Marchand

Elie,ayoungwomanfromthecity,hascometoaremoteNorthAtlanticisland.Itsthespringthaw,andsheisheretoconvalesceandgettoknowthecommunity.Theannualsealhuntisinfullswing,andEliefeelsbothdrawntoandrepelledbythemenengagedinit.Inthisisolatedworld,peopleslivesanddeathsareshapedbythebruteforcesofnature.Eliespresencearousescuriosityandmistrust.Maria,thevillagematriarchanddenmother,seekstouncoverthesecretreasonbehingEliesvisit.Wolvesexplorestheprofoundneedforbelonging.

Thisearly70’sgiallobyUmbertoLenziiscertainlyamongthebestinhisfilmographyandalsointhewholegenre.PersonallyIthinkLenzi’sbestfilmsarethefunnycartoon-turned-filmKriminal,thestylishgialloSevenBlood-StainedOrchids,theexplosiveNapoliviolentaandthis.IntheeightieshedidplentyoffilmtrashinformofEatenAlive,HitcherintheDarkorBlackDemons,allofwhicharerippingsomethingoffand/orverydullandslowmoving.KnifeofIcecamewhenthegialloboomwasatitshottestandtheresultisconvincing.Technicallythefilmissuperb,containinggreatcinematographyinthebeginningwhenwelearnaboutthemaincharacter’straumatowardstrains.Fromthispointon,Lenzishowsushisabilitytobenefitthewidescreenand,forexample,thebicyclerideneartheforestisgenuinelybeautiful!ThisscenealsoshowsLenzi’sabilitytobuildsuspense,veryslowlybutmeaningfully.Afterall,therearen’tsomanymurdersinthewholefilm,onlythesuspensecirculatingaroundthemurderer’sidentity.Onesuspectisadevilworshipperwhichbringsnewaspectstothemystery.Sincethefinalscenetakesplaceinachurch,onecanwonderifLenziwantedtocommentonsomething,maybethehypocriticalmoraleofchurchandsuperstition.Themaincharacter(CarrolBaker)ismutewhichdemandsalotfromherfaceandeyes.Theactressworksverywell,givingusabelievableperformancecirculatingaroundtheemotionsoffearandmentalpain.Theotheractorsaregood,too.Thefinally,however,maynotgivetoopositiveasightaboutfemalesexsincetheyallareexpressedrathernegativelyinthefilm,onewayoranother.Stillthisiseasilyamongthemostnoteworthyinthegenre,notasbloodyastheArgentofilms,forexample,butequallysuspensefulandvisuallyalsointeresting.

Withthequarantinefinallyover,thenewseasonof"MythicQuest”findseveryonebackintheoffice(well,almosteveryone),attemptingtobuilduponthesuccessofRaven’sBanquetbylaunchinganepicnewexpansion,butIan(RobMcElhenney)andthenewlypromotedco-creativedirector,Poppy(CharlotteNicdao),strugglewiththegame’sdirection.Meanwhile,C.W.(F.MurrayAbraham)reconcilessomeunresolvedissuesfromhispast,thetesters(AshlyBurchandImaniHakim)testtheboundsofanofficeromance,andDavid(DavidHornsby)losesyetanotherwomaninhislifeasJo(JessieEnnis)leaveshimtoassistBrad(DannyPudi).

Withthequarantinefinallyover,thenewseasonofMythicQuestfindseveryonebackintheoffice(well,almosteveryone),attemptingtobuilduponthesuccessofRavensBanquetbylaunchinganepicnewexpansion,butIan(RobMcElhenney)andthenewlypromotedco-creativedirector,Poppy(CharlotteNicdao),strugglewiththegame’sdirection.Meanwhile,C.W.(F.MurrayAbraham)reconcilessomeunresolvedissuesfromhispast,thetesters(AshlyBurchandImaniHakim)testtheboundsofanofficeromance,andDavid(DavidHornsby)losesyetanotherwomaninhislifeasJo(JessieEnnis)leaveshimtoassistBrad(DannyPudi).

巴黎，下午五至七时。美丽的女歌手克莱奥（柯琳妮·玛钱德 Corinne Marchand饰）正游荡在巴黎街头。她一袭黑衣，摘掉假发，面无声色地穿越着内心中的恐惧与焦灼。一切都由一份体检报告引发，她担心自己会如占卜的人所言，患上胃癌。忐忑不安的克莱奥游走在巴黎街头、咖啡厅、或是家里，遇到了各类形形色色的男人，她的情人或是朋友，对他们诉说她生命中的每一个段落，但似乎没人真正理解她。直到最后，她遇见了即将远赴阿尔及利亚战场的年轻士兵。在与他的交谈下，克莱奥开始重新看到了世界，坦然地面对现实。　　由法国女导演阿涅斯·瓦尔达执导的成名作《五至七时的奇奥》，是新浪潮电影中一部举足轻重的作品。本片入围1962年第15届戛纳电影节金棕榈奖。

Basedonatruestory,acommunityisrockedbythedouble-homicideofaprominentcoupleandthelocalpolicestruggletofindthekiller.Asadarknesssettlesoverthetown,Albert,thenewresidentpastormusthelphischurchandfamilyovercometheaftershocksbyprovidingstability,healingandhopewhilehiswifeAimeemustcometogripswithherownfearthroughherfai...