Klem

某房地产公司的销售业务每况愈下，除了员工里基（阿尔帕西诺AlPacino饰）业绩尚可，其他员工只剩下在酒吧里买醉。公司主管约翰（凯文史派西KevinSpacey饰）看到士气低落，于是请来了推销大师布莱克（亚历克鲍德温AlecBaldwin饰）前来布道。这家伙盛气凌人，出言尖酸刻薄，把各位批得一无是处。为了生存，老推销员莱文（杰克莱蒙JackLemmon饰）因为女儿生病住院，所以希望可以得到照顾，保住饭碗；乔治（艾伦阿金AlanArkin饰）则因为年事已高，听天由命；戴夫（艾德哈里斯EdHarris饰）偷窃里基买卖的主意，一切通过金钱交易，神不知鬼不觉。然而，这个如意算盘并不是一帆风顺……

古德森（杰克·莱蒙JackLemmon饰）和麦克斯（沃尔特·马修WalterMatthau饰）是从小玩到大的好友，虽然两人都已经步入了古稀之年，但他们之间的情谊却没有丝毫的改变。某日，一位名叫爱丽儿（安·玛格丽特AnnMargret饰）的女子成为了两人的邻居，美丽优雅的爱丽儿很快就吸引了古德森和麦克斯的注意，他们都为爱丽儿所倾倒。很显然，爱丽儿更喜欢的是古德森，这让麦克斯感到十分不快，因为古德森那已经过世的妻子，是自己曾经喜欢过的女人，麦克斯认为，这一次，该轮到古德森主动退出了。最终，古德森决定成全麦克斯的感情，他故意羞辱和伤害爱丽儿，致使爱丽儿最终和麦克斯走到了一起。

巴黎热闹的街上，美丽的女子Garance（阿莱缇Arletty饰）先是认识了演员FrédérickLemaître（皮埃尔·布拉瑟PierreBrasseur饰），然后又认识了BaptisteDeburau（让-路易斯·巴劳特Jean-LouisBarrault饰），她还有一个追求者Pierre-FrançoisLacenaire，一个偷东西做些坏事的人。某个夜晚，Baptiste又在酒吧遇见了Garance，他向她表白爱意，Garance也喜欢Baptiste，两人来到Baptiste居住的旅馆。Baptiste希望Garance像他爱她一样爱他，于是离开了她的房间。恰巧Garance的隔壁住着的是Frédérick，两人遂一夜春宵，坠入爱河。Garance也加入了Baptiste和Frédérick的剧团。在一次演出上，一位花花公子，ComteÉdouarddeMontray被Garance的美丽深深吸引。他来到后台像Garance表达了他的爱，但被Garance拒绝。于是Édouard留下了他的联系方式，希望Garance有难的时候可以找他。不久，Garance卷入一宗谋杀案，她只能寻求Édouard的帮助。多年过去了，随着Édouard走遍各地的Garance又回到了巴黎，又遇到了Baptiste、Pierre-François和Frédérick.....

距今一千多年前,维京壮士斯坦纳（查理·比尤利CharlieBewley饰）跟格里米（MichaelJibson饰）!海根（CliveStanden饰）等壮士与来犯的撒克逊人开展惨烈凶恶的战役。未过多久,维京国王（JamesCosmo饰）生命告急,他有意将王位传给不信任诸神跟预言,只崇尚本人气力的儿子斯坦纳,同时对大志勃勃的另一个儿子哈罗德（FinlayRobertson饰）也不做盘算。老国王指导斯坦纳寻觅被流放许久的宗子哈肯（ElliotCowan饰）,迎破他为新的国王。斯坦纳承接了父王的下令,带着海根!格里米以及同父异母的兄弟瓦利（TheoBarklem-Biggs饰）踏上寻觅兄长的凶恶征途。与此同时,哈罗德黑暗与撒克逊人勾搭,维京人的运气系于一线。

Since 1977 - Sam Klemke has been recording himself on film, the #selfieavantlalettre. In that same year, NASA launched the Voyager with the Golden Record. Whereas NASA primarily sketches a positive picture of humanity, Klemke's honest self portraits zoom in on the individual. A special film about time, memory and what it means to be human.‘This year will be my year, it has to be!’ Since 1977 - Sam Klemke - a pioneer status updater - has looked back on ‘his year’ using video. With the illusion of progress, he hopes to encourage ‘personal growth and improvement’.Documentary maker Matthew Bate met Klemke on Facebook and became acquainted with his video 35 - Years Back Through Time, a super-cut in which Klemke counts backwards from 2011 - to his ambitious teenage self. Intrigued by this obsessive film project, Bate used Klemke's personal archive to create a documentary collage that feels like an intimate road trip, with Klemke providing valuable lessons about time. Along the way, he dismantles the dream of success and happiness. Klemke's self-mockery and honesty give the whole thing a light, breezy feel.Through this, Bate interweaves NASA’s Golden Record Project which, just like Klemke’s video project, was launched in 1977. This juxtaposition creates a reflection in which Bate sketches the comprehension of time and self-documenting stories as an inherent human need.