不怕,但是没妨害闹笑话,直到碰到黑熊,它们才明确妈妈告知它们的所谓“魔鬼”,都是天然景象。两个搭档不只找到了小花猪,更增加了许多常识。

中国，拥有七大水系，超过2600个自然湖泊，299.7万平方公里海洋面积。生活在陆地，周遭的一切都是被水体所包裹。影像表达的进步，让人类对天空认知的边界早已打破，但还从来没有哪一部纪录片，系统探秘过中国水下。《水下•你未见的中国》颠覆以往，形成一次全新的对中国水下世界的科普，向世人宣布：在中国水下，有富饶的海洋，也有泸沽湖那样童话般的世界，有神奇的水下古城，还有白鹤梁、长城这样延续千百年的历史印记。它们不仅仅是冰冷的影像，它们蕴含着隐忍、坚强、守护、纯真、善良，它们铭刻着一代代中国人，精神的力量。SMG融媒体中心耗时三年时间，奔袭数万里，足迹遍布大半个中国，超过200小时潜水拍摄，录制16000GB的4K素材，试图为国人揭开中国水下的神秘面纱。

一日,遇渣男海边丽人路拾一只人鱼姬,带回,疗伤,遂床之~

一部人类历史上不断追求高速度的记录片。从发明自行车开始，一直到赛车，喷气发动机汽车，火箭动力汽车，尝试突破声障和火箭动力飞机。每一次成功屏幕上都有卡片式的字幕记录着人类的速度达到了多少英里每小时。

当一个星际小鬼Skibumpers老师开释事实生涯中的圣诞白叟时,自在同盟必需结合起来挽救圣诞节。

周末,来自菲律宾的家庭关照工Jane离开东协广场,由于一首歌曲,相逢了同样来自菲律宾的Randy。两人结伴在东协广场里消磨时间,似乎成为相互的乡愁解药。特性外向的Jane对Randy垂垂地关闭心房,但他乡的女人与男子,犹如童话灰女人,但事实总不会是永久的幸福与快活。

新春将至,小池镇又涌现狐妖作怪,且看双女主联袂破解谜团。

Thelifeofamisguidedandintenselyfocusedman,chronicledthroughhisoralobsessions.

第一话：自幼得到怙恃的美女米米跟奶奶住在密林深处。某天,奶奶回籍赶赴爷爷的忌辰,只留下米米一人栖身。这时,一对熊猫父子偶尔闯进她的家中。米米成为熊猫爸爸的女儿,同时成为小熊猫胖胖的妈妈,这三个无邪的小家伙构成了一个奇异而风趣的家庭。第二天,胖胖随机密去黉舍,成果惹起一场凌乱。当他们回抵家未多少,植物园的园长跟着警员叔叔前来抓捕偶尔脱逃的熊猫父子……第二话：有人偷吃掉落胖胖的咖喱饭,还动了他的乐器。跟着足迹,米米他们发明白正在床上呼呼大睡的小山君。小山君是活动马戏团的演员,他迷路离开了米米家。经由一番周折,小山君终于回到马戏团,找到了本人的妈妈。当晚,一场大雨瓢泼而下,沉没了米米的屋子,也困住了马戏团的植物们……©豆瓣

Ayoung,orthodoxJewishwomanisalienatedfromherJerusalemcommunityanddrawnintotheworldofspirit.Surroundedbydarksoundsofthe"OtherSide,"shemovesintoremoteandincreasinglydesolateregionsofArablands.Herjourney,likeamysticalquestthroughherowninnerlandscapes,culminatesinherreturntoJerusalem.There,indeliblymarked,sheconfrontsherdeeperlonelinessandadevastatingsenseofexile.

新锐编导李权洋〈铜板少年〉横扫天下各大影展,他带起源自母亲身言教训的全新创作〈阿嬷的放屁车〉,诉说年届60的阿嬷陆弈静跟她百年不换的乌贼车一样,坏了就叫修!破了就补,常出疑问的乌贼车跟坑坑巴巴的人生互通声息,在她跟孙女外出骑着乌贼车趴趴走的一日,誊写出专属母亲的性命韧性与独破的自满。陆弈静在片中天然真诚,平实内敛的演技树破女性刚毅的银幕抽象。李权洋展示出精深的叙事功力,让不雅众为陆弈静的节约怀旧跟执拗浪漫所焦急,又为嬷孙间纯粹的情绪所动容。陆弈静在片中因骑老旧乌贼车被全新的Gogoro超车,由于入戏太深,本人加戏,跟Gogoro轧车,只是想看清晰车型却轧输,李权洋笑说陆弈静为脚色注入[不平输]的活泼魂魄。李权洋称陆弈静对教导很有一套,对片中孙女黄凌辰从不必[哄]的,两世间的化学反响,让现场多了许多惊喜跟笑果。

汤姆·希德勒斯顿继续配音洛基，讲述他被驱逐出阿斯加德，不得不面对有史以来最强大的对手：辛普森一家和春田市最强大的英雄们。

　　微片子「我是你的小幂phone」

在咱们的生涯中布满了旁边人,房产经纪人就是此中之一,他们衔接着买房跟卖房的人,由于他们的效劳,千万万万的家庭得以安家。在从前的十年!二十年中,中介行业阅历了伟大变迁,房产经纪人也曾遭遇过很多骂名。但跟着时期的开展,明天的房产经纪人已大差别于从前。本片从对经纪人的成见动手,解释了新一代经纪人的面孔,也报告了6个平凡人的安家故事。他们跟咱们大少数人一样,尽力着!保持着!转变着!生长着。看他们,也像看咱们本人。

阿杰在回家的路程中撞上名劈面跑來的生疏人,竟從對方口中發現一道指导並找到一個玄色盒子,盒中錄音機傳出懷怀孕孕的老婆被抓走的訊息。阿杰必須遵守盒中[伊菲基妮亞之夜]的应用手冊,才有可能將老婆救出。

It’sMaxim’sbirthday.He’s8yearsold.Helivestogetheronlywithhismotherinavillagenotsoclosetothebigcity.Forhisbirthday,hismotherwilltakehimtoBucharest,toMcDonald’s.There,MaximhopestomeethisfatherWonCannesGoldenPalm-BestShortFilmWonStockholmFilmFestival-BestShortFilm

爱丽丝正等着西蒙从家里出来，这个周末他们将一起度过。西蒙是一个快乐的男人，表情丰富，更有多种优秀品质：卓越的记忆力，耐心的倾听能力，还有时刻保证的幽默感。四十来岁的他渴爱遇到真爱，并试着在自己和在她的世界里有所进展，他倾听一切，理解一切，但是有一个阻碍：西蒙根本不会撒谎，无论是谎言或是善意掩饰，这也是他的不同之处。

故事开端于布满了异国风情的荷兰,韩杰（李泉 饰）要今后处赶往巴塞罗那加入三天后在那边举办的主要集会,但是,就在这个节骨眼上,韩杰发明本人的行李跟护照竟然不知所踪。无奈之下,他决议租车自驾,就如许,韩杰与车上一位名叫席洋（李昕芸 饰）的中国女留先生了解了。 在这长久又漫长的三天两夜里,韩杰跟席洋之间产生了很多事件。由于伟大的任务压力,韩杰患上了掉眠症,而席洋则始终陷在前男友自残的昏暗情感里无奈自拔,时光一分一秒的从前,发明相互都创痕累累的韩杰跟席洋都觉得心中升腾的奥妙情感,但那不是恋情。在这段旅途停止之时,这对男女又该何去何从！